Anna Głąb
Biographic Data
| ID | 9525400 |
|---|---|
| NAME | Anna Głąb |
| GIVEN NAMES | Anna |
| FAMILY NAME | Głąb |
| SIGNATURE | GŁĄB A |
| AFFILIATIONS | John Paul II Catholic University of Lublin |
| ORCID | 0000-0001-7980-3778 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The crystal of eternity and the matter of events
This article discusses the Christian message present in Flannery O’Connor’s fiction. The author begins by exploring the main ideas in O’Connor’s essays included in the volume Mystery and Manners, and thus outlines the context of her literary work. First, the author situates the American writer’s fiction within the context of her era, which was characterized by both unbelief and the search for God. The author aims to answer the question of how O’C…
The Tender Narrator In Guzel Yakhina’s Zuleikha
The main assertion in this paper is that the tender narrator, whom the Polish writer, Olga Tokarczuk, made the subject of her Nobel Lecture, can convey the author’s perspective in such a way that all readers can find themselves in it. Using the example of Guzel Yakhina’s Zuleikha, the author of this paper demonstrates how tender narration brings out the titular character’s defenselessness as a quality of the human condition. The author ponders wh…
Życie w brulionach. O Dzienniku we dwoje Jadwigi Stańczakowej
Autorka podziela stanowiska Charlesa Taylora i Davida Parkera, którzy relacje autobiograficzne łączą z „gęstymi” językami dobra. Uważa, że relacja z własnego życia potrzebuje adekwatnego języka, jakiego nie może dostarczyć perspektywa trzecioosobowa, charakterystyczna dla nauk ścisłych. Na przykładzie Dziennika we dwoje Jadwigi Stańczakowej pokazuje, że pisanie dziennika to rodzaj ćwiczenia duchowego i, idąc za słowami Iris Murdoch, sposób prowad…
No prominent works on this page.
Życie w brulionach. O Dzienniku we dwoje Jadwigi Stańczakowej
Autorka podziela stanowiska Charlesa Taylora i Davida Parkera, którzy relacje autobiograficzne łączą z „gęstymi” językami dobra. Uważa, że relacja z własnego życia potrzebuje adekwatnego języka, jakiego nie może dostarczyć perspektywa trzecioosobowa, charakterystyczna dla nauk ścisłych. Na przykładzie Dziennika we dwoje Jadwigi Stańczakowej pokazuje, że pisanie dziennika to rodzaj ćwiczenia duchowego i, idąc za słowami Iris Murdoch, sposób prowad…
The Tender Narrator In Guzel Yakhina’s Zuleikha
The main assertion in this paper is that the tender narrator, whom the Polish writer, Olga Tokarczuk, made the subject of her Nobel Lecture, can convey the author’s perspective in such a way that all readers can find themselves in it. Using the example of Guzel Yakhina’s Zuleikha, the author of this paper demonstrates how tender narration brings out the titular character’s defenselessness as a quality of the human condition. The author ponders wh…
The crystal of eternity and the matter of events
This article discusses the Christian message present in Flannery O’Connor’s fiction. The author begins by exploring the main ideas in O’Connor’s essays included in the volume Mystery and Manners, and thus outlines the context of her literary work. First, the author situates the American writer’s fiction within the context of her era, which was characterized by both unbelief and the search for God. The author aims to answer the question of how O’C…
Art (2 works) · Philosophy (2 works) · Philosophy and Literary Analysis (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Assertion (1 work) · Central European Literary Studies (1 work) · Character (mathematics) (1 work) · Computer Science (1 work) · Contemporary Literature and Criticism (1 work)