Sarah E Fraser
Biographic Data
| ID | 9534656 |
|---|---|
| NAME | Sarah E Fraser |
| GIVEN NAMES | Sarah E |
| FAMILY NAME | Fraser |
| SIGNATURE | FRASER S E |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Encounters with Chan
The handscroll Tales of the Eight Eminent Monks 八高僧故事圖卷, attributed to Liang Kai 梁楷 (fl. 1201–4), is a collection of eight alternating pictorial scenes and eight texts. The texts are largely excerpts from Transmission of the Lamp (dated 1004), which emphasizes adepts’ biographies, recorded sayings, and other nonconventional enlightenment literature. The scenes and text are encounter narratives 禪會 (chanhui) that depict meetings between travelers a…
Visualizing Dunhuang
Seventy-eight years ago, James Lo 羅寄梅 (1902–1987), a photographer with the Central News Agency based in the wartime capital of Chongqing, descended upon the renowned but little understood caves at Dunhuang and Yulin with three cameras: a large 6 x 8 field camera, a 4 x 5 Speed Graflex, and a 35mm Leica. Eighteen months later, Lo and his wife, Lucy (b. 1920), left with 2,567 negatives in varying formats.1 By all accounts, this was the first profes…
Xu Bing
Ethnographic Mimesis
Zhang Daqian
Formulas of Creativity
La decouverte d'esquisses derriere le mur d'une grotte a Dunhuang est d'une grande importance pour la comprehension des croquis et des pratiques artistiques pre-modernes avant la periode des Ming. Les esquisses chinoises n'etaient pas considerees comme des objets d'art a part entiere et circulaient entre artistes au cours des siecles. Cependant il est evident que les peintres chinois s'en tenaient, techniquement et conceptuellement, a celles-ci q…
No prominent works on this page.
Formulas of Creativity
La decouverte d'esquisses derriere le mur d'une grotte a Dunhuang est d'une grande importance pour la comprehension des croquis et des pratiques artistiques pre-modernes avant la periode des Ming. Les esquisses chinoises n'etaient pas considerees comme des objets d'art a part entiere et circulaient entre artistes au cours des siecles. Cependant il est evident que les peintres chinois s'en tenaient, techniquement et conceptuellement, a celles-ci q…
Zhang Daqian
Ethnographic Mimesis
Xu Bing
Visualizing Dunhuang
Seventy-eight years ago, James Lo 羅寄梅 (1902–1987), a photographer with the Central News Agency based in the wartime capital of Chongqing, descended upon the renowned but little understood caves at Dunhuang and Yulin with three cameras: a large 6 x 8 field camera, a 4 x 5 Speed Graflex, and a 35mm Leica. Eighteen months later, Lo and his wife, Lucy (b. 1920), left with 2,567 negatives in varying formats.1 By all accounts, this was the first profes…
Encounters with Chan
The handscroll Tales of the Eight Eminent Monks 八高僧故事圖卷, attributed to Liang Kai 梁楷 (fl. 1201–4), is a collection of eight alternating pictorial scenes and eight texts. The texts are largely excerpts from Transmission of the Lamp (dated 1004), which emphasizes adepts’ biographies, recorded sayings, and other nonconventional enlightenment literature. The scenes and text are encounter narratives 禪會 (chanhui) that depict meetings between travelers a…
Art (4 works) · Art history (3 works) · Archaeology (2 works) · Chinese history and philosophy (2 works) · Computer Science (2 works) · Geography (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Cave (1 work)