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Adrian Duran

Dados Biográficos

ID95080
NOMEAdrian Duran
PRENOMESAdrian
SOBRENOMEDuran
ASSINATURADURAN A
AFILIAÇÕESPurdue University West Lafayette
ORCID0000-0003-4705-5589
VERIFICADOSim
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES13
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2008
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H2
  • Disputa por el territorio, crimen organizado y autocorrelación espacial de homicidios en Veracruz, México, 2001-2018

    Open Access•Maria Guadalupe Alvear-Galindo, Adrian Duran et al.•ARTICLE•Revista Colombiana de Sociología•2022

    En México, Veracruz tiene un papel estratégico en la configuración territorial debido a su localización y a la existencia de abundantes recursos petroleros. Desde finales del siglo xx adquirió una dinámica particular debido a la propagación de actividades ilegales que expandieron la economía criminal, tales como el robo de hidrocarburos y el tráfico de personas. Además, la presencia de puertos industriales y pesqueros facilitó la entrada y salida…

  • Milton among Spaniards

    Adrian Duran, Angelica Duran•BOOK•Milton among Spaniards•2020

  • Degradation processes of historic metal threads used in some Spanish and Portuguese ornamentation pieces

    Open Access•Adrian Duran, Rafael Perez-Maqueda et al.•ARTICLE•Journal of Cultural Heritage•2018•Citada por: 1

  • Gildings from Andalusia

    Open Access•Jose Luis Perez-Rodriguez, José Luı́s Pérez-Rodrı́guez et al.•ARTICLE•Journal of Cultural Heritage•2018•Citada por: 1•Referências: 27

  • The Oxford Handbook of the Bible in England, c. 1530–1700

    Open Access•Adrian Duran, Angelica Duran•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • An innovative combination of non-invasive UV-Visible-Fors, XRD and XRF techniques to study Roman wall paintings from Seville, Spain

    Open Access•Isabel Garofano, Jose Luis Perez-Rodriguez et al.•ARTICLE•Journal of Cultural Heritage•2016•Citada por: 4•Referências: 34

  • Mo Yan in Context

    Open Access•Adrian Duran, Angelica Duran et al.•BOOK•Mo Yan in Context•2014•Citada por: 6•Referências: 7

    When used judiciously, footnotes or endnotes provide additional depth to the main discussion; however, in this volume-following the series' style guide-the contributors' texts are presented to be reader friendly for general readers and thus without footnotes or endnotes.At the same time, the editors of the volume provide depth in part through a substantial introduction and a selected bibliography, the former articulating part of the conversation …

  • The Blind Bard, According to John Milton and His Contemporaries

    Adrian Duran, Angelica Duran•ARTICLE•Mosaic•2013

    This essay approaches Milton's representation of the "blind bard" within the most personal literary mode of lyric (specifically, three sonnets) and through the figuration of blindness by his contemporary detractors in the service of suggesting how key terms of disability studies merge with literary elements, especially imagery and authorship

  • El Paraíso Perdidoand Milton's Reception in Spain

    Adrian Duran, Angelica Duran•ARTICLE•The European Legacy•2012

    After outlining some of the reasons for the delayed and uninspiring Hispanophone translations of Milton's works, this essay examines the ways in which El Paraiso Perdido, Juan de Escoiquiz's translation of 1812—the first and still most readily-available Spanish verse translation of Paradise Lost (1667)—Catholicizes Milton's Protestant epic. A comparative close reading of key anti-Catholic passages in Milton's original and Escoiquiz's translation …

  • Microscopic and spectroscopic techniques for the study of paper supports and textile used in the binding of hispano-arabic manuscripts from Al-Andalus

    Open Access•Teresa Espejo, Teresa Espejo Arias et al.•ARTICLE•Journal of Cultural Heritage•2010•Citada por: 1•Referências: 4

  • Time, Space, and Motion in the Age of Shakespeare

    Open Access•Adrian Duran, Angelica Duran•ARTICLE•Renaissance Quarterly•2008

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Mo Yan in Context

    Open Access•Adrian Duran, Angelica Duran et al.•BOOK•Mo Yan in Context•2014•Citada por: 6•Referências: 7

    When used judiciously, footnotes or endnotes provide additional depth to the main discussion; however, in this volume-following the series' style guide-the contributors' texts are presented to be reader friendly for general readers and thus without footnotes or endnotes.At the same time, the editors of the volume provide depth in part through a substantial introduction and a selected bibliography, the former articulating part of the conversation …

  • An innovative combination of non-invasive UV-Visible-Fors, XRD and XRF techniques to study Roman wall paintings from Seville, Spain

    Open Access•Isabel Garofano, Jose Luis Perez-Rodriguez et al.•ARTICLE•Journal of Cultural Heritage•2016•Citada por: 4•Referências: 34

  • Degradation processes of historic metal threads used in some Spanish and Portuguese ornamentation pieces

    Open Access•Adrian Duran, Rafael Perez-Maqueda et al.•ARTICLE•Journal of Cultural Heritage•2018•Citada por: 1

  • Gildings from Andalusia

    Open Access•Jose Luis Perez-Rodriguez, José Luı́s Pérez-Rodrı́guez et al.•ARTICLE•Journal of Cultural Heritage•2018•Citada por: 1•Referências: 27

  • Microscopic and spectroscopic techniques for the study of paper supports and textile used in the binding of hispano-arabic manuscripts from Al-Andalus

    Open Access•Teresa Espejo, Teresa Espejo Arias et al.•ARTICLE•Journal of Cultural Heritage•2010•Citada por: 1•Referências: 4

  • Time, Space, and Motion in the Age of Shakespeare

    Open Access•Adrian Duran, Angelica Duran•ARTICLE•Renaissance Quarterly•2008

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Microscopic and spectroscopic techniques for the study of paper supports and textile used in the binding of hispano-arabic manuscripts from Al-Andalus

    Open Access•Teresa Espejo, Teresa Espejo Arias et al.•ARTICLE•Journal of Cultural Heritage•2010•Citada por: 1•Referências: 4

  • El Paraíso Perdidoand Milton's Reception in Spain

    Adrian Duran, Angelica Duran•ARTICLE•The European Legacy•2012

    After outlining some of the reasons for the delayed and uninspiring Hispanophone translations of Milton's works, this essay examines the ways in which El Paraiso Perdido, Juan de Escoiquiz's translation of 1812—the first and still most readily-available Spanish verse translation of Paradise Lost (1667)—Catholicizes Milton's Protestant epic. A comparative close reading of key anti-Catholic passages in Milton's original and Escoiquiz's translation …

  • The Blind Bard, According to John Milton and His Contemporaries

    Adrian Duran, Angelica Duran•ARTICLE•Mosaic•2013

    This essay approaches Milton's representation of the "blind bard" within the most personal literary mode of lyric (specifically, three sonnets) and through the figuration of blindness by his contemporary detractors in the service of suggesting how key terms of disability studies merge with literary elements, especially imagery and authorship

  • Mo Yan in Context

    Open Access•Adrian Duran, Angelica Duran et al.•BOOK•Mo Yan in Context•2014•Citada por: 6•Referências: 7

    When used judiciously, footnotes or endnotes provide additional depth to the main discussion; however, in this volume-following the series' style guide-the contributors' texts are presented to be reader friendly for general readers and thus without footnotes or endnotes.At the same time, the editors of the volume provide depth in part through a substantial introduction and a selected bibliography, the former articulating part of the conversation …

  • An innovative combination of non-invasive UV-Visible-Fors, XRD and XRF techniques to study Roman wall paintings from Seville, Spain

    Open Access•Isabel Garofano, Jose Luis Perez-Rodriguez et al.•ARTICLE•Journal of Cultural Heritage•2016•Citada por: 4•Referências: 34

  • The Oxford Handbook of the Bible in England, c. 1530–1700

    Open Access•Adrian Duran, Angelica Duran•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Degradation processes of historic metal threads used in some Spanish and Portuguese ornamentation pieces

    Open Access•Adrian Duran, Rafael Perez-Maqueda et al.•ARTICLE•Journal of Cultural Heritage•2018•Citada por: 1

  • Gildings from Andalusia

    Open Access•Jose Luis Perez-Rodriguez, José Luı́s Pérez-Rodrı́guez et al.•ARTICLE•Journal of Cultural Heritage•2018•Citada por: 1•Referências: 27

  • Milton among Spaniards

    Adrian Duran, Angelica Duran•BOOK•Milton among Spaniards•2020

  • Disputa por el territorio, crimen organizado y autocorrelación espacial de homicidios en Veracruz, México, 2001-2018

    Open Access•Maria Guadalupe Alvear-Galindo, Adrian Duran et al.•ARTICLE•Revista Colombiana de Sociología•2022

    En México, Veracruz tiene un papel estratégico en la configuración territorial debido a su localización y a la existencia de abundantes recursos petroleros. Desde finales del siglo xx adquirió una dinámica particular debido a la propagación de actividades ilegales que expandieron la economía criminal, tales como el robo de hidrocarburos y el tráfico de personas. Además, la presencia de puertos industriales y pesqueros facilitó la entrada y salida…

History (7 obras) · Art (6 obras) · Cultural Heritage Materials Analysis (4 obras) · Materials Science (4 obras) · Archaeology (3 obras) · Art history (3 obras) · Building materials and conservation (3 obras) · Conservation Techniques and Studies (3 obras) · History (3 obras) · Political science (3 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae