Juan Sebastian Ospina Leon
Biographic Data
| ID | 95182 |
|---|---|
| NAME | Juan Sebastian Ospina Leon |
| GIVEN NAMES | Juan Sebastian Ospina |
| FAMILY NAME | Leon |
| SIGNATURE | LEON J S O |
| AFFILIATIONS | University of California, Berkeley |
| ORCID | 0000-0002-5226-8194 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Struggles for Recognition
Conclusion
The Conventillo, the Department Store, and the Cabaret
This article examines an understudied film genre that some Argentine early film periodicals labeled cinedrama porteño. Porteño cinedramas portrayed a bleak Buenos Aires, a dark metropolis of massive immigration and accelerated urbanization in which opulence was reserved for the few and misery was all around, particularly in immigrant neighborhoods. Centering on 'fallen women' and well-dressed wastrels, the genre foregrounded social instability by…
Moving Stills
Este ensayo se centra en dos películas dirigidas por Luchino Visconti, La terra trema (1948) y Rocco e i suoi fratelli (1960) estudiadas bajo la lente de discursos sobre la Cuestión Meridional (la subyugación del sur por el norte propia del proceso de consolidación nacional italiana). Analizo dos cuestiones concomitantes: la configuración de lazos de parentesco y cuerpos sociales meridionales mediante retratos fotográficos; y la relación de éstos…
No prominent works on this page.
Moving Stills
Este ensayo se centra en dos películas dirigidas por Luchino Visconti, La terra trema (1948) y Rocco e i suoi fratelli (1960) estudiadas bajo la lente de discursos sobre la Cuestión Meridional (la subyugación del sur por el norte propia del proceso de consolidación nacional italiana). Analizo dos cuestiones concomitantes: la configuración de lazos de parentesco y cuerpos sociales meridionales mediante retratos fotográficos; y la relación de éstos…
The Conventillo, the Department Store, and the Cabaret
This article examines an understudied film genre that some Argentine early film periodicals labeled cinedrama porteño. Porteño cinedramas portrayed a bleak Buenos Aires, a dark metropolis of massive immigration and accelerated urbanization in which opulence was reserved for the few and misery was all around, particularly in immigrant neighborhoods. Centering on 'fallen women' and well-dressed wastrels, the genre foregrounded social instability by…
Struggles for Recognition
Conclusion
Anthropological Studies and Insights (2 works) · Art (2 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Humanities (2 works) · Psychology (2 works) · 20th century (1 work) · Anthropology (1 work) · Archaeology (1 work) · Asian American and Pacific Histories (1 work)