Fiona Tolan
Biographic Data
| ID | 94754 |
|---|---|
| NAME | Fiona Tolan |
| GIVEN NAMES | Fiona |
| FAMILY NAME | Tolan |
| SIGNATURE | TOLAN F |
| AFFILIATIONS | Liverpool John Moores University |
| ORCID | 0000-0003-0648-6286 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
The Politics of Cleaning in Doris Lessing’s 1980s Realist Fiction
In Doris Lessing’s 1962 short story ‘To Room Nineteen’, published in A Man and Two Women just a year after the publication of The Golden Notebook, Susan Rawlings, a sensible, middle-class housewife with ‘four children, big house, garden, charwoman’ who will eventually commit suicide in a seedy Paddington hotel, struggles to articulate the feelings of entrapment and oppression that inexplicably plague her. The story, we are advised at the outset, …
I don’t know who I’d be if I wasn’t a writer”
novels, including her most recent work, Home Fire, which was awarded the 2018 Women's Prize for Fiction. She grew up in Karachi, "one of the world's great, fascinating cities" (Chambers 220), where she enjoyed a privileged cosmopolitan and secular upbringing
I could say that, too”
Aging and Subjectivity in Margaret Atwood’s Fiction
In “The Victory Burlesk,” a short story from Margaret Atwood’s 1983 collection, Murder in the Dark, the unnamed young female narrator recalls attending, in a spirit of arch irony, a burlesque show. She particularly enjoys the theatricality of the spectacle – the lights, colors, and the skill of the performers. A dancer commences a strip tease. With her back to the audience, the woman’s undulating body promises titillation and display, “but when s…
To Leave and to Return
Journal Article To Leave and to Return: Frustrated Departures and Female Quest in Alice Munro's Runaway Get access Fiona Tolan Fiona Tolan Liverpool John Moores University, [email protected] Search for other works by this author on: Oxford Academic Google Scholar Contemporary Women's Writing, Volume 4, Issue 3, November 2010, Pages 161–178, https://doi.org/10.1093/cww/vpp017 Published: 01 November 2010
Rerouting the Postcolonial
This special issue traces several new directions in postcolonial studies in which the earlier paradigm of roots/rootedness can be seen to emerge into a new model of routes/“(re)routing”, thus refle
Margaret Atwood
Margaret Atwood: Feminism and Fiction takes a new look at the complex relationship between Margaret Atwood’s fiction and feminist politics. Examining in detail the concerns and choices of an author who has frequently been termed feminist but has famously rejected the label on many occasions, this book traces the influences of feminism in Atwood’s work and simultaneously plots moments of dissent or debate. Fiona Tolan presents a clear and detailed…
Situating Canada
Margaret Atwood published her eighth novel, The Robber Bride, in 1993; it marks a moment when postmodernism and post-colonialism that have always been discernible in Atwood's work came to fore in critical dialog. (1) The Robber Bride is a novel concerned with place and with origins. Many of characters have complicated ethnic and cultural histories, reflecting something of increasingly multicultural composition of contemporary Canada. But this mul…
Feminist utopias and questions of liberty
Published in 1985, a year after the date made infamous by George Orwell's novel, The Handmaid's Tale appeared during a period of heightened interest in utopian literature, particularly feminist uto
Guilt and Innocence in the Community and the Self
This article examines the theme of guilt and innocence in Margaret Atwood's 1972 novel, Surfacing, and pays particular attention to how these themes interact in the text with feminism, nationalism and environmentalism. I suggest that the ideas that Atwood is exploring in the novel – ideas about an individual's social responsibility and about a society's responsibility towards an individual – are questions that later become central to the multicul…
Rerouting the Postcolonial
This special issue traces several new directions in postcolonial studies in which the earlier paradigm of roots/rootedness can be seen to emerge into a new model of routes/“(re)routing”, thus refle
Feminist utopias and questions of liberty
Published in 1985, a year after the date made infamous by George Orwell's novel, The Handmaid's Tale appeared during a period of heightened interest in utopian literature, particularly feminist uto
I could say that, too”
To Leave and to Return
Journal Article To Leave and to Return: Frustrated Departures and Female Quest in Alice Munro's Runaway Get access Fiona Tolan Fiona Tolan Liverpool John Moores University, [email protected] Search for other works by this author on: Oxford Academic Google Scholar Contemporary Women's Writing, Volume 4, Issue 3, November 2010, Pages 161–178, https://doi.org/10.1093/cww/vpp017 Published: 01 November 2010
Guilt and Innocence in the Community and the Self
This article examines the theme of guilt and innocence in Margaret Atwood's 1972 novel, Surfacing, and pays particular attention to how these themes interact in the text with feminism, nationalism and environmentalism. I suggest that the ideas that Atwood is exploring in the novel – ideas about an individual's social responsibility and about a society's responsibility towards an individual – are questions that later become central to the multicul…
Situating Canada
Margaret Atwood published her eighth novel, The Robber Bride, in 1993; it marks a moment when postmodernism and post-colonialism that have always been discernible in Atwood's work came to fore in critical dialog. (1) The Robber Bride is a novel concerned with place and with origins. Many of characters have complicated ethnic and cultural histories, reflecting something of increasingly multicultural composition of contemporary Canada. But this mul…
Feminist utopias and questions of liberty
Published in 1985, a year after the date made infamous by George Orwell's novel, The Handmaid's Tale appeared during a period of heightened interest in utopian literature, particularly feminist uto
Margaret Atwood
Margaret Atwood: Feminism and Fiction takes a new look at the complex relationship between Margaret Atwood’s fiction and feminist politics. Examining in detail the concerns and choices of an author who has frequently been termed feminist but has famously rejected the label on many occasions, this book traces the influences of feminism in Atwood’s work and simultaneously plots moments of dissent or debate. Fiona Tolan presents a clear and detailed…
To Leave and to Return
Journal Article To Leave and to Return: Frustrated Departures and Female Quest in Alice Munro's Runaway Get access Fiona Tolan Fiona Tolan Liverpool John Moores University, [email protected] Search for other works by this author on: Oxford Academic Google Scholar Contemporary Women's Writing, Volume 4, Issue 3, November 2010, Pages 161–178, https://doi.org/10.1093/cww/vpp017 Published: 01 November 2010
Rerouting the Postcolonial
This special issue traces several new directions in postcolonial studies in which the earlier paradigm of roots/rootedness can be seen to emerge into a new model of routes/“(re)routing”, thus refle
I could say that, too”
Aging and Subjectivity in Margaret Atwood’s Fiction
In “The Victory Burlesk,” a short story from Margaret Atwood’s 1983 collection, Murder in the Dark, the unnamed young female narrator recalls attending, in a spirit of arch irony, a burlesque show. She particularly enjoys the theatricality of the spectacle – the lights, colors, and the skill of the performers. A dancer commences a strip tease. With her back to the audience, the woman’s undulating body promises titillation and display, “but when s…
I don’t know who I’d be if I wasn’t a writer”
novels, including her most recent work, Home Fire, which was awarded the 2018 Women's Prize for Fiction. She grew up in Karachi, "one of the world's great, fascinating cities" (Chambers 220), where she enjoyed a privileged cosmopolitan and secular upbringing
The Politics of Cleaning in Doris Lessing’s 1980s Realist Fiction
In Doris Lessing’s 1962 short story ‘To Room Nineteen’, published in A Man and Two Women just a year after the publication of The Golden Notebook, Susan Rawlings, a sensible, middle-class housewife with ‘four children, big house, garden, charwoman’ who will eventually commit suicide in a seedy Paddington hotel, struggles to articulate the feelings of entrapment and oppression that inexplicably plague her. The story, we are advised at the outset, …
Sociology (8 works) · Art (6 works) · Canadian Identity and History (6 works) · Political science (6 works) · Short Stories in Global Literature (6 works) · Utopian, Dystopian, and Speculative Fiction (6 works) · Art history (5 works) · History (4 works) · Law (4 works) · Literature (4 works)