Maren Haffke
Biographic Data
| ID | 957688 |
|---|---|
| NAME | Maren Haffke |
| GIVEN NAMES | Maren |
| FAMILY NAME | Haffke |
| SIGNATURE | HAFFKE M |
| AFFILIATIONS | University of Bayreuth |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The spaces of sight and sound” – Containment, feedback, and contingency in R. Murray Schafer ́s acoustic ecology
In the 1970s, the World Soundscape Project (WSP) around the Canadian composer R. Murray Schafer popularised the term “acoustic ecology” to examine specific interrelations of sound, space, perception, and technology. What was implied when Schafer and his colleagues referred to their project as “ecology”? Where is the historic project of acoustic ecology located epistemologically with regard to other theories of art, media, and ecology? It is my co…
The last ocean you will ever need to buy
Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsMaren HaffkeMaren Haffke holds the position of a lecturer [“Akademische Rätin”] for Sound and Digital Sound in the department for Digital and Audiovisual Media at the University of Bayreuth. She is a media scholar and member of the editorial board of “Zeitschrift für Medienwissenschaft”. Her PhD Archäologie der Tastatur. …
No prominent works on this page.
The last ocean you will ever need to buy
Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsMaren HaffkeMaren Haffke holds the position of a lecturer [“Akademische Rätin”] for Sound and Digital Sound in the department for Digital and Audiovisual Media at the University of Bayreuth. She is a media scholar and member of the editorial board of “Zeitschrift für Medienwissenschaft”. Her PhD Archäologie der Tastatur. …
The spaces of sight and sound” – Containment, feedback, and contingency in R. Murray Schafer ́s acoustic ecology
In the 1970s, the World Soundscape Project (WSP) around the Canadian composer R. Murray Schafer popularised the term “acoustic ecology” to examine specific interrelations of sound, space, perception, and technology. What was implied when Schafer and his colleagues referred to their project as “ecology”? Where is the historic project of acoustic ecology located epistemologically with regard to other theories of art, media, and ecology? It is my co…
Acoustics (2 works) · Computer Science (2 works) · Cybernetics and Technology in Society (2 works) · Philosophy (2 works) · Physics (2 works) · Art (1 work) · Art history (1 work) · Biology (1 work) · Containment (computer programming (1 work) · Contingency (1 work)