Sandra Biberstein
Biographic Data
| ID | 9517641 |
|---|---|
| NAME | Sandra Biberstein |
| GIVEN NAMES | Sandra |
| FAMILY NAME | Biberstein |
| SIGNATURE | BIBERSTEIN S |
| AFFILIATIONS | Ruhr University Bochum |
| ORCID | 0009-0005-4679-5085 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Posthuman Practices of Care beyond the Entropocene
In The Shape of Trouble to Come: A Posthuman Ritual (2021) the FARN. collective responds to the actual condition marked by indeterminacy and environmental destruction. In the ruins of capitalism (Anna Tsing), represented on stage with electronic waste of computer technology, the German theatre collective presents in an experimental trial various speculative stories that allow the spectators to see themselves as part of a larger ecological context…
The Communitas of Mourning
In wartime and post-war situations, the opposition of friend and enemy—based on national divisions—often condemns the dead “enemies” to be ungrievable. To grieve for the excluded others in such times means to break with the friend-enemy opposition. This article examines how the friend-enemy opposition is broken in the case of the actions of Women in Black and Dah Teatar in the context of the civil war in Yugoslavia. By analyzing the vigils of Žen…
No prominent works on this page.
The Communitas of Mourning
In wartime and post-war situations, the opposition of friend and enemy—based on national divisions—often condemns the dead “enemies” to be ungrievable. To grieve for the excluded others in such times means to break with the friend-enemy opposition. This article examines how the friend-enemy opposition is broken in the case of the actions of Women in Black and Dah Teatar in the context of the civil war in Yugoslavia. By analyzing the vigils of Žen…
Posthuman Practices of Care beyond the Entropocene
In The Shape of Trouble to Come: A Posthuman Ritual (2021) the FARN. collective responds to the actual condition marked by indeterminacy and environmental destruction. In the ruins of capitalism (Anna Tsing), represented on stage with electronic waste of computer technology, the German theatre collective presents in an experimental trial various speculative stories that allow the spectators to see themselves as part of a larger ecological context…
Sociology (2 works) · Adversary (1 work) · Aesthetics (1 work) · Archaeology (1 work) · Balkans: History, Politics, Society (1 work) · Cognitive science (1 work) · Communitas (1 work) · Computer security (1 work) · Epistemology (1 work) · Gender Studies (1 work)