Alexei A Panov
Biographic Data
| ID | 9456925 |
|---|---|
| NAME | Alexei A Panov |
| GIVEN NAMES | Alexei A |
| FAMILY NAME | Panov |
| SIGNATURE | PANOV A A |
| AFFILIATIONS | St Petersburg University |
| ORCID | 0000-0002-4053-4512 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Passacaglia and Chaconne
There is a lot of information about the chaconne and passacaglia in ancient documents: treatises, prefaces to music publications, musical dictionaries and reference and encyclopedic publications of general vocabulary of the last quarter of the 17th and 18th centuries. At the same time, this information is very contradictory and is often subjective. Articles devoted to these genres are found in the Encyclopædia Britannica, in the Dictionnaire de l…
French Musicians of the 18th Century on the Interpretation of Compositions by Jean-Baptiste Lully
The French musical culture of the late Baroque and gallant Mannerism is a complex, closed, determinate dynamic system. The emphasis in this definition should be on the word “dynamic”. In particular, it applies to the principles of performance, which in France over the course of a century (until 1789) repeatedly and significantly changed in the process of the evolution of musical art and musical aesthetics. During the long 18th century, hundreds o…
An attempt to attribute the authorship of the treatises from the collection “The Modern Musick-Master” (London, 1730)
In 1730, a collection of treatises on singing and playing various musical instruments was published in London. It included “A Brief History of Music” and a small musical dictionary. Neither on the title page nor elsewhere in the text do we find information about its author/authors. Today, both reference and encyclopedic literature as well as special scholarly works refer to Peter Prelleur as the author (very rarely the compiler) of the collection…
No prominent works on this page.
An attempt to attribute the authorship of the treatises from the collection “The Modern Musick-Master” (London, 1730)
In 1730, a collection of treatises on singing and playing various musical instruments was published in London. It included “A Brief History of Music” and a small musical dictionary. Neither on the title page nor elsewhere in the text do we find information about its author/authors. Today, both reference and encyclopedic literature as well as special scholarly works refer to Peter Prelleur as the author (very rarely the compiler) of the collection…
French Musicians of the 18th Century on the Interpretation of Compositions by Jean-Baptiste Lully
The French musical culture of the late Baroque and gallant Mannerism is a complex, closed, determinate dynamic system. The emphasis in this definition should be on the word “dynamic”. In particular, it applies to the principles of performance, which in France over the course of a century (until 1789) repeatedly and significantly changed in the process of the evolution of musical art and musical aesthetics. During the long 18th century, hundreds o…
Passacaglia and Chaconne
There is a lot of information about the chaconne and passacaglia in ancient documents: treatises, prefaces to music publications, musical dictionaries and reference and encyclopedic publications of general vocabulary of the last quarter of the 17th and 18th centuries. At the same time, this information is very contradictory and is often subjective. Articles devoted to these genres are found in the Encyclopædia Britannica, in the Dictionnaire de l…
History (3 works) · Linguistics (3 works) · Philosophy (3 works) · Art (2 works) · Historical Influence and Diplomacy (2 works) · Literature (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Art history (1 work) · Baroque (1 work)