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Herbert W Franke

Biographic Data

ID957275
NAMEHerbert W Franke
GIVEN NAMESHerbert W
FAMILY NAMEFranke
SIGNATUREFRANKE H W
AFFILIATIONSLeonardo Honorary Editor, University of Munich, Senior Fellow of the Konrad-Zuse-Zentrum für Informationstechnik Berlin (ZIB).
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS0
AUTHOR COUNT20
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2015
H-INDEX0
  • A Contribution to the Leonardo Discussion

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•2015

  • Commentaries

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•2003

    October 01 2003 Commentaries Herbert W. Franke, Herbert W. Franke E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Eduardo Kac Eduardo Kac E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Herbert W. Franke Leonardo Honorary Editor E-mail: [email protected] Eduardo Kac Leonardo Editorial Advisor E-m…

  • Generative Mathematics

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1992

    One of the main functions of the computer is the graphic display of results. Through the use of the computer, the visualization of mathematical relations can lead to new ways of comprehending mathematics. In addition, the resulting images can be remarkably attractive. The authors show how mathematics can be used as a tool for the creation of artistic images. They present examples of methods that illustrate how long-established relationships betwe…

  • Reply to Georg Nees

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1988

  • The Expanding Medium

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1987

    The author explains that computer art is still in its initial stages of development, for it has been in existence but a short time and the underlying technology is not yet fully mature. He anticipates that high-resolution screens will lead to better images and that improved computer performance will permit real-time animation of photorealistic images. Three-dimensional representation will stimulate visual artists to work and think in new ways, fo…

  • Computer Graphics

    Stephen Wilson, Herbert W Franke et al.•ARTICLE•Leonardo•1986

  • Kunst Kontra Technik? Wechselwirkungen zwischen Kunst, Naturwissenschaft und Technik

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1979

  • Leonardo

    Roy Ascott, Claude Berge et al.•ARTICLE•Leonardo•1978

    Roy Ascott, Claude Berge, Naomi Boretz, Donald Brook, Nino Calos, Elmer H. Duncan, John Fisher, Herbert W. Franke, John H. Halas, Thomas T. Ichinose, Otto Klineberg, Pauline Bentley Koffler, , Robert Preusser, Harry Rand, Bryan Rogers, M. Sabri, Allan Shields, Cyril Stanley Smith, Kirill Sokolov, Etienne Souriau, Israel Traub, Rhoda Traub, Leonardo: The First Decade, Leonardo, Vol. 11, No. 3 (Summer, 1978), pp. 260-264

  • Differences in Visual Perception

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1977

  • A Cybernetic Approach to Aesthetics

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1977

    The author considers, in particular, the information contained in pictures and the way in which artists pr oduce them and viewers respond to them from the point of view of cybernetics. He points out (1) that the maximum rate at which the human brain can consciously receive discrete items or bits of information from the senses is about 16 bits/sec and (2) that, since the short-term memory can retain information for only about 10 sec (the period ca…

  • Asthetik als Informationsverarbeitung

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1976

  • A Computer Perspective

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1975

    A Computer Perspective is an illustrated essay on the origins and first lines of development of the computer. The complex network of creative forces and social pressures that have produced the computer is personified here in the creators of instruments of computation, and their machines or tables; the inventors of mathematical or logical concepts and their applications; and the fabricators of practical devices to serve the immediate needs of gove…

  • Some Remarks on Visual Fine Art in the Age of Advanced Technology

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1975

    The visual or plastic fine arts hold a relatively high place in Western culture. Considerable public and private funds are devoted to the making and sale of art works and to education for art appreciation. Yet, paradoxically, there is no general agreement as to what art is or what it is good for. This is causing an ever increasing uneasiness among artists and especially among art students. The incompatibility between values and instruction in tra…

  • Apparative Kunst

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1975

  • Phanomen Kunst

    Gerhard Charles Rump, Herbert W Franke et al.•ARTICLE•Leonardo•1975

  • Apparative Kunst

    Gerhard Charles Rump, Herbert W Franke et al.•ARTICLE•Leonardo•1974

  • On Producing Graded Black and White or Colour Computer Graphics in Combination with a Photographic Technique

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1974

    Digital computers are being applied in various ways in the visual fine arts [1-3]. One way is to use the computer to provide data for the design of a manually executed painting. Z. Sykora [4] obtains from a computer, in accordance with a set of specified rules, instructions on the arrangement of arrays of squares containing geometrical designs. M. Barbadillo makes pictures comprised of variations of shapes contained in an initial modular square. …

  • Computer Graphics

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1973

  • The Psychology of Communication. Seven Essays

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1972

  • Computer Graphics/Computer Art

    Jean Le Corbeiller, Herbert W Franke et al.•ARTICLE•Technology and Culture•1972

No prominent works on this page.

  • The Psychology of Communication. Seven Essays

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1972

  • Computer Graphics/Computer Art

    Jean Le Corbeiller, Herbert W Franke et al.•ARTICLE•Technology and Culture•1972

  • Computer Graphics

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1973

  • Apparative Kunst

    Gerhard Charles Rump, Herbert W Franke et al.•ARTICLE•Leonardo•1974

  • On Producing Graded Black and White or Colour Computer Graphics in Combination with a Photographic Technique

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1974

    Digital computers are being applied in various ways in the visual fine arts [1-3]. One way is to use the computer to provide data for the design of a manually executed painting. Z. Sykora [4] obtains from a computer, in accordance with a set of specified rules, instructions on the arrangement of arrays of squares containing geometrical designs. M. Barbadillo makes pictures comprised of variations of shapes contained in an initial modular square. …

  • A Computer Perspective

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1975

    A Computer Perspective is an illustrated essay on the origins and first lines of development of the computer. The complex network of creative forces and social pressures that have produced the computer is personified here in the creators of instruments of computation, and their machines or tables; the inventors of mathematical or logical concepts and their applications; and the fabricators of practical devices to serve the immediate needs of gove…

  • Some Remarks on Visual Fine Art in the Age of Advanced Technology

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1975

    The visual or plastic fine arts hold a relatively high place in Western culture. Considerable public and private funds are devoted to the making and sale of art works and to education for art appreciation. Yet, paradoxically, there is no general agreement as to what art is or what it is good for. This is causing an ever increasing uneasiness among artists and especially among art students. The incompatibility between values and instruction in tra…

  • Apparative Kunst

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1975

  • Phanomen Kunst

    Gerhard Charles Rump, Herbert W Franke et al.•ARTICLE•Leonardo•1975

  • Asthetik als Informationsverarbeitung

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1976

  • Differences in Visual Perception

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1977

  • A Cybernetic Approach to Aesthetics

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1977

    The author considers, in particular, the information contained in pictures and the way in which artists pr oduce them and viewers respond to them from the point of view of cybernetics. He points out (1) that the maximum rate at which the human brain can consciously receive discrete items or bits of information from the senses is about 16 bits/sec and (2) that, since the short-term memory can retain information for only about 10 sec (the period ca…

  • Leonardo

    Roy Ascott, Claude Berge et al.•ARTICLE•Leonardo•1978

    Roy Ascott, Claude Berge, Naomi Boretz, Donald Brook, Nino Calos, Elmer H. Duncan, John Fisher, Herbert W. Franke, John H. Halas, Thomas T. Ichinose, Otto Klineberg, Pauline Bentley Koffler, , Robert Preusser, Harry Rand, Bryan Rogers, M. Sabri, Allan Shields, Cyril Stanley Smith, Kirill Sokolov, Etienne Souriau, Israel Traub, Rhoda Traub, Leonardo: The First Decade, Leonardo, Vol. 11, No. 3 (Summer, 1978), pp. 260-264

  • Kunst Kontra Technik? Wechselwirkungen zwischen Kunst, Naturwissenschaft und Technik

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1979

  • Computer Graphics

    Stephen Wilson, Herbert W Franke et al.•ARTICLE•Leonardo•1986

  • The Expanding Medium

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1987

    The author explains that computer art is still in its initial stages of development, for it has been in existence but a short time and the underlying technology is not yet fully mature. He anticipates that high-resolution screens will lead to better images and that improved computer performance will permit real-time animation of photorealistic images. Three-dimensional representation will stimulate visual artists to work and think in new ways, fo…

  • Reply to Georg Nees

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•1988

  • Generative Mathematics

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•1992

    One of the main functions of the computer is the graphic display of results. Through the use of the computer, the visualization of mathematical relations can lead to new ways of comprehending mathematics. In addition, the resulting images can be remarkably attractive. The authors show how mathematics can be used as a tool for the creation of artistic images. They present examples of methods that illustrate how long-established relationships betwe…

  • Commentaries

    Herbert W Franke, Herbert Franke et al.•ARTICLE•Leonardo•2003

    October 01 2003 Commentaries Herbert W. Franke, Herbert W. Franke E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Eduardo Kac Eduardo Kac E-mail: [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Herbert W. Franke Leonardo Honorary Editor E-mail: [email protected] Eduardo Kac Leonardo Editorial Advisor E-m…

  • A Contribution to the Leonardo Discussion

    Herbert W Franke, Herbert Franke•ARTICLE•Leonardo•2015

Art (15 works) · Computer Science (15 works) · Visual arts (7 works) · Art, Technology, and Culture (6 works) · Computer graphics (images) (6 works) · Aesthetic Perception and Analysis (4 works) · Artificial Intelligence (4 works) · Artificial Intelligence (4 works) · Computer graphics (4 works) · Art Education and Development (3 works)

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