James Lloyd-Cox
Biographic Data
| ID | 9496423 |
|---|---|
| NAME | James Lloyd-Cox |
| GIVEN NAMES | James |
| FAMILY NAME | Lloyd-Cox |
| SIGNATURE | LLOYD-COX J |
| AFFILIATIONS | Goldsmiths University of London |
| ORCID | 0000-0003-3492-9638 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The role of inhibitory control in creative cognition
Creative cognition is often argued to involve a degree of inhibitory control, but it remains unclear what amount, and type, of inhibitory control is relevant to which type of creative cognition. Some evidence suggests that creative performance benefits from stronger inhibition (particularly in laboratory settings), while other evidence suggests that it benefits from weaker inhibition. Supposing that this variation in findings might be due to the …
Toward greater computational modeling in neurocognitive creativity research
Creative cognition is the driving force behind all cultural and scientific progress. In recent years, the field of neurocognitive creativity research (NCR) has made considerable progress in revealing the neural and psychological correlates of creative cognition. However, a detailed understanding of how cognitive processes produce creative ideas, and how these processes interact differently across tasks and individuals, remains elusive. In this ar…
Representing melodic relationships using network science
Evaluating Creativity
According to the standard definition, creative ideas must be both novel and useful. While a handful of recent studies suggest that novelty is more important than usefulness to evaluations of creativity, little is known about the contextual and interpersonal factors that affect how people weigh these two components when making an overall creativity judgment. We used individual participant regressions and mixed-effects modeling to examine how the c…
Seeing outside the box
No prominent works on this page.
Seeing outside the box
Evaluating Creativity
According to the standard definition, creative ideas must be both novel and useful. While a handful of recent studies suggest that novelty is more important than usefulness to evaluations of creativity, little is known about the contextual and interpersonal factors that affect how people weigh these two components when making an overall creativity judgment. We used individual participant regressions and mixed-effects modeling to examine how the c…
Representing melodic relationships using network science
Toward greater computational modeling in neurocognitive creativity research
Creative cognition is the driving force behind all cultural and scientific progress. In recent years, the field of neurocognitive creativity research (NCR) has made considerable progress in revealing the neural and psychological correlates of creative cognition. However, a detailed understanding of how cognitive processes produce creative ideas, and how these processes interact differently across tasks and individuals, remains elusive. In this ar…
The role of inhibitory control in creative cognition
Creative cognition is often argued to involve a degree of inhibitory control, but it remains unclear what amount, and type, of inhibitory control is relevant to which type of creative cognition. Some evidence suggests that creative performance benefits from stronger inhibition (particularly in laboratory settings), while other evidence suggests that it benefits from weaker inhibition. Supposing that this variation in findings might be due to the …
Cognitive psychology (4 works) · Creativity in Education and Neuroscience (4 works) · Psychology (4 works) · Computer Science (3 works) · Artificial Intelligence (2 works) · Cognition (2 works) · Cognitive science (2 works) · Creativity (2 works) · Design Education and Practice (2 works) · Openness to experience (2 works)