Monroe C Beardsley

Biographic Data

ID957663
NAMEMonroe C Beardsley
GIVEN NAMESMonroe C
FAMILY NAMEBeardsley
SIGNATUREBEARDSLEY M C
AFFILIATIONSTemple University
VERIFIEDNo
TOTAL WORKS29
TOTAL CITATIONS49
AUTHOR COUNT29
EDITOR COUNT0
FIRST PUBLICATION YEAR1942
LATEST PUBLICATION YEAR1985
H-INDEX2

  • Experience and Value in Moritz Geiger's Aesthetics

    Monroe C BeardsleyARTICLEJournal of the British Society…1985References: 1

  • The Aesthetic Point of View

    Monroe C Beardsley, Michael Wreen et al.ARTICLEPoetics Today1983Cited by: 1

  • What Is Going On in a Dance

    Open AccessMonroe C BeardsleyARTICLEDance Research Journal1982Cited by: 1References: 2

    I begin these rather tentative and exploratory reflections by calling upon some provocative remarks by George Beiswanger, from an essay written some years ago and later reprinted: Muscular capacity is the physical means by which dances are made. But the means becomes available to the choreographic imagination only through the operation of a metaphor, a metaphor by which a moving in the muscular sense takes on the character of a doing or goings-on…

  • Fiction as representation

    Open AccessMonroe C BeardsleyARTICLESynthese1981Cited by: 1

  • An Exchange of Views on Gestalt Psychology and Aesthetic Explanation

    Monroe C Beardsley, Rudolf ArnheimARTICLELeonardo1981

    In considering the application of gestalt psychology to visual arts, we naturally turn to the work of Rudolf Arnheim, and especially his impressive book, Art and Visual Perception [1]. It may be that 'the links between gestalt theory and Arnheim's analyses of various paintings and perceptual situations are nowhere near as intimate as those between psychoanalytic theory and Ehrenzweig's similar application' [2], but they are close enough for our p…

  • Intending

    Monroe C BeardsleyCHAPTERValues and Morals1978

  • Aspects of Orality

    Monroe C BeardsleyARTICLENew Literary History1977

    EFORE COMING TO GRIPS individually with the eight essays in this issue, I have a terminological-or conceptual-preamble, which I hope will contribute a little to discussion of problems about oral compositions in words, oral performances, and oral cultures. Following Nelson Goodman,' I use the word script for a (compound) character in a linguistic symbol system, for a written text-rather than for a system of writing.2 Scripts are composed of words-…

  • The Cultural Contradictions of Capitalism

    Monroe C BeardsleyREVIEWJournal of Aesthetics and Art…1976

  • Tatarkiewicz' History of Aesthetics

    Monroe C Beardsley, Wladyslaw Tatarkiewicz et al.ARTICLEJournal of the History of Ideas1976

  • What is an aesthetic quality

    Open AccessMonroe C BeardsleyARTICLETheoria1973

  • How Is Criticism Possible

    Robert J Matthews, Monroe C BeardsleyARTICLEdiacritics1972

  • Modes of Interpretation

    Monroe C Beardsley, Charles S Singleton et al.ARTICLEJournal of the History of Ideas1971Cited by: 1

  • The Esthetics of the Middle Ages

    Monroe C Beardsley, Edgar De Bruyne et al.ARTICLEJournal of Aesthetic Education1970

  • Aesthetics from Classical Greece to the Present

    W E Kennick, Monroe C BeardsleyARTICLEThe Philosophical Review1969

  • The Arts of the Beautiful

    Monroe C Beardsley, Etienne GilsonARTICLEThe Philosophical Review1968

  • Philosophical Thinking, An Introduction

    David Platt, David D Platt et al.ARTICLEPhilosophy and Phenomenological…1966

  • Intrinsic Value

    Monroe C BeardsleyARTICLEPhilosophy and Phenomenological…1965Cited by: 15

  • The Discrimination of Aesthetic Enjoyment

    Monroe C BeardsleyARTICLEThe British Journal of Aesthetics1963Cited by: 1

    THE DISCRIMINATION OF AESTHETIC ENJOYMENT Get access Monroe C. Beardsley Monroe C. Beardsley Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 3, Issue 4, October 1963, Pages 291–300, https://doi.org/10.1093/bjaesthetics/3.4.291 Published: 01 October 1963

  • The World of Art

    Monroe C Beardsley, Paul WeissARTICLEThe Philosophical Review1962

  • The Metaphorical Twist

    Monroe C BeardsleyARTICLEPhilosophy and Phenomenological…1962Cited by: 29

  • Aesthetics. Problems in the Philosophy of Criticism

    Frank Sibley, Monroe C BeardsleyARTICLEThe Philosophical Review1961

    This second edition features a new 48-page Afterword--1980 updating Professor Beardsley's classic work

  • Aesthetics

    Ronald W Hepburn, Monroe C Beardsley et al.ARTICLEThe Philosophical Quarterly1960

    Journal Article Book Reviews Get access Aesthetics : Problems in the Philosophy of Criticism. By Monroe C. Beardsley. (New York : Harcourt, Brace & Company. 1958. Pp. xvi + 614. N.P.). Art and the Human Enterprise. By Iredell Jenkins. (Cambridge, Mass. : Harvard University Press. London : O.U.P. 1958. Pp. xiv + 318. Price 45s). Ronald W. Hepburn Ronald W. Hepburn Search for other works by this author on: Oxford Academic Google Scholar The Philoso…

  • Practical Logic

    Frederick C Dommeyer, Monroe C Beardsley et al.ARTICLEThe Philosophical Review1952

  • Language and Intelligence

    Monroe C Beardsley, John HollowayARTICLEThe Philosophical Review1952

  • Practical Logic

    M J Levett, Monroe C BeardsleyARTICLEThe Philosophical Quarterly1952

    Book Reviews Get access Practical Logic. By Monroe C. Beardsley. (New York: Prentice-Hall Inc. 1950. Pp. xxviii + 580. Price $3.75). M. J. Levett M. J. Levett Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 2, Issue 6, January 1952, Page 93, https://doi.org/10.2307/2216487 Published: 01 January 1952