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Michele Morselli

Biographic Data

ID9527626
NAMEMichele Morselli
GIVEN NAMESMichele
FAMILY NAMEMorselli
SIGNATUREMORSELLI M
AFFILIATIONSInstitut de France
ORCID0000-0002-3111-3345
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2025
H-INDEX0
  • De la lisibilité mélodramatique à l’opacité policière

    Michele Morselli•ARTICLE•Romantisme•2025

    This article explores the relationships between the melodramatic imaginary and readers’ curiosity in the predecessors to 19th century detective novels. While melodrama facilitates the readability of narrative functions, the reworking of its repertoire reflects the development, in stages, of a new way of writing and reading about fictional investigation: the reader’s engagement in the search for clues. Through the theatrical topos of disguise in t…

  • Alphonse de Lamartine, Confidenze. Nuove confidenze

    Open Access•Michele Morselli•ARTICLE•Studi Francesi•2025

    Dopo più di un secolo dall’ultima edizione, Le Lettere pubblica una nuova traduzione delle Confidenze (1849) di Lamartine, arricchendole delle Nuove confidenze (1850), mai tradotte finora in italiano. A cura di Pietro De Marco, il volume vuole riportare all’attenzione del pubblico nazionale l’opera autobiografica di Lamartine, dal cui oblio si è salvato solo il più celebre episodio romanzesco, Graziella.Il volume è inaugurato dall’introduzione (p…

  • Stéphanie Boulard - Pierre Georgel, Hugographies. Rêveries de Victor Hugo sur les lettres de l’alphabet

    Open Access•Michele Morselli•ARTICLE•Studi Francesi•2025

  • Un « cheval ombrageux »

    Open Access•Michele Morselli•ARTICLE•Topiques études satoriennes•2024

    The article aims to grasp the role of the symbolic code in the scaffolding of the narrative unity of Le Rouge et le Noir, through the theme of the horse. Although the symbolic dimension seems excluded from Stendhal's poetics (Racine & Shakspeare), and many of its commentators criticize it for « a writing without images », equestrian themes and symbols nevertheless play a central role in as elements guaranteeing the coherence of the narrative disc…

  • Francesca Sofia, Histoire de la correspondance de Jean-Charles-Léonard Simonde de Sismondi, avec l’inventaire des lettres reçues et envoyées (1793-1842)

    Open Access•Michele Morselli•ARTICLE•Studi Francesi•2024

  • Vittorio Fortunati, Xavier de Maistre, Via della Provvidenza

    Open Access•Michele Morselli•ARTICLE•Studi Francesi•2024

    autorizzata ("Tutti i diritti riservati")

No prominent works on this page.

  • Un « cheval ombrageux »

    Open Access•Michele Morselli•ARTICLE•Topiques études satoriennes•2024

    The article aims to grasp the role of the symbolic code in the scaffolding of the narrative unity of Le Rouge et le Noir, through the theme of the horse. Although the symbolic dimension seems excluded from Stendhal's poetics (Racine & Shakspeare), and many of its commentators criticize it for « a writing without images », equestrian themes and symbols nevertheless play a central role in as elements guaranteeing the coherence of the narrative disc…

  • Francesca Sofia, Histoire de la correspondance de Jean-Charles-Léonard Simonde de Sismondi, avec l’inventaire des lettres reçues et envoyées (1793-1842)

    Open Access•Michele Morselli•ARTICLE•Studi Francesi•2024

  • Vittorio Fortunati, Xavier de Maistre, Via della Provvidenza

    Open Access•Michele Morselli•ARTICLE•Studi Francesi•2024

    autorizzata ("Tutti i diritti riservati")

  • De la lisibilité mélodramatique à l’opacité policière

    Michele Morselli•ARTICLE•Romantisme•2025

    This article explores the relationships between the melodramatic imaginary and readers’ curiosity in the predecessors to 19th century detective novels. While melodrama facilitates the readability of narrative functions, the reworking of its repertoire reflects the development, in stages, of a new way of writing and reading about fictional investigation: the reader’s engagement in the search for clues. Through the theatrical topos of disguise in t…

  • Alphonse de Lamartine, Confidenze. Nuove confidenze

    Open Access•Michele Morselli•ARTICLE•Studi Francesi•2025

    Dopo più di un secolo dall’ultima edizione, Le Lettere pubblica una nuova traduzione delle Confidenze (1849) di Lamartine, arricchendole delle Nuove confidenze (1850), mai tradotte finora in italiano. A cura di Pietro De Marco, il volume vuole riportare all’attenzione del pubblico nazionale l’opera autobiografica di Lamartine, dal cui oblio si è salvato solo il più celebre episodio romanzesco, Graziella.Il volume è inaugurato dall’introduzione (p…

  • Stéphanie Boulard - Pierre Georgel, Hugographies. Rêveries de Victor Hugo sur les lettres de l’alphabet

    Open Access•Michele Morselli•ARTICLE•Studi Francesi•2025

Art (4 works) · Historical and Literary Analyses (3 works) · Philosophy (3 works) · French Literature and Poetry (2 works) · Historical and Literary Studies (2 works) · Humanities (2 works) · Literature and Culture Studies (2 works) · Blue light (1 work) · Computer Science (1 work) · Decadence, Literature, and Society (1 work)

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