Angelica Goodden
Biographic Data
| ID | 950987 |
|---|---|
| NAME | Angelica Goodden |
| GIVEN NAMES | Angelica |
| FAMILY NAME | Goodden |
| SIGNATURE | GOODDEN A |
| AFFILIATIONS | Oxford |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
Madame de Staël
Madame de Staël's celebrity as a novelist, literary critic, and theorist made her the most famous woman in Europe in her day. Yet almost all of her bestselling writings were composed in exile from her beloved France - exiled for her political daring. Goodden explores the paradoxes of de Staël's life.
Madame de Staël
Madame de Staël's celebrity as a novelist, literary critic, and theorist made her the most famous woman in Europe in her day. Yet almost all of her bestselling writings were composed in exile from her beloved France - exiled for her political daring. Goodden explores the paradoxes of de Staël's life.
Lionized in London
From Sweden, Staël returns to London after an absence of twenty years, conferring with Whigs (for their liberalism rather than their pro-Napoleonism) and the ruling Tories, enjoying her celebrity, and increasing it with the triumphant publication in French and English of De l'Allemagne. Fanny Burney, who greatly admires Staël's latest book, continues to regret the impossibility of meeting her, and Maria Edgeworth likewise; Byron, another enthusia…
On Germany
Staël's trip to Germany is undertaken under the misapprehension that hearing her celebrated there will arouse Napoleon's jealousy: in fact he will simply be infuriated by her daring to fête an enemy power. All unsuspecting, she throws herself into discovering a new culture, one she had described only at second hand in De la littérature; yet her faith in the planned work as the digest of Romanticism, with herself as evangelist, is tempered by the …
Diderot, Denis
Actio and Persuasion
In 18th-century France an intellectual battle was fought to raise the professional status of acting to the level of other arts involving rhetoric and expressive technique. The central strategy was based on the ancient rhetorical notion of actio, a theory of gesture, attitude, and facial expression already employed in the teaching and practice of religious, forensic, and political oratory. In this lucid study, Goodden explores the belief, champion…
The Object of Art
The Object of Art: Theories of illusion in eighteenth-century France Marian Hobson , Cambridge University Press , 1982 , £25, 400 pp. ANGELICA GOODDEN ANGELICA GOODDEN Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 7, Issue 1, 1984, Pages 62–64, https://doi.org/10.1093/oxartj/7.1.62 Published: 01 March 1984
Une Peinture Parlante’
Journal Article ‘UNE PEINTURE PARLANTE’: THE TABLEAU AND THE DRAME Get access ANGELICA GOODDEN ANGELICA GOODDEN OXFORD Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXVIII, Issue 4, October 1984, Pages 397–413, https://doi.org/10.1093/fs/XXXVIII.4.397 Published: 01 October 1984
Actio and Persuasion
In 18th-century France an intellectual battle was fought to raise the professional status of acting to the level of other arts involving rhetoric and expressive technique. The central strategy was based on the ancient rhetorical notion of actio, a theory of gesture, attitude, and facial expression already employed in the teaching and practice of religious, forensic, and political oratory. In this lucid study, Goodden explores the belief, champion…
The Object of Art
The Object of Art: Theories of illusion in eighteenth-century France Marian Hobson , Cambridge University Press , 1982 , £25, 400 pp. ANGELICA GOODDEN ANGELICA GOODDEN Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 7, Issue 1, 1984, Pages 62–64, https://doi.org/10.1093/oxartj/7.1.62 Published: 01 March 1984
Une Peinture Parlante’
Journal Article ‘UNE PEINTURE PARLANTE’: THE TABLEAU AND THE DRAME Get access ANGELICA GOODDEN ANGELICA GOODDEN OXFORD Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXVIII, Issue 4, October 1984, Pages 397–413, https://doi.org/10.1093/fs/XXXVIII.4.397 Published: 01 October 1984
Actio and Persuasion
In 18th-century France an intellectual battle was fought to raise the professional status of acting to the level of other arts involving rhetoric and expressive technique. The central strategy was based on the ancient rhetorical notion of actio, a theory of gesture, attitude, and facial expression already employed in the teaching and practice of religious, forensic, and political oratory. In this lucid study, Goodden explores the belief, champion…
Diderot, Denis
Madame de Staël
Madame de Staël's celebrity as a novelist, literary critic, and theorist made her the most famous woman in Europe in her day. Yet almost all of her bestselling writings were composed in exile from her beloved France - exiled for her political daring. Goodden explores the paradoxes of de Staël's life.
Madame de Staël
Madame de Staël's celebrity as a novelist, literary critic, and theorist made her the most famous woman in Europe in her day. Yet almost all of her bestselling writings were composed in exile from her beloved France - exiled for her political daring. Goodden explores the paradoxes of de Staël's life.
Lionized in London
From Sweden, Staël returns to London after an absence of twenty years, conferring with Whigs (for their liberalism rather than their pro-Napoleonism) and the ruling Tories, enjoying her celebrity, and increasing it with the triumphant publication in French and English of De l'Allemagne. Fanny Burney, who greatly admires Staël's latest book, continues to regret the impossibility of meeting her, and Maria Edgeworth likewise; Byron, another enthusia…
On Germany
Staël's trip to Germany is undertaken under the misapprehension that hearing her celebrated there will arouse Napoleon's jealousy: in fact he will simply be infuriated by her daring to fête an enemy power. All unsuspecting, she throws herself into discovering a new culture, one she had described only at second hand in De la littérature; yet her faith in the planned work as the digest of Romanticism, with herself as evangelist, is tempered by the …
Art (6 works) · Art history (5 works) · Historical and Literary Studies (5 works) · History (5 works) · French Literature and Criticism (3 works) · Historical and Literary Analyses (3 works) · Philosophy (3 works) · Political science (3 works) · Law (2 works) · Linguistics (2 works)