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Elmer H Duncan

Biographic Data

ID957664
NAMEElmer H Duncan
GIVEN NAMESElmer H
FAMILY NAMEDuncan
SIGNATUREDUNCAN E H
VERIFIEDNo
TOTAL WORKS33
TOTAL CITATIONS0
AUTHOR COUNT33
EDITOR COUNT0
FIRST PUBLICATION YEAR1966
LATEST PUBLICATION YEAR1992
H-INDEX0
  • The Photography of Invention

    Elmer H Duncan, Joshua P Smith•ARTICLE•Leonardo•1992

  • Environmental Aesthetics

    Elmer H Duncan, Jack L Nasar•ARTICLE•Leonardo•1992

  • The Philosophy of Art

    Elmer H Duncan, Friedrich Wilhelm Joseph Von Schelling et al.•ARTICLE•Leonardo•1992

  • Contingency, Irony, and Solidarity

    Elmer H Duncan•REVIEW•Leonardo•1991

  • Antifascism in American Art

    Elmer H Duncan, Cecile Whiting•ARTICLE•Leonardo•1991

  • Aesthetics and the Good Life

    Elmer H Duncan, Marcia Muelder Eaton•ARTICLE•Leonardo•1990

  • The Foundations of Aesthetics, Art, and Art Education

    Elmer H Duncan, Frank H Farley et al.•ARTICLE•Leonardo•1990

  • A Forest of Signs

    Elmer H Duncan, Catherine Gudis•ARTICLE•Leonardo•1990

    The authors address art production in the 1980s as evidence of a crisis of representation based on the ambiguous distinction between fiction and reality in a society overwhelmed by consumer/media generated images. Jacob considers the effects of market forces on art practices. Rorimer asserts that the use of photography and language by 80s artists developed the innovations of 60s artists towards a deconstruction of social practice. Singerman refer…

  • Art and Concept

    Elmer H Duncan, Lucian Krukowski•ARTICLE•Leonardo•1989

    Addressing the important and timely question of what it is to know something as an artwork, this volume explores the relationship between works of and the concepts, evaluations, descriptions, and explanations, that we use to account for them. Lucian Krukowski proposes that the origin, meaning, value, and even ending of an artwork can best be understood by examining the interplay between its concrete and theoretic aspects: i.e., the thesis that wh…

  • Basic Issues in Aesthetics

    Elmer H Duncan, Marcia Muelder Eaton•ARTICLE•Leonardo•1989

  • Truth and Beauty

    Elmer H Duncan, Elmer Duncan et al.•ARTICLE•Leonardo•1989

  • Creativity and the Imagination

    Elmer H Duncan, Mark Amsler•ARTICLE•Leonardo•1989

    Seming and being / Glenn W. Most -- History, technical style, and Chaucer's Treatise on the astrolabe / George Ovitt, Jr. -- Creation and responsibility science / Leonard Isaacs -- History and geology as ways of studying the past Stephen Brush -- Science's fictions / Stuart Peterfreund -- Creative problem-solving in physics, philosophy, and painting / Donald A. Crosby and G. Williams

  • Theory of Art in the Encyclopedie

    Elmer H Duncan, Amy Cohen Simowitz•ARTICLE•Leonardo•1988

  • Art and Its Objects

    Elmer H Duncan, Richard Wollheim•ARTICLE•Leonardo•1987

  • Music, Film, and Art

    Elmer H Duncan, Haig Khatchadourian•ARTICLE•Leonardo•1987

  • Creation and Interpretation

    Elmer H Duncan, Raphael Stern et al.•ARTICLE•Leonardo•1987

  • Heresies of Modern Art

    Elmer H Duncan, Xavier Rubert De Ventos et al.•ARTICLE•Leonardo•1982

  • Desire in Language

    Elmer H Duncan, Julia Kristeva•ARTICLE•Leonardo•1982

  • Hegel

    Elmer H Duncan, Henry Paolucci•ARTICLE•Leonardo•1981

  • Philosophy Looks at the Arts

    Elmer H Duncan, Joseph Margolis•ARTICLE•Leonardo•1980

    Preface Part I: The Nature of Aesthetic Interests 1. The Aesthetic Point of View -- Monroe C . Beardsley 2. Piece: Contra Aesthetics -- Timothy Binkley 3. Aesthetic Theory and the Experience of Art -- R. K . Elliott Bibliography Part II: Aesthetic Qualities 4. Aesthetic Concepts -- F . N. Sibley 5. Categories of Art -- Kendall L . Walton Bibliography Part III: The Definition of Art 6. The Role of Theory in Aesthetics -- Morris Weitz 7 . The Artwo…

  • Complementarities

    Elmer H Duncan, John Paul Russo et al.•ARTICLE•Leonardo•1979

  • A New Theory of Beauty

    Elmer H Duncan, Guy Sircello•ARTICLE•Leonardo•1978

  • Leonardo

    Roy Ascott, Claude Berge et al.•ARTICLE•Leonardo•1978

    Roy Ascott, Claude Berge, Naomi Boretz, Donald Brook, Nino Calos, Elmer H. Duncan, John Fisher, Herbert W. Franke, John H. Halas, Thomas T. Ichinose, Otto Klineberg, Pauline Bentley Koffler, , Robert Preusser, Harry Rand, Bryan Rogers, M. Sabri, Allan Shields, Cyril Stanley Smith, Kirill Sokolov, Etienne Souriau, Israel Traub, Rhoda Traub, Leonardo: The First Decade, Leonardo, Vol. 11, No. 3 (Summer, 1978), pp. 260-264

  • The Artist in Contemporary Society

    Elmer H Duncan•ARTICLE•Leonardo•1977

  • Studies in Comparative Aesthetics

    Elmer H Duncan, Eliot Deutsch et al.•ARTICLE•Leonardo•1977

Next

No prominent works on this page.

  • Rules and Exceptions in Ethics and Aesthetics

    Elmer H Duncan•ARTICLE•Philosophy and Phenomenological…•1966

  • The Encyclopedia of Philosophy

    Elmer H Duncan, Paul Edwards•ARTICLE•Journal of Aesthetics and Art…•1969

  • A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

    Elmer H Duncan•REVIEW•Journal of Aesthetics and Art…•1969

  • Experimental Aesthetics

    Marcus B Hester, Marcus Hester et al.•ARTICLE•Leonardo•1974

  • Experimental Aesthetics (Continued)

    Marcus B Hester, Elmer H Duncan•ARTICLE•Leonardo•1975

  • On the University as the Best Environment for Training Artists

    Elmer H Duncan, August L Freundlich•ARTICLE•Leonardo•1975

    The author points out that in more immediate Western history there have been three methods and situations for training artists: ( 1 ) the master-apprentice system, ( 2 ) the ‘academy’ built around a group of masters and ( 3 ) the university art school or art department. He describes their principal characteristics and gives his reasons for believing that the university provides the best environment for training creative artists today

  • A Bibliography of Bibliographies in Aesthetics

    Elmer H Duncan, Allan Shields•ARTICLE•Leonardo•1976

  • The Artist in Contemporary Society

    Elmer H Duncan•ARTICLE•Leonardo•1977

  • Studies in Comparative Aesthetics

    Elmer H Duncan, Eliot Deutsch et al.•ARTICLE•Leonardo•1977

  • Thomas Reid's Criticisms of Adam Smith's Theory of the Moral Sentiments

    Elmer H Duncan, Rebecca Baird et al.•ARTICLE•Journal of the History of Ideas•1977

  • A New Theory of Beauty

    Elmer H Duncan, Guy Sircello•ARTICLE•Leonardo•1978

  • Leonardo

    Roy Ascott, Claude Berge et al.•ARTICLE•Leonardo•1978

    Roy Ascott, Claude Berge, Naomi Boretz, Donald Brook, Nino Calos, Elmer H. Duncan, John Fisher, Herbert W. Franke, John H. Halas, Thomas T. Ichinose, Otto Klineberg, Pauline Bentley Koffler, , Robert Preusser, Harry Rand, Bryan Rogers, M. Sabri, Allan Shields, Cyril Stanley Smith, Kirill Sokolov, Etienne Souriau, Israel Traub, Rhoda Traub, Leonardo: The First Decade, Leonardo, Vol. 11, No. 3 (Summer, 1978), pp. 260-264

  • Complementarities

    Elmer H Duncan, John Paul Russo et al.•ARTICLE•Leonardo•1979

  • Philosophy Looks at the Arts

    Elmer H Duncan, Joseph Margolis•ARTICLE•Leonardo•1980

    Preface Part I: The Nature of Aesthetic Interests 1. The Aesthetic Point of View -- Monroe C . Beardsley 2. Piece: Contra Aesthetics -- Timothy Binkley 3. Aesthetic Theory and the Experience of Art -- R. K . Elliott Bibliography Part II: Aesthetic Qualities 4. Aesthetic Concepts -- F . N. Sibley 5. Categories of Art -- Kendall L . Walton Bibliography Part III: The Definition of Art 6. The Role of Theory in Aesthetics -- Morris Weitz 7 . The Artwo…

  • Hegel

    Elmer H Duncan, Henry Paolucci•ARTICLE•Leonardo•1981

  • Heresies of Modern Art

    Elmer H Duncan, Xavier Rubert De Ventos et al.•ARTICLE•Leonardo•1982

  • Desire in Language

    Elmer H Duncan, Julia Kristeva•ARTICLE•Leonardo•1982

  • Art and Its Objects

    Elmer H Duncan, Richard Wollheim•ARTICLE•Leonardo•1987

  • Music, Film, and Art

    Elmer H Duncan, Haig Khatchadourian•ARTICLE•Leonardo•1987

  • Creation and Interpretation

    Elmer H Duncan, Raphael Stern et al.•ARTICLE•Leonardo•1987

  • Theory of Art in the Encyclopedie

    Elmer H Duncan, Amy Cohen Simowitz•ARTICLE•Leonardo•1988

  • Art and Concept

    Elmer H Duncan, Lucian Krukowski•ARTICLE•Leonardo•1989

    Addressing the important and timely question of what it is to know something as an artwork, this volume explores the relationship between works of and the concepts, evaluations, descriptions, and explanations, that we use to account for them. Lucian Krukowski proposes that the origin, meaning, value, and even ending of an artwork can best be understood by examining the interplay between its concrete and theoretic aspects: i.e., the thesis that wh…

  • Basic Issues in Aesthetics

    Elmer H Duncan, Marcia Muelder Eaton•ARTICLE•Leonardo•1989

  • Truth and Beauty

    Elmer H Duncan, Elmer Duncan et al.•ARTICLE•Leonardo•1989

  • Creativity and the Imagination

    Elmer H Duncan, Mark Amsler•ARTICLE•Leonardo•1989

    Seming and being / Glenn W. Most -- History, technical style, and Chaucer's Treatise on the astrolabe / George Ovitt, Jr. -- Creation and responsibility science / Leonard Isaacs -- History and geology as ways of studying the past Stephen Brush -- Science's fictions / Stuart Peterfreund -- Creative problem-solving in physics, philosophy, and painting / Donald A. Crosby and G. Williams

Art (29 works) · Aesthetics (17 works) · Visual arts (16 works) · Philosophy (13 works) · Epistemology (10 works) · Art history (9 works) · Computer Science (7 works) · Aesthetic Perception and Analysis (6 works) · Ethics, Aesthetics, and Art (5 works) · Sociology (5 works)

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