Erling Aksdal
Biographic Data
| ID | 9507014 |
|---|---|
| NAME | Erling Aksdal |
| GIVEN NAMES | Erling |
| FAMILY NAME | Aksdal |
| SIGNATURE | AKSDAL E |
| AFFILIATIONS | Norwegian University of Science and Technology |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 2)
How can imitation lead to free musical expression? This article explores the role of auditory imitation in jazz. Even though many renowned jazz musicians have assessed the method of imitating recorded music, no systematic study has hitherto explored how the method prepares for aural jazz improvisation. The article uses Berliner's assumption that learning jazz by aural imitation is “just like” learning a mother tongue. The article studies three po…
Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 1)
How can imitation lead to free musical expression? This article explores the role of auditory imitation in jazz. Even though many renowned jazz musicians have assessed the method of imitating recorded music, no systematic study has hitherto explored how the method prepares for aural jazz improvisation. The article picks up an assumption presented by Berliner (1994), suggesting that learning jazz by aural imitation is “just like” learning a mother…
No prominent works on this page.
Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 1)
How can imitation lead to free musical expression? This article explores the role of auditory imitation in jazz. Even though many renowned jazz musicians have assessed the method of imitating recorded music, no systematic study has hitherto explored how the method prepares for aural jazz improvisation. The article picks up an assumption presented by Berliner (1994), suggesting that learning jazz by aural imitation is “just like” learning a mother…
Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 2)
How can imitation lead to free musical expression? This article explores the role of auditory imitation in jazz. Even though many renowned jazz musicians have assessed the method of imitating recorded music, no systematic study has hitherto explored how the method prepares for aural jazz improvisation. The article uses Berliner's assumption that learning jazz by aural imitation is “just like” learning a mother tongue. The article studies three po…
Aesthetics (2 works) · Art (2 works) · Cognitive science (2 works) · Communication (2 works) · Computer Science (2 works) · Diverse Music Education Insights (2 works) · Expression (computer science) (2 works) · Imitation (2 works) · Improvisation (2 works) · Jazz (2 works)