Fedosia W Tabyisova
Biographic Data
| ID | 9456943 |
|---|---|
| NAME | Fedosia W Tabyisova |
| GIVEN NAMES | Fedosia W |
| FAMILY NAME | Tabyisova |
| SIGNATURE | TABYISOVA F W |
| AFFILIATIONS | High School of Music of Sakha |
| ORCID | 0009-0008-4327-1720 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Trio Texture in Choral Arrangements and Polyclavier Organ of Southern Germany in the First Third of the 16th Century
The article is an attempt to establish a relationship between the structure of large South German church organs of the first third of the 16th century and the compositional features of the thencontemporary organ works. The historical boundaries of the Renaissance in German architecture and music do not coincide, while an organ may be viewed as an architectural element. This contradiction presents a certain difficulty. In the indicated period, the…
To the perfect instruments of Arnolt Schlick
Arnolt Schlick was a Palatine organist, composer and organ expert of the Renaissance who is best known for Spiegel der Orgelmacher und Organisten (1511), a treatise on building organs. In this work he presented a certain ideal of the organ seen from his own perspective. Schlick also published Tabulaturen etlicher Lobgesang (1512), a collection that enjoyed an imperial privilege and featured organ works of great originality of skill so much differ…
No prominent works on this page.
To the perfect instruments of Arnolt Schlick
Arnolt Schlick was a Palatine organist, composer and organ expert of the Renaissance who is best known for Spiegel der Orgelmacher und Organisten (1511), a treatise on building organs. In this work he presented a certain ideal of the organ seen from his own perspective. Schlick also published Tabulaturen etlicher Lobgesang (1512), a collection that enjoyed an imperial privilege and featured organ works of great originality of skill so much differ…
Trio Texture in Choral Arrangements and Polyclavier Organ of Southern Germany in the First Third of the 16th Century
The article is an attempt to establish a relationship between the structure of large South German church organs of the first third of the 16th century and the compositional features of the thencontemporary organ works. The historical boundaries of the Renaissance in German architecture and music do not coincide, while an organ may be viewed as an architectural element. This contradiction presents a certain difficulty. In the indicated period, the…
Art (2 works) · Art history (2 works) · Classics (2 works) · Diverse Musicological Studies (2 works) · German (2 works) · History (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · The Renaissance (2 works) · Aesthetics (1 work)