Glinka Nizhny Novgorod State Conservatoire
Biographic Data
| ID | 9456980 |
|---|---|
| NAME | Glinka Nizhny Novgorod State Conservatoire |
| GIVEN NAMES | Glinka Nizhny Novgorod State |
| FAMILY NAME | Conservatoire |
| SIGNATURE | CONSERVATOIRE G N N S |
| AFFILIATIONS | Nizhny Novgorod State Conservatory named after M.I. Glinka |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
China in Soviet Opera
The attitude of the general public and musical circles to the work of Sergei Nikiforovich Vasilenko (1872–1956) changed more than once. Now that it becomes possible to consider his work more objectively, it is attracting the increasing attention of performers and researchers. One of Vasilenko’s most interesting works yet to receive critical reappraisal is his opera Son of the Sun [Sïn Solntsa] (1929). A year after its premiere at the Bolshoi Thea…
What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem
The article is devoted to analysing the stylistic dialogue in the music of Michel Legrand to three films by Jacques Demy: The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), and Donkeyskin (1971) created in the genre of “comédie musicale” (musical comedy, musical). In the first part of the article the author examines the French sources of the American musical (from the comedy-ballet Le Bourgeois Gentilhomme by Moliere and Lull…
The Dialogue of Art and Philosophy in Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei
The article is based on the analysis of two Renaissance works of art: Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei, which illustrate how works of art reflect the philosophy of the epoch. The author of the article draws a parallel between the nature of secular and religious Renaissance art and reveals their traditional and innovative features. The relevance of the research is due to the increased interest in the interdisciplinary scientif…
Electroacoustic Experiments of the Art Zoyd and Their Implementation in Soundtracks for Silent Films
The article is devoted to the work of Art Zoyd, a French group whose experimental style is often defined by modern researchers as “la musique nouvelle” (from the French — “new music”) and is viewed through the prism of the genre-style dialogue between rock and contemporary academic music. The idea of “metamusic”, expressed in the co-creation of several composers, as well as in the unity of visual, plastic, and musical components, is also importan…
The Marriage of Balzaminov by A. Ostrovsky
In the article the dramatic composition of A. Ostrovsky’s comedy Holiday Dream Before Dinner is investigated with the method used in the analysis of musical texts. The general structure of the work is defined as an analog of the monothematic sonata form. The basis of monothema- tism is the theme of dream. The dream is the thematic core of the play. It absorbs all the motives and images that are consistently revealed in the play. So, the first the…
No prominent works on this page.
Electroacoustic Experiments of the Art Zoyd and Their Implementation in Soundtracks for Silent Films
The article is devoted to the work of Art Zoyd, a French group whose experimental style is often defined by modern researchers as “la musique nouvelle” (from the French — “new music”) and is viewed through the prism of the genre-style dialogue between rock and contemporary academic music. The idea of “metamusic”, expressed in the co-creation of several composers, as well as in the unity of visual, plastic, and musical components, is also importan…
The Marriage of Balzaminov by A. Ostrovsky
In the article the dramatic composition of A. Ostrovsky’s comedy Holiday Dream Before Dinner is investigated with the method used in the analysis of musical texts. The general structure of the work is defined as an analog of the monothematic sonata form. The basis of monothema- tism is the theme of dream. The dream is the thematic core of the play. It absorbs all the motives and images that are consistently revealed in the play. So, the first the…
The Dialogue of Art and Philosophy in Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei
The article is based on the analysis of two Renaissance works of art: Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei, which illustrate how works of art reflect the philosophy of the epoch. The author of the article draws a parallel between the nature of secular and religious Renaissance art and reveals their traditional and innovative features. The relevance of the research is due to the increased interest in the interdisciplinary scientif…
What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem
The article is devoted to analysing the stylistic dialogue in the music of Michel Legrand to three films by Jacques Demy: The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), and Donkeyskin (1971) created in the genre of “comédie musicale” (musical comedy, musical). In the first part of the article the author examines the French sources of the American musical (from the comedy-ballet Le Bourgeois Gentilhomme by Moliere and Lull…
China in Soviet Opera
The attitude of the general public and musical circles to the work of Sergei Nikiforovich Vasilenko (1872–1956) changed more than once. Now that it becomes possible to consider his work more objectively, it is attracting the increasing attention of performers and researchers. One of Vasilenko’s most interesting works yet to receive critical reappraisal is his opera Son of the Sun [Sïn Solntsa] (1929). A year after its premiere at the Bolshoi Thea…
Art (5 works) · Art history (4 works) · Literature (4 works) · Philosophy (4 works) · Musical (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Linguistics (2 works) · Musicology and Musical Analysis (2 works) · Auditory imagery (1 work)