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Marjorie Pryse

Biographic Data

ID952223
NAMEMarjorie Pryse
GIVEN NAMESMarjorie
FAMILY NAMEPryse
SIGNATUREPRYSE M
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS0
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2008
H-INDEX0
  • Signifyin(g) on Reparation in Toni Morrison's Jazz

    Marjorie Pryse•ARTICLE•American Literature•2008

    In Jazz, Morrison explores the transferential relation between book and reader, invoking Kleinian object relations, Gates's Talking Book, and her characters' search for lost mothers to drive the reader into his or her own psychoanalytic search for origins. Joe, Violet, and Dorcas have been scarred by maternal abandonment, suicide, or early death. Joe and Violet share an object relation with Golden Gray, the white-raised son of Hunter's Hunter who…

  • Literary Regionalism and Global Capital: Nineteenth-Century U.S. Women Writers

    Marjorie Pryse•ARTICLE•Tulsa Studies in Women s Literature•2004

    Marjorie Pryse, Literary Regionalism and Global Capital: Nineteenth-Century U.S. Women Writers, Tulsa Studies in Women's Literature, Vol. 23, No. 1, Where in the World Is Transnational Feminism? (Spring, 2004), pp. 65-89

  • Trans/Feminist Methodology: Bridges to Interdisciplinary Thinking

    Marjorie Pryse•ARTICLE•NWSA Journal•2000

    After analyzing the relationship between critical interdisciplinarity and expanding the potential for cross-cultural insight in Women's Studies (NWSA Journal, Spring 1998), I wanted to explore further some questions concerning methodology: how does Women's Studies cross disciplinary borders in order to construct ways of thinking in feminist analytic terms; might Women's Studies develop an interdisciplinary methodology of its own; and from what ba…

  • Critical Interdisciplinarity, Women's Studies, and Cross-Cultural Insight

    Marjorie Pryse•ARTICLE•NWSA Journal•1998

    In this essay I examine the relationship between methods and analysis in Women's Studies. I argue that methods produce an intellectual flexibility that can be conducive to insight, and that therefore become a way of enhancing receptivity to in members of dominant groups, but that it is only analysis that works at the same time across lines of race, class, gender, and sexuality that creates a critical interdisciplinarity. Analysis by Gloria Anzald…

  • "Sex, Class, and "Category Crisis: Reading Jewett's Transitivity

    Marjorie Pryse•ARTICLE•American Literature•1998

  • The Home Plot: Women, Writing and Domestic Ritual

    Marjorie Pryse, Ann Romines•ARTICLE•Tulsa Studies in Women s Literature•1994

  • Sarah Orne Jewett: Reconstructing Gender

    Marjorie Pryse, Margaret Roman et al.•ARTICLE•The New England Quarterly•1993

  • Archives of Female Friendship and the "Way" Jewett Wrote

    Marjorie Pryse•ARTICLE•The New England Quarterly•1993

    Ah, my dear darling Kate! what lovely days those four were! the walks and talks by sunlight and starlight-and at twilight in the house-the sea and the sunshine and the delicious Newport air and the kind charming people I saw, and that blessed Kate herself! Oh dear! I ought to be such a good girl for so many good things are always being given me-and I am so thoughtless and live in such a careless way-only remembering once in awhile to thank God fo…

  • Feminist Differings: Recent Surveys of Feminist Literary Theory and Criticism

    June Howard, Elaine Showalter et al.•ARTICLE•Feminist Studies•1988

  • Black Women Writers' Right to Write

    Mae G Henderson, Marjorie Pryse et al.•ARTICLE•Callaloo•1988

  • "A White Heron" and the Question of Minor Literature

    Marjorie Pryse, Louis A Renza•ARTICLE•American Literature•1985

  • The Mark and the Knowledge: Social Stigma in Classic American Literature

    Robert E Spiller, Marjorie Pryse•ARTICLE•American Literature•1980

  • Lust for Audience: An Interpretation of Othello

    Marjorie Pryse•ARTICLE•ELH•1976

    As Shakespeare's play begins, lago has just informed Roderigo that without his knowledge, Desdemona has eloped. In the opening line, Roderigo exclaims that he doesn't want to hear this news-Tush, never tell me!-and especially not from lago, whom he has been paying to be his pander. lago jumps to his own defense: but you'll not hear / If ever I did dream of such a matter, / Abhor me (I.i.4-6.)1 He is concerned about two things: that Roderigo accus…

  • Ralph Ellison's Heroic Fugitive

    Marjorie Pryse•ARTICLE•American Literature•1974

No prominent works on this page.

  • Ralph Ellison's Heroic Fugitive

    Marjorie Pryse•ARTICLE•American Literature•1974

  • Lust for Audience: An Interpretation of Othello

    Marjorie Pryse•ARTICLE•ELH•1976

    As Shakespeare's play begins, lago has just informed Roderigo that without his knowledge, Desdemona has eloped. In the opening line, Roderigo exclaims that he doesn't want to hear this news-Tush, never tell me!-and especially not from lago, whom he has been paying to be his pander. lago jumps to his own defense: but you'll not hear / If ever I did dream of such a matter, / Abhor me (I.i.4-6.)1 He is concerned about two things: that Roderigo accus…

  • The Mark and the Knowledge: Social Stigma in Classic American Literature

    Robert E Spiller, Marjorie Pryse•ARTICLE•American Literature•1980

  • "A White Heron" and the Question of Minor Literature

    Marjorie Pryse, Louis A Renza•ARTICLE•American Literature•1985

  • Feminist Differings: Recent Surveys of Feminist Literary Theory and Criticism

    June Howard, Elaine Showalter et al.•ARTICLE•Feminist Studies•1988

  • Black Women Writers' Right to Write

    Mae G Henderson, Marjorie Pryse et al.•ARTICLE•Callaloo•1988

  • Sarah Orne Jewett: Reconstructing Gender

    Marjorie Pryse, Margaret Roman et al.•ARTICLE•The New England Quarterly•1993

  • Archives of Female Friendship and the "Way" Jewett Wrote

    Marjorie Pryse•ARTICLE•The New England Quarterly•1993

    Ah, my dear darling Kate! what lovely days those four were! the walks and talks by sunlight and starlight-and at twilight in the house-the sea and the sunshine and the delicious Newport air and the kind charming people I saw, and that blessed Kate herself! Oh dear! I ought to be such a good girl for so many good things are always being given me-and I am so thoughtless and live in such a careless way-only remembering once in awhile to thank God fo…

  • The Home Plot: Women, Writing and Domestic Ritual

    Marjorie Pryse, Ann Romines•ARTICLE•Tulsa Studies in Women s Literature•1994

  • Critical Interdisciplinarity, Women's Studies, and Cross-Cultural Insight

    Marjorie Pryse•ARTICLE•NWSA Journal•1998

    In this essay I examine the relationship between methods and analysis in Women's Studies. I argue that methods produce an intellectual flexibility that can be conducive to insight, and that therefore become a way of enhancing receptivity to in members of dominant groups, but that it is only analysis that works at the same time across lines of race, class, gender, and sexuality that creates a critical interdisciplinarity. Analysis by Gloria Anzald…

  • "Sex, Class, and "Category Crisis: Reading Jewett's Transitivity

    Marjorie Pryse•ARTICLE•American Literature•1998

  • Trans/Feminist Methodology: Bridges to Interdisciplinary Thinking

    Marjorie Pryse•ARTICLE•NWSA Journal•2000

    After analyzing the relationship between critical interdisciplinarity and expanding the potential for cross-cultural insight in Women's Studies (NWSA Journal, Spring 1998), I wanted to explore further some questions concerning methodology: how does Women's Studies cross disciplinary borders in order to construct ways of thinking in feminist analytic terms; might Women's Studies develop an interdisciplinary methodology of its own; and from what ba…

  • Literary Regionalism and Global Capital: Nineteenth-Century U.S. Women Writers

    Marjorie Pryse•ARTICLE•Tulsa Studies in Women s Literature•2004

    Marjorie Pryse, Literary Regionalism and Global Capital: Nineteenth-Century U.S. Women Writers, Tulsa Studies in Women's Literature, Vol. 23, No. 1, Where in the World Is Transnational Feminism? (Spring, 2004), pp. 65-89

  • Signifyin(g) on Reparation in Toni Morrison's Jazz

    Marjorie Pryse•ARTICLE•American Literature•2008

    In Jazz, Morrison explores the transferential relation between book and reader, invoking Kleinian object relations, Gates's Talking Book, and her characters' search for lost mothers to drive the reader into his or her own psychoanalytic search for origins. Joe, Violet, and Dorcas have been scarred by maternal abandonment, suicide, or early death. Joe and Violet share an object relation with Golden Gray, the white-raised son of Hunter's Hunter who…

Art (11 works) · History (8 works) · Philosophy (6 works) · Sociology (6 works) · Literature (5 works) · Psychology (5 works) · American and British Literature Analysis (4 works) · Epistemology (4 works) · History (4 works) · Gender Studies (3 works)

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