Yngvar B Steinholt
Biographic Data
| ID | 952852 |
|---|---|
| NAME | Yngvar B Steinholt |
| GIVEN NAMES | Yngvar B |
| FAMILY NAME | Steinholt |
| SIGNATURE | STEINHOLT Y B |
| AFFILIATIONS | UiT The Arctic University of Norway |
| ORCID | 0000-0002-4971-4771 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 31 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 3 |
Philip Tagg (22 February 1944-9 May 2024)
Svalbard Studies: Coal Mining in the Russo-Norwegian Context
This short article offers an introduction to Poljarnyj Vestnik’s special issue on Svalbard Studies
The Pussy Riot Complex: Entering a New Stage of Academic Research into a Viral Russian Controversy
As this special issue comes hot off the press, nearly five years have passed since the activist art group Pisya Riot formed in Moscow, and four years since their “Punk Prayer” performance and the f
Pussy Riot’s Musical Precursors? The National Bolshevik Party Bands, 1994–2007
The current article opens a contentious issue for investigation: to what degree—if any—Pussy Riot have been influenced by the provocative, subversive, ironic, and self-contradictory aesthetics of the musical bands associated with the notorious oppositional National Bolshevik Party of Russia (NBP), now known as the Other Russia. This party, formed in 1993 by the countercultural author Eduard Limonov and the self-taught philosopher Aleksandr Dugin,…
Punk in Russia: Cultural Mutation from the Useless to the Moronic
Special Issue on Pussy Riot
Kitten Heresy: Lost Contexts of Pussy Riot's Punk Prayer
On August 17, 2012, following six months in custody, three key members of the\nfeminist punk band Pussy Riot were sentenced to two years in prison. Their attempted\nperformance in the Christ the Savior Cathedral of Moscow—of a punk prayer\ndenouncing lone presidental candidate Vladimir Putin—was condemned by the court\nas an act of religious hatred. Nadezhda Tolokonnikova,Maria Alekhina, and Ekaterina\nSamutsevich began serving their sentences on…
Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona
Any study of punk rock in Russia will in some way come into contact with the massive influence of Egor Letov, his band Grazhdanskaia Oborona, and their extensive output during the late 1980s. Academia has thus far been reluctant to study the band because of its leader's involvement with dubious right-wing movements and his many tasteless and provocative media stunts during the 1990s. By taking its point of departure in Letov's songs from four sta…
Rock and Roll in the Rocket City: The West, Identity, and Ideology in Soviet Dnepropetrovsk, 1960-1985
Visions of the (Holy) Motherland in Contemporary Russian Popular Music: Nostalgia, Patriotism, Religion and Russkii Rok
Udgivelsesdato: 2009
You can't rid a song of its words: Notes on the hegemony of lyrics in Russian rock songs
From the mid-1980s, rock music emerged as the leading musical culture in the major cities of the Soviet Union. In writings and research on this ‘Soundtrack of Perestroika’, attention has been primarily paid to the words rather than the sounds. Russian rock critics and academics, as well as those who participate in Russian rock culture, persistently emphasise the literary qualities of Russian rock music and most still prefer to approach rock as a …
You can't rid a song of its words: Notes on the hegemony of lyrics in Russian rock songs (Volume 22 Number 1 January 2003, pp 89-108)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Rock mot regimet? Perspektiver på rockens rolle i sovjettidens Russland
Kitten Heresy: Lost Contexts of Pussy Riot's Punk Prayer
On August 17, 2012, following six months in custody, three key members of the\nfeminist punk band Pussy Riot were sentenced to two years in prison. Their attempted\nperformance in the Christ the Savior Cathedral of Moscow—of a punk prayer\ndenouncing lone presidental candidate Vladimir Putin—was condemned by the court\nas an act of religious hatred. Nadezhda Tolokonnikova,Maria Alekhina, and Ekaterina\nSamutsevich began serving their sentences on…
Visions of the (Holy) Motherland in Contemporary Russian Popular Music: Nostalgia, Patriotism, Religion and Russkii Rok
Udgivelsesdato: 2009
You can't rid a song of its words: Notes on the hegemony of lyrics in Russian rock songs
From the mid-1980s, rock music emerged as the leading musical culture in the major cities of the Soviet Union. In writings and research on this ‘Soundtrack of Perestroika’, attention has been primarily paid to the words rather than the sounds. Russian rock critics and academics, as well as those who participate in Russian rock culture, persistently emphasise the literary qualities of Russian rock music and most still prefer to approach rock as a …
The Pussy Riot Complex: Entering a New Stage of Academic Research into a Viral Russian Controversy
As this special issue comes hot off the press, nearly five years have passed since the activist art group Pisya Riot formed in Moscow, and four years since their “Punk Prayer” performance and the f
Pussy Riot’s Musical Precursors? The National Bolshevik Party Bands, 1994–2007
The current article opens a contentious issue for investigation: to what degree—if any—Pussy Riot have been influenced by the provocative, subversive, ironic, and self-contradictory aesthetics of the musical bands associated with the notorious oppositional National Bolshevik Party of Russia (NBP), now known as the Other Russia. This party, formed in 1993 by the countercultural author Eduard Limonov and the self-taught philosopher Aleksandr Dugin,…
Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona
Any study of punk rock in Russia will in some way come into contact with the massive influence of Egor Letov, his band Grazhdanskaia Oborona, and their extensive output during the late 1980s. Academia has thus far been reluctant to study the band because of its leader's involvement with dubious right-wing movements and his many tasteless and provocative media stunts during the 1990s. By taking its point of departure in Letov's songs from four sta…
Rock mot regimet? Perspektiver på rockens rolle i sovjettidens Russland
You can't rid a song of its words: Notes on the hegemony of lyrics in Russian rock songs
From the mid-1980s, rock music emerged as the leading musical culture in the major cities of the Soviet Union. In writings and research on this ‘Soundtrack of Perestroika’, attention has been primarily paid to the words rather than the sounds. Russian rock critics and academics, as well as those who participate in Russian rock culture, persistently emphasise the literary qualities of Russian rock music and most still prefer to approach rock as a …
You can't rid a song of its words: Notes on the hegemony of lyrics in Russian rock songs (Volume 22 Number 1 January 2003, pp 89-108)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Visions of the (Holy) Motherland in Contemporary Russian Popular Music: Nostalgia, Patriotism, Religion and Russkii Rok
Udgivelsesdato: 2009
Rock and Roll in the Rocket City: The West, Identity, and Ideology in Soviet Dnepropetrovsk, 1960-1985
Kitten Heresy: Lost Contexts of Pussy Riot's Punk Prayer
On August 17, 2012, following six months in custody, three key members of the\nfeminist punk band Pussy Riot were sentenced to two years in prison. Their attempted\nperformance in the Christ the Savior Cathedral of Moscow—of a punk prayer\ndenouncing lone presidental candidate Vladimir Putin—was condemned by the court\nas an act of religious hatred. Nadezhda Tolokonnikova,Maria Alekhina, and Ekaterina\nSamutsevich began serving their sentences on…
Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona
Any study of punk rock in Russia will in some way come into contact with the massive influence of Egor Letov, his band Grazhdanskaia Oborona, and their extensive output during the late 1980s. Academia has thus far been reluctant to study the band because of its leader's involvement with dubious right-wing movements and his many tasteless and provocative media stunts during the 1990s. By taking its point of departure in Letov's songs from four sta…
Punk in Russia: Cultural Mutation from the Useless to the Moronic
Special Issue on Pussy Riot
Pussy Riot’s Musical Precursors? The National Bolshevik Party Bands, 1994–2007
The current article opens a contentious issue for investigation: to what degree—if any—Pussy Riot have been influenced by the provocative, subversive, ironic, and self-contradictory aesthetics of the musical bands associated with the notorious oppositional National Bolshevik Party of Russia (NBP), now known as the Other Russia. This party, formed in 1993 by the countercultural author Eduard Limonov and the self-taught philosopher Aleksandr Dugin,…
The Pussy Riot Complex: Entering a New Stage of Academic Research into a Viral Russian Controversy
As this special issue comes hot off the press, nearly five years have passed since the activist art group Pisya Riot formed in Moscow, and four years since their “Punk Prayer” performance and the f
Svalbard Studies: Coal Mining in the Russo-Norwegian Context
This short article offers an introduction to Poljarnyj Vestnik’s special issue on Svalbard Studies
Philip Tagg (22 February 1944-9 May 2024)
Political science (10 works) · Art (8 works) · History (8 works) · History (7 works) · Law (6 works) · Law (6 works) · Aesthetics (5 works) · Eastern European Communism and Reforms (5 works) · Literature (5 works) · Sociology (5 works)