Jonathan A Gómez
Biographic Data
| ID | 9489215 |
|---|---|
| NAME | Jonathan A Gómez |
| GIVEN NAMES | Jonathan A |
| FAMILY NAME | Gómez |
| SIGNATURE | GÓMEZ J A |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Marquis Hill’s Modern Flows
In this article, I make a methodological intervention into Black music studies by arguing for greater consideration of “metapragmatic indexicality,” as theorized by linguistic anthropologist Michael Silverstein (1976, 1993, 2003), in examining Black musical identity formation. More specifically, I wish to address how metapragmatic indexicals from Black musical history “calibrate” the pragmatic level of musical signs and pull them into a configura…
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together
In this article, I argue for a culturally specific and historically informed understanding of Black voice and musical identity through an examination of the musical practices of vocalist Alberta Hunter (1895–1984), whose long career can be broken into two distinct periods: first from the middle of the 1910s to 1956, and a second between 1977 and her death in 1984. Within, I reframe musical practices emergent from and developed within Black Americ…
No prominent works on this page.
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together
In this article, I argue for a culturally specific and historically informed understanding of Black voice and musical identity through an examination of the musical practices of vocalist Alberta Hunter (1895–1984), whose long career can be broken into two distinct periods: first from the middle of the 1910s to 1956, and a second between 1977 and her death in 1984. Within, I reframe musical practices emergent from and developed within Black Americ…
Marquis Hill’s Modern Flows
In this article, I make a methodological intervention into Black music studies by arguing for greater consideration of “metapragmatic indexicality,” as theorized by linguistic anthropologist Michael Silverstein (1976, 1993, 2003), in examining Black musical identity formation. More specifically, I wish to address how metapragmatic indexicals from Black musical history “calibrate” the pragmatic level of musical signs and pull them into a configura…
Music History and Culture (2 works) · Musical (2 works) · Aesthetics (1 work) · Art (1 work) · Consciousness (1 work) · Epistemology (1 work) · Frith (1 work) · Improvisation (1 work) · Jazz (1 work) · Musicology and Musical Analysis (1 work)