Christine Brooke-Rose
Biographic Data
| ID | 953349 |
|---|---|
| NAME | Christine Brooke-Rose |
| GIVEN NAMES | Christine |
| FAMILY NAME | Brooke-Rose |
| SIGNATURE | BROOKE-ROSE C |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
Stories, Theories and Things
Exsul
Interpretation and Overinterpretation
Umberto Eco, international bestselling novelist and leading literary theorist, here brings together these two roles in a provocative discussion of the vexed question of literary interpretation. The limits of interpretation - what a text can actually be said to mean - are of double interest to a semiotician whose own novels' intriguing complexity has provoked his readers into intense speculation as to their meaning. Eco's illuminating and frequent…
Whatever Happened to Narratology
Stories, Theories, and Things
The novelist and critic Christine Brooke-Rose reflects on her own fictional craft and turns her well-developed analytic abilities on other writers fictional and critical, from Hawthorne to Pound to Bloom and Derrida, in an attempt to investigate those difficult border zones between the 'invented' and the 'real'. The result is an extended meditation in a highly personal idiom, on the creative act and its relation to modern theoretical writing and …
Problématique de la réception
The author situates herself within the field of literary feminism. She analyzes the problems of reception various works meet with depending on the sex of their authors, drawing on autobiographical elements. In the final analysis, it seems that women writers have a harder time being recognized as serious writers than men do
Woman as a Semiotic Object
Writing about Postmodern Writing
A Rhetoric of the Unreal. Studies in Narrative and Structure, Especially of the Fantastic
A Rhetoric of the Unreal: Studies in Narrative and Structure, Especially of the Fantastic
The Evil Ring: Realism and the Marvelous
The Concept of Ambiguity - The Example of James
Self-Confrontation and the Writer
confront whom? Do you (who, me?) visualize it as a confrontation of two entities, perhaps of roughly equal status and stature, as in the morphology of the folktale, a hero and a villain, a white knight and a black in a playful or murderous clanging joust, or at most a giant green knight and at mostest a flaming golden dragon? Of course, grammar supports you, yes you, John, confronts John,. The rule of reflexivization demands that a coreferentiall…
Historical Genres/Theoretical Genres: A Discussion of Todorov on the Fantastic
Christine Brooke-Rose, Historical Genres/Theoretical Genres: A Discussion of Todorov on the Fantastic, New Literary History, Vol. 8, No. 1, Readers and Spectators: Some Views and Reviews (Autumn, 1976), pp. 145-158
A ZBC of Ezra Pound
Whatever Happened to Narratology
Exsul
A Rhetoric of the Unreal. Studies in Narrative and Structure, Especially of the Fantastic
Historical Genres/Theoretical Genres: A Discussion of Todorov on the Fantastic
Christine Brooke-Rose, Historical Genres/Theoretical Genres: A Discussion of Todorov on the Fantastic, New Literary History, Vol. 8, No. 1, Readers and Spectators: Some Views and Reviews (Autumn, 1976), pp. 145-158
A ZBC of Ezra Pound
Historical Genres/Theoretical Genres: A Discussion of Todorov on the Fantastic
Christine Brooke-Rose, Historical Genres/Theoretical Genres: A Discussion of Todorov on the Fantastic, New Literary History, Vol. 8, No. 1, Readers and Spectators: Some Views and Reviews (Autumn, 1976), pp. 145-158
Self-Confrontation and the Writer
confront whom? Do you (who, me?) visualize it as a confrontation of two entities, perhaps of roughly equal status and stature, as in the morphology of the folktale, a hero and a villain, a white knight and a black in a playful or murderous clanging joust, or at most a giant green knight and at mostest a flaming golden dragon? Of course, grammar supports you, yes you, John, confronts John,. The rule of reflexivization demands that a coreferentiall…
The Concept of Ambiguity - The Example of James
The Evil Ring: Realism and the Marvelous
Writing about Postmodern Writing
A Rhetoric of the Unreal. Studies in Narrative and Structure, Especially of the Fantastic
A Rhetoric of the Unreal: Studies in Narrative and Structure, Especially of the Fantastic
Woman as a Semiotic Object
Problématique de la réception
The author situates herself within the field of literary feminism. She analyzes the problems of reception various works meet with depending on the sex of their authors, drawing on autobiographical elements. In the final analysis, it seems that women writers have a harder time being recognized as serious writers than men do
Stories, Theories, and Things
The novelist and critic Christine Brooke-Rose reflects on her own fictional craft and turns her well-developed analytic abilities on other writers fictional and critical, from Hawthorne to Pound to Bloom and Derrida, in an attempt to investigate those difficult border zones between the 'invented' and the 'real'. The result is an extended meditation in a highly personal idiom, on the creative act and its relation to modern theoretical writing and …
Whatever Happened to Narratology
Interpretation and Overinterpretation
Umberto Eco, international bestselling novelist and leading literary theorist, here brings together these two roles in a provocative discussion of the vexed question of literary interpretation. The limits of interpretation - what a text can actually be said to mean - are of double interest to a semiotician whose own novels' intriguing complexity has provoked his readers into intense speculation as to their meaning. Eco's illuminating and frequent…
Exsul
Stories, Theories and Things
Art (14 works) · Philosophy (12 works) · Literature (8 works) · History (7 works) · Epistemology (6 works) · Linguistics (5 works) · Aesthetics (4 works) · Sociology (4 works) · Narrative (3 works) · Narrative Theory and Analysis (3 works)