Olga V Sobakina
Biographic Data
| ID | 9456984 |
|---|---|
| NAME | Olga V Sobakina |
| GIVEN NAMES | Olga V |
| FAMILY NAME | Sobakina |
| SIGNATURE | SOBAKINA O V |
| AFFILIATIONS | Institute of Art Restoration |
| ORCID | 0000-0003-0161-949X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Cantatas Widma and Sonety krymskie by Stanisław Moniuszko to the Lyrics by Adam Mickiewicz
A. Mickiewicz’s poetic cycles, to which S. Moniuszko turned during his Warsaw period of creativity, provided the composer with a rare opportunity not only to use highly artistic texts united by a dramatic plot, but also to interpret a variety of national motifs. The topic of the article was previously touched upon episodically in the book by I.F. Belza and is of interest due to the insufficient study of Moniuszko’s outstanding works, as well as d…
Early Stage Works by Stanisław Moniuszko
The article is devoted to Stanisław Moniuszko’s early compositions for musical theatre, written in Minsk and Vilnius (1830–1840s). They had different genre designations: comedy-operas, operettas, musical scenes, pastorals, idylls. Today it is difficult not only to differentiate their genres, but also to establish the exact dates of writing, since only sketches remain of some of them. Even Moniuszko’s first biographer, Aleksander Walicki, consider…
The Polish Musical Film of the 1930s
The author focuses on one of the most striking phenomena of European cinema of the interwar period, a musical film and musical comedy in particular, which vividly declared itself in Poland in 1930 (almost simultaneously with the advent of sound cinema). The new film genre was developing rapidly, but the achievements of Polish cinema in this area are little known in Russia. Despite the fact that the technical capabilities were more than modest, th…
The Poetry of A. Mickiewicz in the Chamber-Vocal Works by S. Moniuszko
Adam Mickiewicz’s poetry attracted many composers, but it left the most noticeable trace in the work of Stanisław Moniuszko, who turned to lyrical poems, ballads, sonnets, as well as excerpts from the poems Konrad Wallenrod and Dziady. Fragments of them were also used by the composer in romances included in various issues of his Home Songbooks (Śpiewnik domowy), and as a result, the texts of Mickiewicz accompanied Moniuszko from the very first wo…
The Peculiarities of Orchestration in Compositions for Parade Ground Concerts of Wind Bands
The article examines the main structural elements of parade ground concerts, including compositions of various genres and styles which affect the musical stage dramaturgy and the peculiarities of orchestration of the musical set of the program. Very frequently in programs of parade ground concerts the attention of the audiences is drawn towards musical compositions of a pronounced national character, as well as the use of folk instruments, which …
Sequenza IV in Luciano Berio’s Piano Works
The Italian composer Luciano Berio, a classic of modern music, is distinguished by a rare variety of creative solutions and a wide range of interests. Sequenza I, written by Berio in 1958, marked the beginning of a series of 14 pieces. They are dedicated to contemporary interpretation of possibilities of various instruments and voice in the genre of a solo concert piece. The Sequenzas are an example of virtuosity and an encyclopedia of the develo…
No prominent works on this page.
Sequenza IV in Luciano Berio’s Piano Works
The Italian composer Luciano Berio, a classic of modern music, is distinguished by a rare variety of creative solutions and a wide range of interests. Sequenza I, written by Berio in 1958, marked the beginning of a series of 14 pieces. They are dedicated to contemporary interpretation of possibilities of various instruments and voice in the genre of a solo concert piece. The Sequenzas are an example of virtuosity and an encyclopedia of the develo…
The Poetry of A. Mickiewicz in the Chamber-Vocal Works by S. Moniuszko
Adam Mickiewicz’s poetry attracted many composers, but it left the most noticeable trace in the work of Stanisław Moniuszko, who turned to lyrical poems, ballads, sonnets, as well as excerpts from the poems Konrad Wallenrod and Dziady. Fragments of them were also used by the composer in romances included in various issues of his Home Songbooks (Śpiewnik domowy), and as a result, the texts of Mickiewicz accompanied Moniuszko from the very first wo…
The Peculiarities of Orchestration in Compositions for Parade Ground Concerts of Wind Bands
The article examines the main structural elements of parade ground concerts, including compositions of various genres and styles which affect the musical stage dramaturgy and the peculiarities of orchestration of the musical set of the program. Very frequently in programs of parade ground concerts the attention of the audiences is drawn towards musical compositions of a pronounced national character, as well as the use of folk instruments, which …
The Polish Musical Film of the 1930s
The author focuses on one of the most striking phenomena of European cinema of the interwar period, a musical film and musical comedy in particular, which vividly declared itself in Poland in 1930 (almost simultaneously with the advent of sound cinema). The new film genre was developing rapidly, but the achievements of Polish cinema in this area are little known in Russia. Despite the fact that the technical capabilities were more than modest, th…
Cantatas Widma and Sonety krymskie by Stanisław Moniuszko to the Lyrics by Adam Mickiewicz
A. Mickiewicz’s poetic cycles, to which S. Moniuszko turned during his Warsaw period of creativity, provided the composer with a rare opportunity not only to use highly artistic texts united by a dramatic plot, but also to interpret a variety of national motifs. The topic of the article was previously touched upon episodically in the book by I.F. Belza and is of interest due to the insufficient study of Moniuszko’s outstanding works, as well as d…
Early Stage Works by Stanisław Moniuszko
The article is devoted to Stanisław Moniuszko’s early compositions for musical theatre, written in Minsk and Vilnius (1830–1840s). They had different genre designations: comedy-operas, operettas, musical scenes, pastorals, idylls. Today it is difficult not only to differentiate their genres, but also to establish the exact dates of writing, since only sketches remain of some of them. Even Moniuszko’s first biographer, Aleksander Walicki, consider…
Art (5 works) · Musical (5 works) · Literature (3 works) · Polish Historical and Cultural Studies (3 works) · Art history (2 works) · Central European Literary Studies (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Sonnet (2 works) · Visual arts (2 works)