Sylvia Iman Santoso
Biographic Data
| ID | 9527756 |
|---|---|
| NAME | Sylvia Iman Santoso |
| GIVEN NAMES | Sylvia Iman |
| FAMILY NAME | Santoso |
| SIGNATURE | SANTOSO S I |
| AFFILIATIONS | Southeast Asia Bible Seminary, Malang, Indonesia |
| ORCID | 0009-0002-1089-7512 |
| VERIFIED | Yes |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Rise of Lutheran Congregational Singing in Sixteenth-Century Germany
A cantus firmus is a fixed melody that originated primarily from plainchant and later became the basis of a larger musical composition. By the sixteenth century, the cantus firmus technique was adapted for numerous polyphonic works, including sacred choral works. The technique involves positioning the melody in the tenor part with multiple voices placed above and below it. This posed a challenge for many Lutheran churches that maintained choirs w…
No prominent works on this page.
The Rise of Lutheran Congregational Singing in Sixteenth-Century Germany
A cantus firmus is a fixed melody that originated primarily from plainchant and later became the basis of a larger musical composition. By the sixteenth century, the cantus firmus technique was adapted for numerous polyphonic works, including sacred choral works. The technique involves positioning the melody in the tenor part with multiple voices placed above and below it. This posed a challenge for many Lutheran churches that maintained choirs w…
Choir (1 work) · Historical Influence and Diplomacy (1 work) · Liturgy (1 work) · Melody (1 work) · Musical (1 work) · Musicology and Musical Analysis (1 work) · Polyphony (1 work) · Reformation and Early Modern Christianity (1 work) · Sacred music (1 work) · Singing (1 work)