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Richard I Land

Biographic Data

ID951368
NAMERichard I Land
GIVEN NAMESRichard I
FAMILY NAMELand
SIGNATURELAND R I
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS1
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2006
H-INDEX1
  • The Cfia Forum

    Richard I Land, Richard Land•ARTICLE•The Review of Faith & International…•2006

    Richard Land responds to Walter Russell Mead's Sept./Oct. 2006 Foreign Affairs article, “God's Country?” and outlines defining characteristics of the American evangelical community. Despite the public's perception that all evangelicals are fundamentalists, the evangelical emphasis on cultural integration and participation distinguishes them from the fundamentalist emphasis on separation. In addition, evangelicals have a mixed influence on foreign…

  • Television Engineering Handbook

    Richard I Land, K Blair Benson•ARTICLE•Leonardo•1988

  • Land's Polaroid

    Richard I Land, Peter C Wensberg•ARTICLE•Leonardo•1988

    The unauthorized story of the enigmatic man who created a world-class organization in his own image and then lost control of it. 24 pages of photographs

  • Mapping Information

    Richard I Land, Richard Land et al.•ARTICLE•Leonardo•1984

  • Fundamentals of Interactive Computer Graphics

    Richard I Land, Richard Land et al.•ARTICLE•Leonardo•1984

  • A Century of Light

    Richard I Land, James A Cox•ARTICLE•Leonardo•1983

  • Light-Symphony No. 1, an Experiment in Four-Dimensional Art

    Richard I Land, Paul Konrad Hoenich•ARTICLE•Leonardo•1983

  • Learning to Use Extrasensory Perception

    Richard I Land, Charles T Tart•ARTICLE•Leonardo•1980

  • Leonardo

    Richard I Land•ARTICLE•Leonardo•1979

  • Supersensonics

    Richard I Land, C Hills•ARTICLE•Leonardo•1979

  • The Art of Light and Color

    Richard I Land, Tom Douglas Jones•ARTICLE•Leonardo•1975

  • Seeing Sound

    Richard I Land, Winston E Kock•ARTICLE•Leonardo•1975

  • Physiology of Color and Pattern Vision

    Richard I Land, Koiti Motokawa•ARTICLE•Leonardo•1975

  • On the Physical Behavior of Flashing Incandescent Light Sources

    Richard I Land•ARTICLE•Leonardo•1975

    It seems to me that the physical behavior of flashing electric light sources is not sufficiently understood by some kinetic artists who use them. I am thinking in particular about Robert Baldwin's recent discussion in Leonardo in which he claimed that he had projected images on a screen having durations of about 1/100 sec. by means of passing electric current during a short time interval (1/100 sec.) through the filament of an incandescent lamp i…

  • Original Animals by an Artist

    Richard I Land, Frank J Malina•ARTICLE•Leonardo•1974

  • Kinetic Art

    Richard I Land•ARTICLE•Leonardo•1972

    The author presents in detail the technical aspects of his Lumia (kinetic painting with projected light) produced by various systems under his designation, Chromara . There is a discussion of Thomas Wilfred’s pioneering efforts in developing a form of this art for which he proposed the name Lumia (he called his particular instrument a Clavilux ). Both cabinet-type instruments and large-scale wall or screen projection systems developed by the auth…

  • Fountains and Springs

    Richard I Land, Ernst Erik Pfannschmidt•ARTICLE•Leonardo•1970

  • Computer Art

    Richard I Land•ARTICLE•Leonardo•1969•Cited by: 1

    The fundamentals of producing graphic designs by a computer are reviewed. Examples of display techniques are discussed, in particular, printers, plotters and display scopes. A novel system of producing color-stereo displays, with which the operator may interact in real time, is considered in detail and examples of the displays are shown. The machine used was the PDP- 1 Computer of Harvard University. The basic program for producing the displays w…

  • Non-Verbal 'Discussion' Using Music and Kinetic Painting

    Richard I Land•ARTICLE•Leonardo•1968

    Using a new instrument, the author’s Chromara , which ‘paints’ with lights on a translucent screen as a function of time, and a piano, two individuals composing on their respective instruments inter-related their efforts to provide a single unified experience. Throughout the period of simultaneous performance there was much evidence reported by each individual that a form of unplanned communication took place between them that influenced the musi…

  • Computer Art

    Richard I Land•ARTICLE•Leonardo•1969•Cited by: 1

    The fundamentals of producing graphic designs by a computer are reviewed. Examples of display techniques are discussed, in particular, printers, plotters and display scopes. A novel system of producing color-stereo displays, with which the operator may interact in real time, is considered in detail and examples of the displays are shown. The machine used was the PDP- 1 Computer of Harvard University. The basic program for producing the displays w…

  • Non-Verbal 'Discussion' Using Music and Kinetic Painting

    Richard I Land•ARTICLE•Leonardo•1968

    Using a new instrument, the author’s Chromara , which ‘paints’ with lights on a translucent screen as a function of time, and a piano, two individuals composing on their respective instruments inter-related their efforts to provide a single unified experience. Throughout the period of simultaneous performance there was much evidence reported by each individual that a form of unplanned communication took place between them that influenced the musi…

  • Computer Art

    Richard I Land•ARTICLE•Leonardo•1969•Cited by: 1

    The fundamentals of producing graphic designs by a computer are reviewed. Examples of display techniques are discussed, in particular, printers, plotters and display scopes. A novel system of producing color-stereo displays, with which the operator may interact in real time, is considered in detail and examples of the displays are shown. The machine used was the PDP- 1 Computer of Harvard University. The basic program for producing the displays w…

  • Fountains and Springs

    Richard I Land, Ernst Erik Pfannschmidt•ARTICLE•Leonardo•1970

  • Kinetic Art

    Richard I Land•ARTICLE•Leonardo•1972

    The author presents in detail the technical aspects of his Lumia (kinetic painting with projected light) produced by various systems under his designation, Chromara . There is a discussion of Thomas Wilfred’s pioneering efforts in developing a form of this art for which he proposed the name Lumia (he called his particular instrument a Clavilux ). Both cabinet-type instruments and large-scale wall or screen projection systems developed by the auth…

  • Original Animals by an Artist

    Richard I Land, Frank J Malina•ARTICLE•Leonardo•1974

  • The Art of Light and Color

    Richard I Land, Tom Douglas Jones•ARTICLE•Leonardo•1975

  • Seeing Sound

    Richard I Land, Winston E Kock•ARTICLE•Leonardo•1975

  • Physiology of Color and Pattern Vision

    Richard I Land, Koiti Motokawa•ARTICLE•Leonardo•1975

  • On the Physical Behavior of Flashing Incandescent Light Sources

    Richard I Land•ARTICLE•Leonardo•1975

    It seems to me that the physical behavior of flashing electric light sources is not sufficiently understood by some kinetic artists who use them. I am thinking in particular about Robert Baldwin's recent discussion in Leonardo in which he claimed that he had projected images on a screen having durations of about 1/100 sec. by means of passing electric current during a short time interval (1/100 sec.) through the filament of an incandescent lamp i…

  • Leonardo

    Richard I Land•ARTICLE•Leonardo•1979

  • Supersensonics

    Richard I Land, C Hills•ARTICLE•Leonardo•1979

  • Learning to Use Extrasensory Perception

    Richard I Land, Charles T Tart•ARTICLE•Leonardo•1980

  • A Century of Light

    Richard I Land, James A Cox•ARTICLE•Leonardo•1983

  • Light-Symphony No. 1, an Experiment in Four-Dimensional Art

    Richard I Land, Paul Konrad Hoenich•ARTICLE•Leonardo•1983

  • Mapping Information

    Richard I Land, Richard Land et al.•ARTICLE•Leonardo•1984

  • Fundamentals of Interactive Computer Graphics

    Richard I Land, Richard Land et al.•ARTICLE•Leonardo•1984

  • Television Engineering Handbook

    Richard I Land, K Blair Benson•ARTICLE•Leonardo•1988

  • Land's Polaroid

    Richard I Land, Peter C Wensberg•ARTICLE•Leonardo•1988

    The unauthorized story of the enigmatic man who created a world-class organization in his own image and then lost control of it. 24 pages of photographs

  • The Cfia Forum

    Richard I Land, Richard Land•ARTICLE•The Review of Faith & International…•2006

    Richard Land responds to Walter Russell Mead's Sept./Oct. 2006 Foreign Affairs article, “God's Country?” and outlines defining characteristics of the American evangelical community. Despite the public's perception that all evangelicals are fundamentalists, the evangelical emphasis on cultural integration and participation distinguishes them from the fundamentalist emphasis on separation. In addition, evangelicals have a mixed influence on foreign…

Art (12 works) · Computer Science (12 works) · Visual arts (9 works) · Computer graphics (images) (6 works) · Physics (4 works) · Psychology (3 works) · American Environmental and Regional History (2 works) · Art history (2 works) · Art, Technology, and Culture (2 works) · Artificial Intelligence (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae