Ekaterina G Okuneva
Biographic Data
| ID | 9456964 |
|---|---|
| NAME | Ekaterina G Okuneva |
| GIVEN NAMES | Ekaterina G |
| FAMILY NAME | Okuneva |
| SIGNATURE | OKUNEVA E G |
| AFFILIATIONS | Petrozavodsk State Glazunov Conservatory |
| ORCID | 0000-0001-5253-8863 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Mozart phenomenon in the Postmodern interior
This article examines Michael Nyman’s 1991 television opera Letters, Riddles, and Writs, created in collaboration with Jeremy Newson and Pat Gavin to commemorate the bicentennial of Mozart’s death. It was part of the BBC’s experimental project Not Mozart, which reflected the values of postmodern culture. The libretto of the opera was based on documentary sources—fragments of Mozart’s letters and his “carnival” riddles. This article examines the a…
Operas by Poul Ruders
This article focuses on the operatic work of contemporary Danish composer Poul Ruders. His oeuvre includes five operas: Tycho (1986), The Handmaid’s Tale (1998), Proces Kafka (2005), Selma Jezková (2007), and The Thirteenth Child (2016). The article examines their key themes, compositional features, dramaturgy, and musical language. It is noted that the Danish composer favors dramatic stories reflecting contemporary social issues (gender inequali…
Jean Barraqué
The article examines the aesthetical views of French composer Jean Barraqué during the period of the formation and development of the principles of serialism. The roles of Schoenberg and Beethoven in the formation of the master’s artistic worldview are singled out. The path towards the new conception of sonar thinking for Barraqué were determined by Olivier Messiaen’s music analysis courses, the familiarization with the books of René Leibowitz de…
Formal Constraint as an Artistic Principle in Hans Abrahamsen’s Vocal Cycle “Let Me Tell You”
The article focuses its attention on the vocal cycle “Let me tell you” (2013) by Danish composer Hans Abrahamsen composed on texts from the novel with the same title by Paul Griffiths. The composition is examined through the prism of a special type of artistic principle initiated by the Oulipian strategy of the writer, who constrained the verbal space of his book to the 483 words pronounced by Ophelia in Shakespeare’s “Hamlet.” The technique of “…
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Formal Constraint as an Artistic Principle in Hans Abrahamsen’s Vocal Cycle “Let Me Tell You”
The article focuses its attention on the vocal cycle “Let me tell you” (2013) by Danish composer Hans Abrahamsen composed on texts from the novel with the same title by Paul Griffiths. The composition is examined through the prism of a special type of artistic principle initiated by the Oulipian strategy of the writer, who constrained the verbal space of his book to the 483 words pronounced by Ophelia in Shakespeare’s “Hamlet.” The technique of “…
Jean Barraqué
The article examines the aesthetical views of French composer Jean Barraqué during the period of the formation and development of the principles of serialism. The roles of Schoenberg and Beethoven in the formation of the master’s artistic worldview are singled out. The path towards the new conception of sonar thinking for Barraqué were determined by Olivier Messiaen’s music analysis courses, the familiarization with the books of René Leibowitz de…
Operas by Poul Ruders
This article focuses on the operatic work of contemporary Danish composer Poul Ruders. His oeuvre includes five operas: Tycho (1986), The Handmaid’s Tale (1998), Proces Kafka (2005), Selma Jezková (2007), and The Thirteenth Child (2016). The article examines their key themes, compositional features, dramaturgy, and musical language. It is noted that the Danish composer favors dramatic stories reflecting contemporary social issues (gender inequali…
The Mozart phenomenon in the Postmodern interior
This article examines Michael Nyman’s 1991 television opera Letters, Riddles, and Writs, created in collaboration with Jeremy Newson and Pat Gavin to commemorate the bicentennial of Mozart’s death. It was part of the BBC’s experimental project Not Mozart, which reflected the values of postmodern culture. The libretto of the opera was based on documentary sources—fragments of Mozart’s letters and his “carnival” riddles. This article examines the a…
Musicology and Musical Analysis (3 works) · Aesthetics (2 works) · Art (2 works) · Mathematics (2 works) · Musical (2 works) · Art, Politics, and Modernism (1 work) · Artistic and Creative Research (1 work) · Computer Science (1 work) · Diverse Musicological Studies (1 work) · Drama (1 work)