J J Pollitt

Biographic Data

ID951667
NAMEJ J Pollitt
GIVEN NAMESJ J
FAMILY NAMEPollitt
SIGNATUREPOLLITT J J
AFFILIATIONSYale University
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS105
WORKS AS AUTHOR23
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1961
LATEST PUBLICATION YEAR2003
H-INDEX4

  • Portraits of the Ptolemies

    J J PollittARTICLEAmerican Journal of Archaeology2003

  • Images in Mind

    J J PollittARTICLEAmerican Journal of Archaeology2002Cited by: 33

  • Prayers in Stone

    J J PollittARTICLEAmerican Journal of Archaeology2000

  • New Perspectives on the Art of Pergamon

    J J PollittARTICLEAmerican Journal of Archaeology1999

  • Personal Styles in Greek Sculpture

    Carol C Mattusch, Carol Mattusch et al.ARTICLEThe Classical World1998Cited by: 22

    Introduction: masters and masterworks in the study of classical sculpture J. J. Pollitt 1. Pheidias Evelyn B. Harrison 2. Polykleitos Adolf H. Borbein 3. Praxiteles Aileen Ajootian 4. Lysippos Charles M. Edwards 5. Damophon Petros Themelis

  • The Mask of Socrates

    J J PollittARTICLEAmerican Journal of Archaeology1997

  • Greek art

    Open AccessJ J PollittCHAPTERThe Cambridge Ancient History…1994

    STYLE AND ICONOLOGY Greek art in the fourth century B.C. is made up of two distinct strands – one, an external set of stylistic mannerisms derived from the art of the fifth century B.C. and the other, an inner spirit that anticipates the art of the hellenistic period – and it is these two strands, woven together, that give the monuments of the period their particular character. Greek sculptors of the fourth century, for example, frequently adopte…

  • The Cambridge Ancient History

    Open AccessJohn B Bury, Alan K Bowman et al.BOOKThe Cambridge Ancient History…1994Cited by: 27

    Volume VI of the new edition of The Cambridge Ancient History begins with Sparta attempting to consolidate its leadership of mainland Greece and ends with the death of Alexander the Great after he had conquered the Persian Empire and marched far into India. It is correspondingly wide-ranging in its treatment of the politics and economy, not only of old Greece, but of the Near East and the western Mediterranean. The century also saw the continued …

  • Art

    Open AccessJ J PollittCHAPTERThe Cambridge Ancient History…1992

    The naturalism of the late Archaic period was distinctly untypical of the Greek artistic tradition as a whole. From the Geometric period onward every successive style of Greek art has regularly been disciplined by strict canons of formal order. The conflict with the Persians, as Herodotus and Aeschylus make clear, was as much a moral as a military one. The story of high classical Greek art is for the most part the story of Athenian art, and it is…

  • The Art of Ancient Greece

    Beth Cohen, Beth E Cohen et al.ARTICLEThe Classical World1992Cited by: 18

    Preface List of illustrations Abbreviations Introduction 1. Ancient memories and primitive beginnings 2. Sculpture: early developments and the Archaic period (c. 650-510 BC) 3. Sculpture: the Late Archaic phase (c. 510-480 BC) 4. Sculpture: the Early Classical period (c. 480-450 BC) 5. Sculpture: the High Classical period (c. 450-400 BC) 6. Sculpture: the fourth century BC 7. Sculpture: the Hellenistic period 8. Painting: earliest developments an…

  • Art in the Hellenistic Age

    Andrea M Berlin, J J PollittARTICLEThe Classical World1989

  • The Sculpted Word

    J J Pollitt, Bernard FrischerARTICLEThe Art Bulletin1984

  • The Ancient View of Greek Art

    William D E Coulson, J J PollittARTICLEThe Classical World1976Cited by: 1

  • Art and Experience in Classical Greece

    Eva Keuls, Eva C Keuls et al.ARTICLEThe American Journal of Philology1975Cited by: 1

  • Art and Experience in Classical Greece

    Kenneth D Matthews, Jr Kenneth D Matthews et al.ARTICLEThe Classical World1974

    An account of the development of Greek art in the Classical period (about 480-320 BC) which places particular emphasis on the meaning and content of Greek sculpture, architecture and painting. Professor Pollitt reminds us that the visual arts in Greece, as elsewhere, were primarily vehicles of expression. He does not ignore formal development but always relates this to social and cultural history, which it reflected and from which it grew. While …

  • Romans on the Rhine

    J J Pollitt, Paul MackendrickARTICLEThe Classical World1971

  • Leptis Magna

    J J Pollitt, Maria Floriani SquarciapinoARTICLEThe Classical World1968

  • The Buried City. Excavations at Leptis Magna

    J J Pollitt, Ernesto Vergara Caffarelli et al.ARTICLEThe Classical World1967

  • The Legend of Attis in Greek and Roman Art

    J J Pollitt, M J VermaserenARTICLEThe Classical World1967Cited by: 2

  • The Classical World

    J J Pollitt, Donald E StrongARTICLEThe Classical World1966

  • The Art of Greece, 1400-31 B.C

    A G Mckay, J J PollittARTICLEThe Classical World1966Cited by: 1

  • The Egyptian Gods in Attica

    J J PollittARTICLEHesperia The Journal of the…1965

  • Fragment of a Sacred Calendar and Other Inscriptions from the Attic Deme of Teithras

    J J PollittARTICLEHesperia The Journal of the…1961

    J. J. Pollitt, Fragment of a Sacred Calendar and Other Inscriptions from the Attic Deme of Teithras, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 30, No. 3 (Jul. - Sep., 1961), pp. 293-298