Eduardo Gonzalez Lanuza
Biographic Data
| ID | 951651 |
|---|---|
| NAME | Eduardo Gonzalez Lanuza |
| GIVEN NAMES | Eduardo Gonzalez |
| FAMILY NAME | Lanuza |
| SIGNATURE | LANUZA E G |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1960 |
| LATEST PUBLICATION YEAR | 1979 |
| H-INDEX | 0 |
Hai-Kais
Pharisaism and Values in Art
Everything that happens that we experience outwardly, or even inwardly, persists in being strictly and unavoidably "what it is": a chair is a chair; perceptivity is perceptivity. This self-identification with itself of every phenomenon and every object is a major ontological miracle whose persistent recurrence causes it to pass un-noticed
Audacity in Conteporary Art
The aim of this article is to examine the growing predominance of audacity, or that which audaciously seeks to be taken as such, in all the manifestations of the art of our time. To do that, and to be able to agree or disagree with any meaning, it would be best to start by limiting ourselves to a definition which sets certain boundaries for the word audacity, which, by its very nature, defies that kind of qualification. The Petit Larousse can't h…
Art and Seduction
Being is, above all, a vocation to continue to be. In the inanimate world, pure inertia achieves this ambition by means of its insistence on maintaining every conceivable state of equilibrium or else of movement. That which is persists in remaining as it is; a stone, for instance, insofar as nothing prevents it from continuing to exist in its condition as a stone. Certainly, this is the earliest and most remote origin of that which, at a later st…
Rabi Sem Tob de Carrion, Proverbios morales
No prominent works on this page.
Rabi Sem Tob de Carrion, Proverbios morales
Art and Seduction
Being is, above all, a vocation to continue to be. In the inanimate world, pure inertia achieves this ambition by means of its insistence on maintaining every conceivable state of equilibrium or else of movement. That which is persists in remaining as it is; a stone, for instance, insofar as nothing prevents it from continuing to exist in its condition as a stone. Certainly, this is the earliest and most remote origin of that which, at a later st…
Audacity in Conteporary Art
The aim of this article is to examine the growing predominance of audacity, or that which audaciously seeks to be taken as such, in all the manifestations of the art of our time. To do that, and to be able to agree or disagree with any meaning, it would be best to start by limiting ourselves to a definition which sets certain boundaries for the word audacity, which, by its very nature, defies that kind of qualification. The Petit Larousse can't h…
Pharisaism and Values in Art
Everything that happens that we experience outwardly, or even inwardly, persists in being strictly and unavoidably "what it is": a chair is a chair; perceptivity is perceptivity. This self-identification with itself of every phenomenon and every object is a major ontological miracle whose persistent recurrence causes it to pass un-noticed
Hai-Kais
Art (4 works) · Archaeological and Historical Studies (1 works) · Art, Politics, and Modernism (1 works) · Biology (1 works) · Carrion (1 works) · Cinema and Media Studies (1 works) · Computer Science (1 works) · Cultural and Mythological Studies (1 works) · Cultural Industries and Urban Development (1 works) · Ethics, Aesthetics, and Art (1 works)