Tomáš Kolich
Biographic Data
| ID | 9535555 |
|---|---|
| NAME | Tomáš Kolich |
| GIVEN NAMES | Tomáš |
| FAMILY NAME | Kolich |
| SIGNATURE | KOLICH T |
| AFFILIATIONS | Charles University |
| ORCID | 0000-0003-3138-1988 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
From Hogarth to Nosferatu . The Iconographic History of the Madman’s Wall Motif
The film Nosferatu (1922) has graffiti created by the character of the madman Knock on the walls of his cell. This motif, which I call the ‘madman’s wall’, has accompanied depictions of lunatics since the beginning of the eighteenth century. This article examines the origin, transformations and functions of this motif. The popularisation of the motif originates with the longitude diagram in the last plate of A Rake’s Progress (1735) by William Ho…
Čáry máry: Čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění
The article analyses the symbolism on network visualizations with a focus on the so-called horizontal art history. It shows that this symbolism can obscure the proper application and assessment of network models. The horizontal art history is particularly prone to this because it is based on a metaphorical juxtaposition (with Western “vertical” art history) which is similar to the juxtaposition that cocreates the network symbolism – (visual) juxt…
No prominent works on this page.
Čáry máry: Čáry! Nástrahy vizualizací sítí nejen v horizontálních dějinách umění
The article analyses the symbolism on network visualizations with a focus on the so-called horizontal art history. It shows that this symbolism can obscure the proper application and assessment of network models. The horizontal art history is particularly prone to this because it is based on a metaphorical juxtaposition (with Western “vertical” art history) which is similar to the juxtaposition that cocreates the network symbolism – (visual) juxt…
From Hogarth to Nosferatu . The Iconographic History of the Madman’s Wall Motif
The film Nosferatu (1922) has graffiti created by the character of the madman Knock on the walls of his cell. This motif, which I call the ‘madman’s wall’, has accompanied depictions of lunatics since the beginning of the eighteenth century. This article examines the origin, transformations and functions of this motif. The popularisation of the motif originates with the longitude diagram in the last plate of A Rake’s Progress (1735) by William Ho…
Art (2 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Abstraction (1 works) · Aesthetics (1 works) · Art, Technology, and Culture (1 works) · Computer Science (1 works) · Diagram (1 works) · Epistemology (1 works) · Exhibition (1 works)