Anna Brzezińska-Winkiel
Biographic Data
| ID | 9550781 |
|---|---|
| NAME | Anna Brzezińska-Winkiel |
| GIVEN NAMES | Anna |
| FAMILY NAME | Brzezińska-Winkiel |
| SIGNATURE | BRZEZIŃSKA-WINKIEL A |
| AFFILIATIONS | University of Wrocław |
| ORCID | 0000-0003-2829-4023 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
ZostańWDomu — kronika czasów pandemii
2020, ending the second decade of the twenty-first century, is going down in history as the year of a global pandemic caused by the rapid spread of a virus labelled as SARS-CoV-2 (COVID-19). The dramatic consequences of the pandemic are still felt all over the world. One of the early methods for fighting the pandemic and aimed at stopping the transmission of the virus was a decision made by governments of most countries to close down the economy …
Kilka uwag o typografii Josefa Čapka w kontekście wspomnień z dzieciństwa spędzonego u stóp Karkonoszy
The aim of the article is to present the figure of Josef Čapek in the context of his childhood spent at the foot of the Giant Mountains on the basis of his memoirs included in the collections of essays O sobě and Krakonošova zahrada. The author of the analysis seeks to demonstrate how the artist constructed his autobiographical place, which he called “Krakonošova zahrada” (Karkonosz’s garden) and whether it has any references to his later oeuvre,…
Karkonosze jako idealny górski krajobraz na przełomie XVIII i XIX wieku
At the end of the 18th century, the new idea of the mountain landscape as an ideal and beautiful landscape emerged in Central Europe. This cultural process was conditioned by the contemporary aesthetic concepts of the Sublime and the Picturesque, related to the development of a new cultural and social practice of education of the eye (described in the book of Peter De Bolla The Education of the Eye: Painting, Landscape, and Architecture in Eighte…
Ogród Karkonosza Josefa i Karela Čapków jako miejsce autobiograficzne a współczesne sposoby konstruowania tej przestrzeni
Cílem článku je analýza autobiografického místa zvaného Krakonošova zahrada v esejích a dílech bratří Josefa a Karla Čapků (ze sbírek O sobě a Krakonošova zahrada) v kontextu koncepci míst vzpomínaných a ztracených Małgorzaty Czermińské. Tato analýza je pak konfrontována se současným vnímáním míst dospívání slavných sourozenců, které můžeme charakterizovat jako místa paměti. Popis je podpořen analýzou dokumentů (fotografií, turistických tras, muz…
Mystification in Czech cinematography and Czech culture
The article concerns the issue of mystification and hoax in Czech culture. It demon-strates historical aspects of this phenomenon and, basing on the example of various cul-tural texts, shows that the mystification as a means of artistic expression is deeply rooted in Czech culture. Surrealistic and illogical themes that are characteristic for Czech humour are used by artists, especially filmmakers, in creating successive mystifications. The artic…
Jan Švankmajer’s Kunstkammer
Thesis. Jan Švankmajer’s Kunstkammer is a project with a complex constellation of meaning that defies clear-cut categorization in the context of Pomian’s theory of semiophores. Discussed concepts. The paper describes the kunstkammer art project created by Jan Švankmajer, a Czech surrealist, in the context of Pomian’s theory of semiophores and compares it to traditional and historical equivalents, using the concepts of micro- and macrocosm, the wo…
Atmosphere of societal anxiety and representations of the body
Aim: The interwar period in Czechoslovakia was a time of societal anxiety. The aim of this paper is to find the central themes of societal fear, as reflected in the surrealist works of Vítězslav Nezval, a czech poet. The analysis will be based primarily on the lyric poetry from the collections: Žena v množném čísle [Woman in Plural] (1936) and Absolutní hrobař [Absolute Gravedigger] (1937). Methods: The analysis is based on the Josef Vojdovík’s a…
No prominent works on this page.
Atmosphere of societal anxiety and representations of the body
Aim: The interwar period in Czechoslovakia was a time of societal anxiety. The aim of this paper is to find the central themes of societal fear, as reflected in the surrealist works of Vítězslav Nezval, a czech poet. The analysis will be based primarily on the lyric poetry from the collections: Žena v množném čísle [Woman in Plural] (1936) and Absolutní hrobař [Absolute Gravedigger] (1937). Methods: The analysis is based on the Josef Vojdovík’s a…
Kilka uwag o typografii Josefa Čapka w kontekście wspomnień z dzieciństwa spędzonego u stóp Karkonoszy
The aim of the article is to present the figure of Josef Čapek in the context of his childhood spent at the foot of the Giant Mountains on the basis of his memoirs included in the collections of essays O sobě and Krakonošova zahrada. The author of the analysis seeks to demonstrate how the artist constructed his autobiographical place, which he called “Krakonošova zahrada” (Karkonosz’s garden) and whether it has any references to his later oeuvre,…
Karkonosze jako idealny górski krajobraz na przełomie XVIII i XIX wieku
At the end of the 18th century, the new idea of the mountain landscape as an ideal and beautiful landscape emerged in Central Europe. This cultural process was conditioned by the contemporary aesthetic concepts of the Sublime and the Picturesque, related to the development of a new cultural and social practice of education of the eye (described in the book of Peter De Bolla The Education of the Eye: Painting, Landscape, and Architecture in Eighte…
Ogród Karkonosza Josefa i Karela Čapków jako miejsce autobiograficzne a współczesne sposoby konstruowania tej przestrzeni
Cílem článku je analýza autobiografického místa zvaného Krakonošova zahrada v esejích a dílech bratří Josefa a Karla Čapků (ze sbírek O sobě a Krakonošova zahrada) v kontextu koncepci míst vzpomínaných a ztracených Małgorzaty Czermińské. Tato analýza je pak konfrontována se současným vnímáním míst dospívání slavných sourozenců, které můžeme charakterizovat jako místa paměti. Popis je podpořen analýzou dokumentů (fotografií, turistických tras, muz…
Mystification in Czech cinematography and Czech culture
The article concerns the issue of mystification and hoax in Czech culture. It demon-strates historical aspects of this phenomenon and, basing on the example of various cul-tural texts, shows that the mystification as a means of artistic expression is deeply rooted in Czech culture. Surrealistic and illogical themes that are characteristic for Czech humour are used by artists, especially filmmakers, in creating successive mystifications. The artic…
Jan Švankmajer’s Kunstkammer
Thesis. Jan Švankmajer’s Kunstkammer is a project with a complex constellation of meaning that defies clear-cut categorization in the context of Pomian’s theory of semiophores. Discussed concepts. The paper describes the kunstkammer art project created by Jan Švankmajer, a Czech surrealist, in the context of Pomian’s theory of semiophores and compares it to traditional and historical equivalents, using the concepts of micro- and macrocosm, the wo…
ZostańWDomu — kronika czasów pandemii
2020, ending the second decade of the twenty-first century, is going down in history as the year of a global pandemic caused by the rapid spread of a virus labelled as SARS-CoV-2 (COVID-19). The dramatic consequences of the pandemic are still felt all over the world. One of the early methods for fighting the pandemic and aimed at stopping the transmission of the virus was a decision made by governments of most countries to close down the economy …
Art (6 works) · History (6 works) · Philosophy (5 works) · Literature (4 works) · Archaeology (3 works) · Central European Literary Studies (3 works) · Sociology (3 works) · Art history (2 works) · Czech (2 works) · Epistemology (2 works)