Natalie Diebschlag
Biographic Data
| ID | 95322 |
|---|---|
| NAME | Natalie Diebschlag |
| GIVEN NAMES | Natalie |
| FAMILY NAME | Diebschlag |
| SIGNATURE | DIEBSCHLAG N |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Jazzing the Novel: The Derridean Ethics of Michael Ondaatje's Coming through Slaughter
This essay focuses on the depiction of jazz in Michael Ondaatje's Coming through Slaughter . I argue that the elusiveness of Buddy Bolden's music and Ondaatje's own experimentalism enact the ethics that is central to the work of Jacques Derrida. By extension, they articulate a diasporic condition that is both universal as well as culturally specific
The city of refuge: Deconstructing cosmopolitanism in Anthony Minghella'sBreaking and Entering
Anthony Minghella’s feature film Breaking and Entering (2006) constitutes a kaleidoscopic portrait of the Camden cityscape around King’s Cross/St Pancras, a North London area whose gradual gentrification at the beginning of the 21st century makes it the site of perpetual clashes along diverse lines of division, whether cultural, legal, social, ethnic or personal. Minghella tells the story of the encounter between well-to-do Londoner Will Francis …
Jazzing the Novel: The Derridean Ethics of Michael Ondaatje's Coming through Slaughter
This essay focuses on the depiction of jazz in Michael Ondaatje's Coming through Slaughter . I argue that the elusiveness of Buddy Bolden's music and Ondaatje's own experimentalism enact the ethics that is central to the work of Jacques Derrida. By extension, they articulate a diasporic condition that is both universal as well as culturally specific
The city of refuge: Deconstructing cosmopolitanism in Anthony Minghella'sBreaking and Entering
Anthony Minghella’s feature film Breaking and Entering (2006) constitutes a kaleidoscopic portrait of the Camden cityscape around King’s Cross/St Pancras, a North London area whose gradual gentrification at the beginning of the 21st century makes it the site of perpetual clashes along diverse lines of division, whether cultural, legal, social, ethnic or personal. Minghella tells the story of the encounter between well-to-do Londoner Will Francis …
Jazzing the Novel: The Derridean Ethics of Michael Ondaatje's Coming through Slaughter
This essay focuses on the depiction of jazz in Michael Ondaatje's Coming through Slaughter . I argue that the elusiveness of Buddy Bolden's music and Ondaatje's own experimentalism enact the ethics that is central to the work of Jacques Derrida. By extension, they articulate a diasporic condition that is both universal as well as culturally specific
Art (2 works) · Art history (2 works) · Literature (2 works) · Sociology (2 works) · Aesthetics (1 works) · Censorship (1 works) · Cityscape (1 works) · Cosmopolitanism (1 works) · Depiction (1 works) · Destiny (ISS module (1 works)