Călina-Maria Moldovan
Biographic Data
| ID | 9457954 |
|---|---|
| NAME | Călina-Maria Moldovan |
| GIVEN NAMES | Călina-Maria |
| FAMILY NAME | Moldovan |
| SIGNATURE | MOLDOVAN C |
| AFFILIATIONS | Babeș-Bolyai University |
| ORCID | 0000-0001-9561-3253 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Ocean in Contemporary Norwegian Literature
This paper aims to analyse the way in which the ocean is depicted in several contemporary Norwegian literary works. The analysed volumes are Mandø (2009), by Kjersti Vik, the so-called Barrøy Chronicles, by Roy Jacobsen (2013-2020), Shark Drunk (2015), by Morten Strøksnes, and The End of the Ocean (2017), by Maja Lunde. This research is situated at the intersection between ecocriticism and new materialist theories. In this sense, it draws extensi…
Human and Non-human Representations in Maja Lunde’s Fiction
The article focuses on Maja Lunde’s “climate quartet,” read from the perspective of post-speciesist theory and new materialism. Apart from dealing with climate change and dystopian futures, Lunde’s fiction also tackles the poetics and politics of the non-human (be it non-human animals or the non-human environment), which is no longer perceived as inherently submissive and dependent on the human, but possesses a life of its own. In new materialism…
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Human and Non-human Representations in Maja Lunde’s Fiction
The article focuses on Maja Lunde’s “climate quartet,” read from the perspective of post-speciesist theory and new materialism. Apart from dealing with climate change and dystopian futures, Lunde’s fiction also tackles the poetics and politics of the non-human (be it non-human animals or the non-human environment), which is no longer perceived as inherently submissive and dependent on the human, but possesses a life of its own. In new materialism…
The Ocean in Contemporary Norwegian Literature
This paper aims to analyse the way in which the ocean is depicted in several contemporary Norwegian literary works. The analysed volumes are Mandø (2009), by Kjersti Vik, the so-called Barrøy Chronicles, by Roy Jacobsen (2013-2020), Shark Drunk (2015), by Morten Strøksnes, and The End of the Ocean (2017), by Maja Lunde. This research is situated at the intersection between ecocriticism and new materialist theories. In this sense, it draws extensi…
Ecocriticism and Environmental Literature (2 works) · Materialism (2 works) · Aesthetics (1 work) · Art (1 work) · Communication (1 work) · Contemporary Literature and Criticism (1 work) · Dystopia (1 work) · Ecocriticism (1 work) · Empiricism (1 work) · Epistemology (1 work)