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Igor Stravinsky

Biographic Data

ID950510
NAMEIgor Stravinsky
GIVEN NAMESIgor
FAMILY NAMEStravinsky
SIGNATURESTRAVINSKY I
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS2
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1936
LATEST PUBLICATION YEAR1991
H-INDEX1
  • Gesualdo: The Man and His Music

    Glenn Watkins, Igor Stravinsky•BOOK•Gesualdo•1991•Cited by: 2

    Carlo Gesualdo, Prince of Venosa, is equally celebrated as the composer of madrigals of great power and tortured complexity and as the murderer of his wife and her lover in flagrante delicto. His life and compositions are not unconnected. His neurotic sensibility found an ideal outlet in the mannerist tendencies of late Renaissance music and his works are the most extreme examples of those tendencies. Glenn Watkins’s extended study of Gesualdo’s …

  • L'Oiseau de feu

    Jean-Michel Nectoux, Igor Stravinsky et al.•ARTICLE•Revue de musicologie•1986

    L'eclat de l'oiseau de feu entraine Ivan Tsarevitch, le plus jeune fils du tsar, dans une quete qui le conduit a decouvrir le plus grand des tresors, l'amour. Le CD contient la version narree de l'histoire, sur une musique de I. Stravinsky. A partir de 5 ans

  • Searching for Stravinskii's Essence

    Simon Karlinsky, Boris Asaf'yev et al.•ARTICLE•The Russian Review•1985

  • Le Sacre du printemps. Dossier de presse. Press-Book

    Jean-Michel Nectoux, Igor Stravinsky et al.•ARTICLE•Revue de musicologie•1981

  • Rite Writings

    Paul Griffiths, Igor Stravinsky et al.•ARTICLE•The Musical Times•1981

  • Themes and Conclusions

    Open Access•David Hamilton, Igor Stravinsky•ARTICLE•Notes•1973

  • Stravinsky Dicta

    Jeremy Noble, Igor Stravinsky et al.•ARTICLE•The Musical Times•1968

  • Modern Brass

    Niall O'Loughlin, Niall O’Loughlin et al.•ARTICLE•The Musical Times•1968

  • An Alban Berg Society

    Igor Stravinsky•ARTICLE•Music and Letters•1965

  • Stravinsky Conversations

    Eric Walter White, Igor Stravinsky et al.•ARTICLE•The Musical Times•1960

  • Chronicle of My Life

    Igor Stravinsky•ARTICLE•The Musical Times•1936

  • Gesualdo: The Man and His Music

    Glenn Watkins, Igor Stravinsky•BOOK•Gesualdo•1991•Cited by: 2

    Carlo Gesualdo, Prince of Venosa, is equally celebrated as the composer of madrigals of great power and tortured complexity and as the murderer of his wife and her lover in flagrante delicto. His life and compositions are not unconnected. His neurotic sensibility found an ideal outlet in the mannerist tendencies of late Renaissance music and his works are the most extreme examples of those tendencies. Glenn Watkins’s extended study of Gesualdo’s …

  • Chronicle of My Life

    Igor Stravinsky•ARTICLE•The Musical Times•1936

  • Stravinsky Conversations

    Eric Walter White, Igor Stravinsky et al.•ARTICLE•The Musical Times•1960

  • An Alban Berg Society

    Igor Stravinsky•ARTICLE•Music and Letters•1965

  • Stravinsky Dicta

    Jeremy Noble, Igor Stravinsky et al.•ARTICLE•The Musical Times•1968

  • Modern Brass

    Niall O'Loughlin, Niall O’Loughlin et al.•ARTICLE•The Musical Times•1968

  • Themes and Conclusions

    Open Access•David Hamilton, Igor Stravinsky•ARTICLE•Notes•1973

  • Le Sacre du printemps. Dossier de presse. Press-Book

    Jean-Michel Nectoux, Igor Stravinsky et al.•ARTICLE•Revue de musicologie•1981

  • Rite Writings

    Paul Griffiths, Igor Stravinsky et al.•ARTICLE•The Musical Times•1981

  • Searching for Stravinskii's Essence

    Simon Karlinsky, Boris Asaf'yev et al.•ARTICLE•The Russian Review•1985

  • L'Oiseau de feu

    Jean-Michel Nectoux, Igor Stravinsky et al.•ARTICLE•Revue de musicologie•1986

    L'eclat de l'oiseau de feu entraine Ivan Tsarevitch, le plus jeune fils du tsar, dans une quete qui le conduit a decouvrir le plus grand des tresors, l'amour. Le CD contient la version narree de l'histoire, sur une musique de I. Stravinsky. A partir de 5 ans

  • Gesualdo: The Man and His Music

    Glenn Watkins, Igor Stravinsky•BOOK•Gesualdo•1991•Cited by: 2

    Carlo Gesualdo, Prince of Venosa, is equally celebrated as the composer of madrigals of great power and tortured complexity and as the murderer of his wife and her lover in flagrante delicto. His life and compositions are not unconnected. His neurotic sensibility found an ideal outlet in the mannerist tendencies of late Renaissance music and his works are the most extreme examples of those tendencies. Glenn Watkins’s extended study of Gesualdo’s …

Art (7 works) · History (4 works) · Musicology and Musical Analysis (3 works) · American Sports and Literature (2 works) · Epistemology (2 works) · Philosophy (2 works) · Philosophy (2 works) · Theology (2 works) · 1560-1614 (1 works) · 16th century (1 works)

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