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Barbara Correll

Biographic Data

ID955703
NAMEBarbara Correll
GIVEN NAMESBarbara
FAMILY NAMECorrell
SIGNATURECORRELL B
AFFILIATIONSCornell University
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS5
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2010
H-INDEX1
  • On Demand: Writing for the Market in EarlyModern England

    Open Access•Barbara Correll•ARTICLE•Renaissance Quarterly•2010

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • What Nature Does Not Teach: Didactic Literature in the Medieval and Early-Modern Periods

    Open Access•Barbara Correll•ARTICLE•Renaissance Quarterly•2009

    Juanita Feros Ruys, ed. What Nature Does Not Teach: Didactic Literature in the Medieval and Early-Modern Periods. Disputatio 15. Turnhout: Brepols Publishers, 2008. xii + 527 pp. illus. $90. ISBN: 978–2–503–52596–9. - Volume 62 Issue 4

  • "Terms of "Indearment: Lyric and General Economy in Shakespeare and Donne

    Barbara Correll•ARTICLE•ELH•2008•References: 5

    Terms of "Indearment":Lyric and General Economy in Shakespeare and Donne Barbara Correll The term poetry, applied to the least degraded and least intellectualized forms of the expression of a state of loss, can be considered synonymous with expenditure; it in fact signifies, in the most precise way, creation by means of loss. —George Bataille, "The Notion of Expenditure"1 I. Renaissance poetry has long been linked to historical and political-cult…

  • Chiasmus and Commodificatio: Crossing Tropes and Conditions in Donne's Elegy 11, “The Bracelet

    Barbara Correll•ARTICLE•Exemplaria•1999

    1999). Chiasmus and Commodificatio: Crossing Tropes and Conditions in Donne's Elegy 11, “The Bracelet”. Exemplaria: Vol. 11, No. 1, pp. 141-165

  • Woman and Gender in Renaissance Tragedy: A Study of King Lear, Othello, the Duchess of Malfi and the White Devil

    Barbara Correll, Dympna Callaghan et al.•ARTICLE•Tulsa Studies in Women s Literature•1991

  • Rem(a)inders of G(l)ory: Monuments and Bodies in "Glory" and "In the Year of the Pig

    Barbara Correll•ARTICLE•Cultural Critique•1991

    N o guts, no glory-yet the logic of martial glory despises the body (which it must use) and loves the monument that inscribes a nationalist text of masculine self-presence. At least until the dedication of the Vietnam Memorial in 1982, U.S. war monuments such as the Saint-Gaudens memorial to Colonel Robert Gould Shaw and the Massachusetts Fifty-fourth Regiment (which plays a key structuring role in Edward Zwick's Glory and in Emile

  • Malleable Material, Models of Power: Woman in Erasmus's "Marriage Group" and Civility in Boys

    Barbara Correll•ARTICLE•ELH•1990

  • The Politics of Civility in Renaissance Texts: Grobiana in Grobianus

    Barbara Correll•ARTICLE•Exemplaria•1990

  • Honey-Mad Women: Emancipatory Strategies in Women's Writing

    Barbara Correll, Patricia Yaeger et al.•ARTICLE•Tulsa Studies in Women s Literature•1989

  • "Introduction to Siegfried Kracauer's "The Mass Ornament

    Karsten Witte, Barbara Correll et al.•ARTICLE•New German Critique•1975•Cited by: 1

    From Caligari to Hitler (Princeton, 1947) and Theory of Film (New York, 1960) made Siegfried Kracauer so well-known in his American exile that his important work before his emigration to New York in 1941 has escaped our attention. Although the theoretical premises of the early Kracauer are present even in his posthumously published meditation on historiography, History (New York, 1969), his early writings in Germany aroused no interest in New Yor…

  • The Mass Ornament

    Siegfried Kracauer, Barbara Correll et al.•ARTICLE•New German Critique•1975•Cited by: 4

    ness of contemporary thinking is therefore ambivalent. From the point of view of mythological teachings, in which nature naively asserts itself, the process of abstraction as it is practiced in the natural sciences for example, is a gain in rationality which detracts from the glittering display of natural things. From the perspective of reason, the same process of abstraction appears conditioned by nature; it loses itself in an empty formalism wh…

  • The Mass Ornament

    Siegfried Kracauer, Barbara Correll et al.•ARTICLE•New German Critique•1975•Cited by: 4

    ness of contemporary thinking is therefore ambivalent. From the point of view of mythological teachings, in which nature naively asserts itself, the process of abstraction as it is practiced in the natural sciences for example, is a gain in rationality which detracts from the glittering display of natural things. From the perspective of reason, the same process of abstraction appears conditioned by nature; it loses itself in an empty formalism wh…

  • "Introduction to Siegfried Kracauer's "The Mass Ornament

    Karsten Witte, Barbara Correll et al.•ARTICLE•New German Critique•1975•Cited by: 1

    From Caligari to Hitler (Princeton, 1947) and Theory of Film (New York, 1960) made Siegfried Kracauer so well-known in his American exile that his important work before his emigration to New York in 1941 has escaped our attention. Although the theoretical premises of the early Kracauer are present even in his posthumously published meditation on historiography, History (New York, 1969), his early writings in Germany aroused no interest in New Yor…

  • "Introduction to Siegfried Kracauer's "The Mass Ornament

    Karsten Witte, Barbara Correll et al.•ARTICLE•New German Critique•1975•Cited by: 1

    From Caligari to Hitler (Princeton, 1947) and Theory of Film (New York, 1960) made Siegfried Kracauer so well-known in his American exile that his important work before his emigration to New York in 1941 has escaped our attention. Although the theoretical premises of the early Kracauer are present even in his posthumously published meditation on historiography, History (New York, 1969), his early writings in Germany aroused no interest in New Yor…

  • The Mass Ornament

    Siegfried Kracauer, Barbara Correll et al.•ARTICLE•New German Critique•1975•Cited by: 4

    ness of contemporary thinking is therefore ambivalent. From the point of view of mythological teachings, in which nature naively asserts itself, the process of abstraction as it is practiced in the natural sciences for example, is a gain in rationality which detracts from the glittering display of natural things. From the perspective of reason, the same process of abstraction appears conditioned by nature; it loses itself in an empty formalism wh…

  • Honey-Mad Women: Emancipatory Strategies in Women's Writing

    Barbara Correll, Patricia Yaeger et al.•ARTICLE•Tulsa Studies in Women s Literature•1989

  • Malleable Material, Models of Power: Woman in Erasmus's "Marriage Group" and Civility in Boys

    Barbara Correll•ARTICLE•ELH•1990

  • The Politics of Civility in Renaissance Texts: Grobiana in Grobianus

    Barbara Correll•ARTICLE•Exemplaria•1990

  • Woman and Gender in Renaissance Tragedy: A Study of King Lear, Othello, the Duchess of Malfi and the White Devil

    Barbara Correll, Dympna Callaghan et al.•ARTICLE•Tulsa Studies in Women s Literature•1991

  • Rem(a)inders of G(l)ory: Monuments and Bodies in "Glory" and "In the Year of the Pig

    Barbara Correll•ARTICLE•Cultural Critique•1991

    N o guts, no glory-yet the logic of martial glory despises the body (which it must use) and loves the monument that inscribes a nationalist text of masculine self-presence. At least until the dedication of the Vietnam Memorial in 1982, U.S. war monuments such as the Saint-Gaudens memorial to Colonel Robert Gould Shaw and the Massachusetts Fifty-fourth Regiment (which plays a key structuring role in Edward Zwick's Glory and in Emile

  • Chiasmus and Commodificatio: Crossing Tropes and Conditions in Donne's Elegy 11, “The Bracelet

    Barbara Correll•ARTICLE•Exemplaria•1999

    1999). Chiasmus and Commodificatio: Crossing Tropes and Conditions in Donne's Elegy 11, “The Bracelet”. Exemplaria: Vol. 11, No. 1, pp. 141-165

  • "Terms of "Indearment: Lyric and General Economy in Shakespeare and Donne

    Barbara Correll•ARTICLE•ELH•2008•References: 5

    Terms of "Indearment":Lyric and General Economy in Shakespeare and Donne Barbara Correll The term poetry, applied to the least degraded and least intellectualized forms of the expression of a state of loss, can be considered synonymous with expenditure; it in fact signifies, in the most precise way, creation by means of loss. —George Bataille, "The Notion of Expenditure"1 I. Renaissance poetry has long been linked to historical and political-cult…

  • What Nature Does Not Teach: Didactic Literature in the Medieval and Early-Modern Periods

    Open Access•Barbara Correll•ARTICLE•Renaissance Quarterly•2009

    Juanita Feros Ruys, ed. What Nature Does Not Teach: Didactic Literature in the Medieval and Early-Modern Periods. Disputatio 15. Turnhout: Brepols Publishers, 2008. xii + 527 pp. illus. $90. ISBN: 978–2–503–52596–9. - Volume 62 Issue 4

  • On Demand: Writing for the Market in EarlyModern England

    Open Access•Barbara Correll•ARTICLE•Renaissance Quarterly•2010

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (7 works) · Sociology (4 works) · Art history (3 works) · The Renaissance (3 works) · Art, Politics, and Modernism (2 works) · Civility (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Geology (2 works) · Geology (2 works)

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