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Zivar M Guseinova

Biographic Data

ID9456996
NAMEZivar M Guseinova
GIVEN NAMESZivar M
FAMILY NAMEGuseinova
SIGNATUREGUSEINOVA Z M
AFFILIATIONSSaint Petersburg State Conservatory named after N.A. Rimsky-Korsakov
ORCID0000-0001-8940-6485
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2025
H-INDEX0
  • German Letters of Alexander Serov 1858–1859 in the Manuscript Department of the St. Petersburg Conservatory (From the Composer’s Unpublished Legacy)

    Open Access•Saint Petersburg Rimsky-Korsakov State Conservatory, Anastasia S Voitseshko et…•ARTICLE•Contemporary Musicology•2025

    The epistolary legacy of Alexander Nikolaevich Serov contains rich material for the study of his work, personality — and, more broadly, the history of Russian music in the second half of the 19th century as a whole. The article is dedicated to the letters that the composer wrote to his mother during his first trips abroad (1858–1859). At the same time, he published correspondence in the form of “traveler’s notes” in the magazine Music and Theatre…

  • Lermontov’s Texts in Tchaikovsky’s Oeuvre

    Open Access•Saint Petersburg Rimsky-Korsakov State Conservatory, Zivar M Guseinova•ARTICLE•Contemporary Musicology•2024

    Tchaikovsky’s musical legacy includes only two works related to Lermontov’s poetry. These are the song The Love of a Dead Man (1878), which is a part of Opus 38, and the a cappella chorus A Golden Cloud Spent the Night (1887). But there is information available about the composer’s other plans to compose music associated with Lermontov, manifested, in particular, in his intention to write the opera Bela to a libretto by Anton Chekhov. In both com…

No prominent works on this page.

  • Lermontov’s Texts in Tchaikovsky’s Oeuvre

    Open Access•Saint Petersburg Rimsky-Korsakov State Conservatory, Zivar M Guseinova•ARTICLE•Contemporary Musicology•2024

    Tchaikovsky’s musical legacy includes only two works related to Lermontov’s poetry. These are the song The Love of a Dead Man (1878), which is a part of Opus 38, and the a cappella chorus A Golden Cloud Spent the Night (1887). But there is information available about the composer’s other plans to compose music associated with Lermontov, manifested, in particular, in his intention to write the opera Bela to a libretto by Anton Chekhov. In both com…

  • German Letters of Alexander Serov 1858–1859 in the Manuscript Department of the St. Petersburg Conservatory (From the Composer’s Unpublished Legacy)

    Open Access•Saint Petersburg Rimsky-Korsakov State Conservatory, Anastasia S Voitseshko et…•ARTICLE•Contemporary Musicology•2025

    The epistolary legacy of Alexander Nikolaevich Serov contains rich material for the study of his work, personality — and, more broadly, the history of Russian music in the second half of the 19th century as a whole. The article is dedicated to the letters that the composer wrote to his mother during his first trips abroad (1858–1859). At the same time, he published correspondence in the form of “traveler’s notes” in the magazine Music and Theatre…

Art (2 works) · Literature (2 works) · Musical (2 works) · Archaeology (1 work) · Art history (1 work) · Bartok (1 work) · Central Asia Education and Culture (1 work) · Choir (1 work) · Chorus (1 work) · Citation (1 work)

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