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Antonio Marazzi

Biographic Data

ID94981
NAMEAntonio Marazzi
GIVEN NAMESAntonio
FAMILY NAMEMarazzi
SIGNATUREMARAZZI A
AFFILIATIONSUniversity of Padua
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS9
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Aural Anthropology, a Way of Listening

    Antonio Marazzi•ARTICLE•Visual Anthropology•2019•References: 8

    This article considers how hearing, listening and resonances have largely been neglected in anthropological fieldwork. Oral cultures have been “translated” into written reports, while visual anthropology has often found a need to add written subtitles to images. This is part of a general underestimation of the “second” sense, and its role in the awareness of being-in-this-world. New digital technologies have now expanded the acoustic environment …

  • An Encyclopedic Art Biennale in Venice

    Antonio Marazzi•ARTICLE•Visual Anthropology•2014•References: 2

  • An Anthropological View of Vision

    Open Access•Antonio Marazzi•ARTICLE•Diogenes•2003

    The image of the cave described by Plato in Book VII of the Republic is the most frequently quoted emblematic example of the belief in the illusory nature of what sight transmits to the mind. 'We must compare the world of the senses with the view of those who live in a prison', says Socrates, referring to the cave in which there are men in chains who can see nothing but a wall onto which are projected shadows of objects lit by a fire behind them,…

  • Un regard anthropologique sur la vision

    Antonio Marazzi•ARTICLE•Diogène•2002

  • Visual anthropology in a world of images

    Antonio Marazzi•ARTICLE•Visual Anthropology•1999•Cited by: 1•References: 2

    Culturally meaningfull icons are, under different forms and with different users and uses, at the forefront of social debates and confrontations everywhere, now more than ever. The scope of visual anthropology broadens with the expansion of restricted codes of visual communication in metropolitan areas, with the changing of meanings attributed to historical icons, with the invention of new intercultural visual codes. In this paper, the author adv…

  • Tempus De Baristas (Time of The Barmen)

    Open Access•Antonio Marazzi•ARTICLE•Visual Anthropology Review•1994•Cited by: 1•References: 1

    Tempus de baristas (English version: Time of the Barmen) by David MacDougall. Produced by Istituto Superiore Regionale Sardo in collaboration with BBC, 100 min

  • La domanda sociale di competenze antropologiche nei settori pubblico e privato

    Lanfranco Di Mario, Aldo Giuliano et al.•ARTICLE•La Ricerca Folklorica•1991

    Lanfranco Di Mario, Aldo Giuliano, Francesco Albanese, Cecilia Gatto Trocchi, Antonio Marazzi, Maria Laura Bonin, Gianfranco Molteni, Marisa Iori, Bruno Pianta, Duccio Canestrini, Angela Giglia, Riccardo Putti, Vanessa Maher, Paolo Apolito, La domanda sociale di competenze antropologiche nei settori pubblico e privato, La Ricerca Folklorica, No. 23, Professione antropologo (Apr., 1991), pp. 19-34

  • La formazione universitaria e la societa in trasformazione

    Pietro Clemente, Valentina Zerini et al.•ARTICLE•La Ricerca Folklorica•1991

    Pietro Clemente, Valentina Zerini, Tullio Seppilli, Massimo Rossi, Alberto Antoniotto, Antonio Marazzi, Livio Sansone, La formazione universitaria e la società in trasformazione: la proposta antropologica nel dubbio, La Ricerca Folklorica, No. 23, Professione antropologo (Apr., 1991), pp. 5-17

  • Visual studies and the public

    Antonio Marazzi•ARTICLE•Visual Sociology•1989

  • Ethnology and/or Cultural Anthropology in Italy

    Vinigi L Grottanelli, Vinigi Grottanelli et al.•ARTICLE•Current Anthropology•1977•Cited by: 7•References: 3

    The paper attempts to summarize the development of ethnology in Italy, from its early antecedents in past centuries to the present day, and its relation to other sciences of man as understood and organized in the country. Since 1870, the year in which the nation's political unification was completed, the unity of anthropological disciplines has been recognized in principe and reflected in the programs of learned societies, specialized museums, sc…

  • Ethnology and/or Cultural Anthropology in Italy

    Vinigi L Grottanelli, Vinigi Grottanelli et al.•ARTICLE•Current Anthropology•1977•Cited by: 7•References: 3

    The paper attempts to summarize the development of ethnology in Italy, from its early antecedents in past centuries to the present day, and its relation to other sciences of man as understood and organized in the country. Since 1870, the year in which the nation's political unification was completed, the unity of anthropological disciplines has been recognized in principe and reflected in the programs of learned societies, specialized museums, sc…

  • Visual anthropology in a world of images

    Antonio Marazzi•ARTICLE•Visual Anthropology•1999•Cited by: 1•References: 2

    Culturally meaningfull icons are, under different forms and with different users and uses, at the forefront of social debates and confrontations everywhere, now more than ever. The scope of visual anthropology broadens with the expansion of restricted codes of visual communication in metropolitan areas, with the changing of meanings attributed to historical icons, with the invention of new intercultural visual codes. In this paper, the author adv…

  • Tempus De Baristas (Time of The Barmen)

    Open Access•Antonio Marazzi•ARTICLE•Visual Anthropology Review•1994•Cited by: 1•References: 1

    Tempus de baristas (English version: Time of the Barmen) by David MacDougall. Produced by Istituto Superiore Regionale Sardo in collaboration with BBC, 100 min

  • Ethnology and/or Cultural Anthropology in Italy

    Vinigi L Grottanelli, Vinigi Grottanelli et al.•ARTICLE•Current Anthropology•1977•Cited by: 7•References: 3

    The paper attempts to summarize the development of ethnology in Italy, from its early antecedents in past centuries to the present day, and its relation to other sciences of man as understood and organized in the country. Since 1870, the year in which the nation's political unification was completed, the unity of anthropological disciplines has been recognized in principe and reflected in the programs of learned societies, specialized museums, sc…

  • Visual studies and the public

    Antonio Marazzi•ARTICLE•Visual Sociology•1989

  • La domanda sociale di competenze antropologiche nei settori pubblico e privato

    Lanfranco Di Mario, Aldo Giuliano et al.•ARTICLE•La Ricerca Folklorica•1991

    Lanfranco Di Mario, Aldo Giuliano, Francesco Albanese, Cecilia Gatto Trocchi, Antonio Marazzi, Maria Laura Bonin, Gianfranco Molteni, Marisa Iori, Bruno Pianta, Duccio Canestrini, Angela Giglia, Riccardo Putti, Vanessa Maher, Paolo Apolito, La domanda sociale di competenze antropologiche nei settori pubblico e privato, La Ricerca Folklorica, No. 23, Professione antropologo (Apr., 1991), pp. 19-34

  • La formazione universitaria e la societa in trasformazione

    Pietro Clemente, Valentina Zerini et al.•ARTICLE•La Ricerca Folklorica•1991

    Pietro Clemente, Valentina Zerini, Tullio Seppilli, Massimo Rossi, Alberto Antoniotto, Antonio Marazzi, Livio Sansone, La formazione universitaria e la società in trasformazione: la proposta antropologica nel dubbio, La Ricerca Folklorica, No. 23, Professione antropologo (Apr., 1991), pp. 5-17

  • Tempus De Baristas (Time of The Barmen)

    Open Access•Antonio Marazzi•ARTICLE•Visual Anthropology Review•1994•Cited by: 1•References: 1

    Tempus de baristas (English version: Time of the Barmen) by David MacDougall. Produced by Istituto Superiore Regionale Sardo in collaboration with BBC, 100 min

  • Visual anthropology in a world of images

    Antonio Marazzi•ARTICLE•Visual Anthropology•1999•Cited by: 1•References: 2

    Culturally meaningfull icons are, under different forms and with different users and uses, at the forefront of social debates and confrontations everywhere, now more than ever. The scope of visual anthropology broadens with the expansion of restricted codes of visual communication in metropolitan areas, with the changing of meanings attributed to historical icons, with the invention of new intercultural visual codes. In this paper, the author adv…

  • Un regard anthropologique sur la vision

    Antonio Marazzi•ARTICLE•Diogène•2002

  • An Anthropological View of Vision

    Open Access•Antonio Marazzi•ARTICLE•Diogenes•2003

    The image of the cave described by Plato in Book VII of the Republic is the most frequently quoted emblematic example of the belief in the illusory nature of what sight transmits to the mind. 'We must compare the world of the senses with the view of those who live in a prison', says Socrates, referring to the cave in which there are men in chains who can see nothing but a wall onto which are projected shadows of objects lit by a fire behind them,…

  • An Encyclopedic Art Biennale in Venice

    Antonio Marazzi•ARTICLE•Visual Anthropology•2014•References: 2

  • Aural Anthropology, a Way of Listening

    Antonio Marazzi•ARTICLE•Visual Anthropology•2019•References: 8

    This article considers how hearing, listening and resonances have largely been neglected in anthropological fieldwork. Oral cultures have been “translated” into written reports, while visual anthropology has often found a need to add written subtitles to images. This is part of a general underestimation of the “second” sense, and its role in the awareness of being-in-this-world. New digital technologies have now expanded the acoustic environment …

Art (6 works) · Anthropology (4 works) · History (4 works) · History (4 works) · Sociology (4 works) · Visual arts (4 works) · Archaeology (3 works) · Ethnography (3 works) · Cultural anthropology (2 works) · Educational and Social Studies (2 works)

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