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Olga Matich

Biographic Data

ID950877
NAMEOlga Matich
GIVEN NAMESOlga
FAMILY NAMEMatich
SIGNATUREMATICH O
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS22
TOTAL CITATIONS10
AUTHOR COUNT22
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Between Dog and Wolf: Close Readings of Inbetweenness

    Olga Matich•ARTICLE•Canadian-American Slavic Studies•2021

    Taking its cue from the novel’s title, this essay examines various forms of inbetweenness, or intermediacy, in Sasha Sokolov’s Between Dog and Wolf, especially as related to liminality, metamorphoses, hybridity, and unboundedness. It claims that the novel, which is primarily about language, creates a verbal tapestry that is depicted as a landscape of words engaging images of weaving and reweaving that produce inbetweens and result in an indetermi…

  • Time and Memory in Dostoevsky's Novels", or "Nastasya Filippovna in Absentia

    Olga Matich•ARTICLE•The Slavic and East European…•2016

  • Dostoevsky's Troubled Temporalities: "New Approaches to "The Idiot

    Olga Matich•ARTICLE•The Slavic and East European…•2016

  • Poetics of Disgust: To Eat and Die in Andrei Belyi'sPetersburg

    Open Access•Olga Matich•ARTICLE•Slavic Review•2009•Cited by: 1•References: 6

    The article examines the aversive emotion of disgust and its deployment in the visual arts and in the premier Russian modernist novel, Andrei Belyi'sPetersburg,which has not been considered in regard to its affective poetics before. Based on recent studies of the emotions in cultural history and theory, it explores the philosophical, psychological, and aesthetic aspects of disgust as a response to something viscerally and/or morally repugnant. Th…

  • Mobster gravestones in 1990s Russia

    Olga Matich•ARTICLE•Global Crime•2006

    The luxurious cult of memory at Russian mobster gravesites represents both a break with past tradition and also a valuable insight into the country's criminal cultures -- both Christian and Moslem. Drawing primarily from first-hand exploration of mobster gravesites in Moscow and Ekaterinburg, this article considers the way the cemetery is now used as a medium through which to glorify those who have prospered in the cutthroat economy of Russia of …

  • Erotic Utopia: The Decadent Imagination in Russia's Fin de Siècle

    Bernice Glatzer Rosenthal, Olga Matich•ARTICLE•The Slavic and East European…•2006

  • The White Emigration Goes Hollywood

    Open Access•Olga Matich•ARTICLE•The Russian Review•2005

  • Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment

    Jay Clayton, J Douglas Clayton et al.•ARTICLE•The Russian Review•1997

    Note on transliteration, Russian place names, and dates Contributors Introduction John E. Bowlt and Olga Matich Part I. Life Creation: The Search for a New Body: 1. The transfiguration of cannibals: Fedorov and the Avant-Garde Irene Masing-Delic 2. Body beautiful: the artistic search for the perfect physique John E. Bowlt 3. Remaking the bed: Utopia in daily life Olga Matich Part II. Scientific Discovery and Cultural Innovation: 4. Media fantasie…

  • Spokojnoj noci: Andrej Sinjavskij's Rebirth as Abram Terc

    Olga Matich•ARTICLE•The Slavic and East European…•1989

  • Vasilii Aksenov and the Literature of Convergence: Ostrov Krym as Self-Criticism

    Open Access•Olga Matich•ARTICLE•Slavic Review•1988•Cited by: 1•References: 1

    As the archetypal young prose writer of the 1960s, Vasilii Aksenov represented the hopes of the Khrushchev generation for the good life and for cultural and political liberalization. Rebelling against the ideological puritanism of socialist realism and the moral imperative of Russian literature, Aksenov's writing reflected the pleasure principle, hedonism, unofficial popular culture, and the aesthetics of consumption. He perceived life as a multi…

  • Sasha Sokolov and His Literary Context

    Olga Matich•ARTICLE•Canadian-American Slavic Studies•1987

  • The Moral Immoralist: Edward Limonov's Èto Ja--Èdička

    Olga Matich•ARTICLE•The Slavic and East European…•1986•Cited by: 2

  • Sasha Sokolov's Palisandriia: History and Myth

    Olga Matich, Sasha Sokolov•ARTICLE•The Russian Review•1986•Cited by: 1

    The demythologizing of the official version of Soviet history has been one of the most important developments in post-Stalin literature. Nostalgia for history, Boris Shragin calls it.1 In accordance with Russian political tradition, the government took the first taboo-lifting steps, initiating the policy of deStalinization and the cautious re-evaluation of the recent Soviet past. The association of letters with the recovery of the historical and …

  • Understanding Soviet Politics through Literature

    Olga Matich, Martin Crouch et al.•ARTICLE•The Russian Review•1986•Cited by: 1

  • The Third Wave: Russian Literature in Emigration

    Samuel F Orth, Olga Matich et al.•ARTICLE•The Slavic and East European…•1985

  • Soviet Dissident Literature: A Critical Guide

    Olga Matich, Josephine Woll et al.•ARTICLE•The Russian Review•1985

  • The Third Wave: Russian Literature in Emigration (Tret'iaia volna russkoi literatury v emigratsii

    Greta N Slobin, Olga Matich et al.•ARTICLE•The Russian Review•1985

  • A Russian Cultural Revival: A Critical Anthology of Emigre Literature before 1939

    Olga Matich, Temira Pachmuss•ARTICLE•The Russian Review•1983

  • A Difficult Soul: Zinaida Gippius

    Olga Matich, В И Злобин et al.•ARTICLE•The Russian Review•1981

  • Paradox in the Religious Poetry of Zinaida Gippius

    Edward Napier, Olga Matich et al.•ARTICLE•The Slavic and East European…•1974

  • Stikhotvoreniia i poemy

    Olga Matich, Z N Gippius et al.•ARTICLE•The Slavic and East European…•1973•Cited by: 4

  • The Devil and the Poetry of Zinaida Gippius

    Olga Matich•ARTICLE•The Slavic and East European…•1972

  • Stikhotvoreniia i poemy

    Olga Matich, Z N Gippius et al.•ARTICLE•The Slavic and East European…•1973•Cited by: 4

  • The Moral Immoralist: Edward Limonov's Èto Ja--Èdička

    Olga Matich•ARTICLE•The Slavic and East European…•1986•Cited by: 2

  • Poetics of Disgust: To Eat and Die in Andrei Belyi'sPetersburg

    Open Access•Olga Matich•ARTICLE•Slavic Review•2009•Cited by: 1•References: 6

    The article examines the aversive emotion of disgust and its deployment in the visual arts and in the premier Russian modernist novel, Andrei Belyi'sPetersburg,which has not been considered in regard to its affective poetics before. Based on recent studies of the emotions in cultural history and theory, it explores the philosophical, psychological, and aesthetic aspects of disgust as a response to something viscerally and/or morally repugnant. Th…

  • Vasilii Aksenov and the Literature of Convergence: Ostrov Krym as Self-Criticism

    Open Access•Olga Matich•ARTICLE•Slavic Review•1988•Cited by: 1•References: 1

    As the archetypal young prose writer of the 1960s, Vasilii Aksenov represented the hopes of the Khrushchev generation for the good life and for cultural and political liberalization. Rebelling against the ideological puritanism of socialist realism and the moral imperative of Russian literature, Aksenov's writing reflected the pleasure principle, hedonism, unofficial popular culture, and the aesthetics of consumption. He perceived life as a multi…

  • Sasha Sokolov's Palisandriia: History and Myth

    Olga Matich, Sasha Sokolov•ARTICLE•The Russian Review•1986•Cited by: 1

    The demythologizing of the official version of Soviet history has been one of the most important developments in post-Stalin literature. Nostalgia for history, Boris Shragin calls it.1 In accordance with Russian political tradition, the government took the first taboo-lifting steps, initiating the policy of deStalinization and the cautious re-evaluation of the recent Soviet past. The association of letters with the recovery of the historical and …

  • Understanding Soviet Politics through Literature

    Olga Matich, Martin Crouch et al.•ARTICLE•The Russian Review•1986•Cited by: 1

  • The Devil and the Poetry of Zinaida Gippius

    Olga Matich•ARTICLE•The Slavic and East European…•1972

  • Stikhotvoreniia i poemy

    Olga Matich, Z N Gippius et al.•ARTICLE•The Slavic and East European…•1973•Cited by: 4

  • Paradox in the Religious Poetry of Zinaida Gippius

    Edward Napier, Olga Matich et al.•ARTICLE•The Slavic and East European…•1974

  • A Difficult Soul: Zinaida Gippius

    Olga Matich, В И Злобин et al.•ARTICLE•The Russian Review•1981

  • A Russian Cultural Revival: A Critical Anthology of Emigre Literature before 1939

    Olga Matich, Temira Pachmuss•ARTICLE•The Russian Review•1983

  • The Third Wave: Russian Literature in Emigration

    Samuel F Orth, Olga Matich et al.•ARTICLE•The Slavic and East European…•1985

  • Soviet Dissident Literature: A Critical Guide

    Olga Matich, Josephine Woll et al.•ARTICLE•The Russian Review•1985

  • The Third Wave: Russian Literature in Emigration (Tret'iaia volna russkoi literatury v emigratsii

    Greta N Slobin, Olga Matich et al.•ARTICLE•The Russian Review•1985

  • The Moral Immoralist: Edward Limonov's Èto Ja--Èdička

    Olga Matich•ARTICLE•The Slavic and East European…•1986•Cited by: 2

  • Sasha Sokolov's Palisandriia: History and Myth

    Olga Matich, Sasha Sokolov•ARTICLE•The Russian Review•1986•Cited by: 1

    The demythologizing of the official version of Soviet history has been one of the most important developments in post-Stalin literature. Nostalgia for history, Boris Shragin calls it.1 In accordance with Russian political tradition, the government took the first taboo-lifting steps, initiating the policy of deStalinization and the cautious re-evaluation of the recent Soviet past. The association of letters with the recovery of the historical and …

  • Understanding Soviet Politics through Literature

    Olga Matich, Martin Crouch et al.•ARTICLE•The Russian Review•1986•Cited by: 1

  • Sasha Sokolov and His Literary Context

    Olga Matich•ARTICLE•Canadian-American Slavic Studies•1987

  • Vasilii Aksenov and the Literature of Convergence: Ostrov Krym as Self-Criticism

    Open Access•Olga Matich•ARTICLE•Slavic Review•1988•Cited by: 1•References: 1

    As the archetypal young prose writer of the 1960s, Vasilii Aksenov represented the hopes of the Khrushchev generation for the good life and for cultural and political liberalization. Rebelling against the ideological puritanism of socialist realism and the moral imperative of Russian literature, Aksenov's writing reflected the pleasure principle, hedonism, unofficial popular culture, and the aesthetics of consumption. He perceived life as a multi…

  • Spokojnoj noci: Andrej Sinjavskij's Rebirth as Abram Terc

    Olga Matich•ARTICLE•The Slavic and East European…•1989

  • Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment

    Jay Clayton, J Douglas Clayton et al.•ARTICLE•The Russian Review•1997

    Note on transliteration, Russian place names, and dates Contributors Introduction John E. Bowlt and Olga Matich Part I. Life Creation: The Search for a New Body: 1. The transfiguration of cannibals: Fedorov and the Avant-Garde Irene Masing-Delic 2. Body beautiful: the artistic search for the perfect physique John E. Bowlt 3. Remaking the bed: Utopia in daily life Olga Matich Part II. Scientific Discovery and Cultural Innovation: 4. Media fantasie…

  • The White Emigration Goes Hollywood

    Open Access•Olga Matich•ARTICLE•The Russian Review•2005

  • Mobster gravestones in 1990s Russia

    Olga Matich•ARTICLE•Global Crime•2006

    The luxurious cult of memory at Russian mobster gravesites represents both a break with past tradition and also a valuable insight into the country's criminal cultures -- both Christian and Moslem. Drawing primarily from first-hand exploration of mobster gravesites in Moscow and Ekaterinburg, this article considers the way the cemetery is now used as a medium through which to glorify those who have prospered in the cutthroat economy of Russia of …

  • Erotic Utopia: The Decadent Imagination in Russia's Fin de Siècle

    Bernice Glatzer Rosenthal, Olga Matich•ARTICLE•The Slavic and East European…•2006

  • Poetics of Disgust: To Eat and Die in Andrei Belyi'sPetersburg

    Open Access•Olga Matich•ARTICLE•Slavic Review•2009•Cited by: 1•References: 6

    The article examines the aversive emotion of disgust and its deployment in the visual arts and in the premier Russian modernist novel, Andrei Belyi'sPetersburg,which has not been considered in regard to its affective poetics before. Based on recent studies of the emotions in cultural history and theory, it explores the philosophical, psychological, and aesthetic aspects of disgust as a response to something viscerally and/or morally repugnant. Th…

  • Time and Memory in Dostoevsky's Novels", or "Nastasya Filippovna in Absentia

    Olga Matich•ARTICLE•The Slavic and East European…•2016

  • Dostoevsky's Troubled Temporalities: "New Approaches to "The Idiot

    Olga Matich•ARTICLE•The Slavic and East European…•2016

  • Between Dog and Wolf: Close Readings of Inbetweenness

    Olga Matich•ARTICLE•Canadian-American Slavic Studies•2021

    Taking its cue from the novel’s title, this essay examines various forms of inbetweenness, or intermediacy, in Sasha Sokolov’s Between Dog and Wolf, especially as related to liminality, metamorphoses, hybridity, and unboundedness. It claims that the novel, which is primarily about language, creates a verbal tapestry that is depicted as a landscape of words engaging images of weaving and reweaving that produce inbetweens and result in an indetermi…

Art (11 works) · Eastern European Communism and Reforms (10 works) · History (9 works) · Literature (9 works) · Philosophy (8 works) · Political science (6 works) · Soviet and Russian History (6 works) · Aesthetics (5 works) · Law (5 works) · Law (5 works)

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