Riki Miyoshi
Biographic Data
| ID | 9523116 |
|---|---|
| NAME | Riki Miyoshi |
| GIVEN NAMES | Riki |
| FAMILY NAME | Miyoshi |
| SIGNATURE | MIYOSHI R |
| AFFILIATIONS | Waseda University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Rise and Fall of Rape on the English Stage, 1660–1720
Anne Greenfield’s monograph, The Rise and Fall of Rape on the English Stage 1660–1720, provides a compelling read which offers an original examination of a remarkably successful dramatic trope of the Restoration and early eighteenth-century English stage: rape. Greenfield argues that while other literary tropes “reflect contemporary anxieties, desires, and ideologies in relatively straightforward ways” (3), rape on the English stage often prompte…
Animals in Restoration Theatre, 1660–1710
Performing animals in Restoration theatre have seldom been the focal point of research. Exceptions include Michael Burden’s “Dancing Monkeys at Dorset Garden,” which examined the possible use of live monkeys in Henry Purcell’s opera The Fairy-Queen (1692), and Rafael Portillo’s “Staging Restoration Dramas,” a portion of which is dedicated to animals on the stage. This article provides a survey of animals on the Restoration stage and demonstrates …
No prominent works on this page.
Animals in Restoration Theatre, 1660–1710
Performing animals in Restoration theatre have seldom been the focal point of research. Exceptions include Michael Burden’s “Dancing Monkeys at Dorset Garden,” which examined the possible use of live monkeys in Henry Purcell’s opera The Fairy-Queen (1692), and Rafael Portillo’s “Staging Restoration Dramas,” a portion of which is dedicated to animals on the stage. This article provides a survey of animals on the Restoration stage and demonstrates …
The Rise and Fall of Rape on the English Stage, 1660–1720
Anne Greenfield’s monograph, The Rise and Fall of Rape on the English Stage 1660–1720, provides a compelling read which offers an original examination of a remarkably successful dramatic trope of the Restoration and early eighteenth-century English stage: rape. Greenfield argues that while other literary tropes “reflect contemporary anxieties, desires, and ideologies in relatively straightforward ways” (3), rape on the English stage often prompte…
Aesthetics (1 work) · Art (1 work) · Biology (1 work) · Culinary Culture and Tourism (1 work) · Folklore, Mythology, and Literature Studies (1 work) · Geographies of human-animal interactions (1 work) · History (1 work) · Ideology (1 work) · Key (lock) (1 work) · Liminality (1 work)