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Valérie Favre

Biographic Data

ID9500478
NAMEValérie Favre
GIVEN NAMESValérie
FAMILY NAMEFavre
SIGNATUREFAVRE V
AFFILIATIONSUniversité Paris 1 Panthéon-Sorbonne
ORCID0000-0001-8432-3816
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2025
H-INDEX0
  • “Thinking Back Through our Mothers” / Thinking our Mothers Through

    Open Access•Valérie Favre•ARTICLE•Sillages critiques•2025

    Taking up Virginia Woolf’s paradigmatic motto “we think back through our mothers if we are women” (Woolf 2015, 57), and bringing Woolf’s thinking into dialogue with contemporary writers, critics, and thinkers, this essay examines the various modes of transmission and reception the motto encapsulates and connects with. Following Erica Delsandro’s article entitled “No More Missed Connections” (2019) and her invitation to read “both forward and back…

  • Talking Back to Virginia Woolf in Her Own Words

    Open Access•Valérie Favre•ARTICLE•Sillages critiques•2024

    On 19 May 2014, British multimedia artist Kabe Wilson presented the result of a five-year-long creative endeavour, as he displayed for the first time his literary and artistic recycling of A Room of One’s Own, Virginia Woolf’s landmark 1929 feminist essay. Yet, more than a mere exhibition, Wilson staged a performance art piece entitled “The Dreadlock Hoax” during which the artist, dressed up as Virginia Woolf, proclaimed a speech which questioned…

  • The Token Woman of 1922? Virginia Woolf and the Gendered Battles of Anglo-American Modernist Criticism

    Valérie Favre•ARTICLE•Études anglaises•2023

    International audience

  • The Token Woman of 1922? Virginia Woolf and the Gendered Battles of Anglo-American Modernist Criticism

    Valérie Favre•ARTICLE•Études anglaises•2023

    Cet article propose d’explorer l’histoire de la réception de 1922 dans la critique littéraire anglo-américaine au prisme du genre, des années 1950 à la célébration de son centenaire. Il examine l’apparition du topos critique de l’« annus mirabilis », tout en retraçant l’inclusion progressive de Virginia Woolf aux côtés de T.S. Eliot et de James Joyce dans le canon de 1922, en tant que « femme alibi ». Il interroge ainsi la place des femmes dans l…

No prominent works on this page.

  • The Token Woman of 1922? Virginia Woolf and the Gendered Battles of Anglo-American Modernist Criticism

    Valérie Favre•ARTICLE•Études anglaises•2023

    International audience

  • The Token Woman of 1922? Virginia Woolf and the Gendered Battles of Anglo-American Modernist Criticism

    Valérie Favre•ARTICLE•Études anglaises•2023

    Cet article propose d’explorer l’histoire de la réception de 1922 dans la critique littéraire anglo-américaine au prisme du genre, des années 1950 à la célébration de son centenaire. Il examine l’apparition du topos critique de l’« annus mirabilis », tout en retraçant l’inclusion progressive de Virginia Woolf aux côtés de T.S. Eliot et de James Joyce dans le canon de 1922, en tant que « femme alibi ». Il interroge ainsi la place des femmes dans l…

  • Talking Back to Virginia Woolf in Her Own Words

    Open Access•Valérie Favre•ARTICLE•Sillages critiques•2024

    On 19 May 2014, British multimedia artist Kabe Wilson presented the result of a five-year-long creative endeavour, as he displayed for the first time his literary and artistic recycling of A Room of One’s Own, Virginia Woolf’s landmark 1929 feminist essay. Yet, more than a mere exhibition, Wilson staged a performance art piece entitled “The Dreadlock Hoax” during which the artist, dressed up as Virginia Woolf, proclaimed a speech which questioned…

  • “Thinking Back Through our Mothers” / Thinking our Mothers Through

    Open Access•Valérie Favre•ARTICLE•Sillages critiques•2025

    Taking up Virginia Woolf’s paradigmatic motto “we think back through our mothers if we are women” (Woolf 2015, 57), and bringing Woolf’s thinking into dialogue with contemporary writers, critics, and thinkers, this essay examines the various modes of transmission and reception the motto encapsulates and connects with. Following Erica Delsandro’s article entitled “No More Missed Connections” (2019) and her invitation to read “both forward and back…

Art (3 works) · Modernist Literature and Criticism (3 works) · Cultural History and Identity Formation (2 works) · History (2 works) · Literature (2 works) · Thomas Hardy Literature Studies (2 works) · Art history (1 works) · Autobiographical and Biographical Writing (1 works) · Computer Science (1 works) · Computer security (1 works)

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