Heather Harrington
Biographic Data
| ID | 9564941 |
|---|---|
| NAME | Heather Harrington |
| GIVEN NAMES | Heather |
| FAMILY NAME | Harrington |
| SIGNATURE | HARRINGTON H |
| AFFILIATIONS | Kean University and Drew University |
| ORCID | 0000-0002-7396-5642 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“Dancer as collaborator, co-author, co-owner, co-creator
In contemporary concert dance, the efforts and creative powers of dancers can be overlooked and devalued against those of the choreographer. Might a binary relationship between the mind and the body haunt the relationship between the choreographer and dancer with the looming specter of a female body that is obedient, fertile, and shaped? This article explores whether dancers in contemporary concert dance should be credited in the choreographic pr…
Consumer dance identity
This article employs a theoretical framework, utilizing cultural analysis, to explore how the intersection in the United States between competition dance, televised dance shows, and social media (which will be defined as consumer dance) is affecting the embodiment, pedagogy, and appreciation of dance, and contributing to the objectification and commodification of these dancers. Hegemonic constructions of gender and beauty populate consumer dance,…
No prominent works on this page.
Consumer dance identity
This article employs a theoretical framework, utilizing cultural analysis, to explore how the intersection in the United States between competition dance, televised dance shows, and social media (which will be defined as consumer dance) is affecting the embodiment, pedagogy, and appreciation of dance, and contributing to the objectification and commodification of these dancers. Hegemonic constructions of gender and beauty populate consumer dance,…
“Dancer as collaborator, co-author, co-owner, co-creator
In contemporary concert dance, the efforts and creative powers of dancers can be overlooked and devalued against those of the choreographer. Might a binary relationship between the mind and the body haunt the relationship between the choreographer and dancer with the looming specter of a female body that is obedient, fertile, and shaped? This article explores whether dancers in contemporary concert dance should be credited in the choreographic pr…
Aesthetics (2 works) · Art (2 works) · Concert dance (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Gender Studies (2 works) · Law (2 works) · Modern dance (2 works) · Scholarship (2 works) · Sociology (2 works)