Yulia S Veksler
Biographic Data
| ID | 9456945 |
|---|---|
| NAME | Yulia S Veksler |
| GIVEN NAMES | Yulia S |
| FAMILY NAME | Veksler |
| SIGNATURE | VEKSLER Y S |
| AFFILIATIONS | Nizhny Novgorod State Conservatory named after M.I. Glinka |
| ORCID | 0000-0002-2965-9285 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Shostakovich and Berg
The article is dedicated to the memory of one of the leading Russian researchers of Dmitri Shostakovich’s work, Tamara Nikolaevna Levaya. Turning to the genre of the “double portrait,” widely represented in her works, the author attempts to identify parallels and intersections in the creative destinies of two classics of the twentieth century — Dmitri Shostakovich and Alban Berg. First of all, biographical facts related to the Leningrad premiere …
Interpretive Restoration
The article highlights a high-profile project by the Bern Academy of Arts to bring back into musical life one of the key works in the history of 20th-century Swiss music — Othmar Schoeck’s opera Das Schloß Dürande (1941). For many decades, despite its manifest musical merits, the performance of this composition seemed absolutely impossible due to the political overtones with which it is associated. Various “interpretive restoration” strategies we…
Arnold Schönberg’s and Alban Berg’s Personal Libraries as a Source of Study of Artistic Biographies
Composers’ personal libraries began to be the objects of research relatively recently, only about a hundred years ago. Meanwhile, it presents a valuable source for research of composers’ artistic biographies, which bears the imprint of the personalities both of the owner of the book collection and of his or her entire generation. The library makes it possible to evaluate the tastes and the predilections of the composer in question, helps reconstr…
J.M. Hauer
Josef Matthias Hauer (1883-1959) was an Austrian composer known for the development of twelve-tone music—the study of the tropes. His work and life, however, have been underscrutinised by Russian scholars. Hauer's musical works are generally regarded as illustrations to his theory with little artistic value. Meanwhile, the significance of his legacy goes beyond the twelve-tone composition: Hauer paves the way for discoveries in music of the secon…
New music in post-1918 Austria and Germany
The year 1918 opens a new political era as well as a new period in the history of art. It is associated with the promotion and strengthening of new music, which was accepted by the public only after the First World War. After the "heroic years" of the 1910s, new music gradually formed its own secessionist culture in the post-war period. It gave the right to compose new music as well as an opportunity to perform, listen, and evaluate it. The artic…
Alban Berg. “Diary” of a trip to Leningrad (based on the composer’s notebooks)
The article is based on previously unpublished archival materials from the Alban Berg Foundation of the Austrian National Library. These are, namely, the composer’s notebooks with his account of the trip to Leningrad to the premiere of the opera Wozzeck in June 1927. The article features facsimiles, transcriptions, and translations of some materials as well as their general description. The jewel of the collection is the notebook that Berg took w…
About methodological basis of Alban Berg’s creative process
The article discusses theoretical and methodological origins of Alban Berg’s creative process. A study of how methods of analysis and theoretical concepts of the corresponding period affect the genesis of the musical work and meet the peculiarities of a composer’s musical thinking, reveals the points of contact between the theory of music and composition. Our hypothesis is that energeticism as the most influential theoretical concept determined n…
No prominent works on this page.
Alban Berg. “Diary” of a trip to Leningrad (based on the composer’s notebooks)
The article is based on previously unpublished archival materials from the Alban Berg Foundation of the Austrian National Library. These are, namely, the composer’s notebooks with his account of the trip to Leningrad to the premiere of the opera Wozzeck in June 1927. The article features facsimiles, transcriptions, and translations of some materials as well as their general description. The jewel of the collection is the notebook that Berg took w…
About methodological basis of Alban Berg’s creative process
The article discusses theoretical and methodological origins of Alban Berg’s creative process. A study of how methods of analysis and theoretical concepts of the corresponding period affect the genesis of the musical work and meet the peculiarities of a composer’s musical thinking, reveals the points of contact between the theory of music and composition. Our hypothesis is that energeticism as the most influential theoretical concept determined n…
New music in post-1918 Austria and Germany
The year 1918 opens a new political era as well as a new period in the history of art. It is associated with the promotion and strengthening of new music, which was accepted by the public only after the First World War. After the "heroic years" of the 1910s, new music gradually formed its own secessionist culture in the post-war period. It gave the right to compose new music as well as an opportunity to perform, listen, and evaluate it. The artic…
J.M. Hauer
Josef Matthias Hauer (1883-1959) was an Austrian composer known for the development of twelve-tone music—the study of the tropes. His work and life, however, have been underscrutinised by Russian scholars. Hauer's musical works are generally regarded as illustrations to his theory with little artistic value. Meanwhile, the significance of his legacy goes beyond the twelve-tone composition: Hauer paves the way for discoveries in music of the secon…
Arnold Schönberg’s and Alban Berg’s Personal Libraries as a Source of Study of Artistic Biographies
Composers’ personal libraries began to be the objects of research relatively recently, only about a hundred years ago. Meanwhile, it presents a valuable source for research of composers’ artistic biographies, which bears the imprint of the personalities both of the owner of the book collection and of his or her entire generation. The library makes it possible to evaluate the tastes and the predilections of the composer in question, helps reconstr…
Interpretive Restoration
The article highlights a high-profile project by the Bern Academy of Arts to bring back into musical life one of the key works in the history of 20th-century Swiss music — Othmar Schoeck’s opera Das Schloß Dürande (1941). For many decades, despite its manifest musical merits, the performance of this composition seemed absolutely impossible due to the political overtones with which it is associated. Various “interpretive restoration” strategies we…
Shostakovich and Berg
The article is dedicated to the memory of one of the leading Russian researchers of Dmitri Shostakovich’s work, Tamara Nikolaevna Levaya. Turning to the genre of the “double portrait,” widely represented in her works, the author attempts to identify parallels and intersections in the creative destinies of two classics of the twentieth century — Dmitri Shostakovich and Alban Berg. First of all, biographical facts related to the Leningrad premiere …
Art (6 works) · Musicology and Musical Analysis (6 works) · Art history (4 works) · Literature (4 works) · Musical (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Arts, Culture, and Music Studies (2 works) · Epistemology (2 works) · History (2 works)