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Robert R Faulkner

Biographic Data

ID95770
NAMERobert R Faulkner
GIVEN NAMESRobert R
FAMILY NAMEFaulkner
SIGNATUREFAULKNER R R
AFFILIATIONSUniversity of Massachusetts Amherst
VERIFIEDNo
TOTAL WORKS44
TOTAL CITATIONS584
AUTHOR COUNT43
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2019
H-INDEX11
  • Qualitative Sociology

    Open Access•Robert R Faulkner•ARTICLE•Contemporary Sociology A Journal…•2019•Cited by: 41

  • Music on Demand

    Robert R Faulkner, Steiner Fred et al.•BOOK•Music on Demand•2017

    In this remarkable study, Robert R. Faulkner shows that the Hollywood film industry, like most work communities, is dominated by a highly productive and visible elite who exercise major influence on the control of available resources, career chances, and access to opportunity. Faulkner traces a network of connections that bind together filmmakers (employers) and composers (employees) and reveals how work is allocated among composers and the divis…

  • The multiplexity of political conspiracy

    Robert R Faulkner, Eric R Cheney•ARTICLE•Global Crime•2013•Cited by: 1•References: 8

    Using historical data from the United State's Watergate criminal conspiracy case, we construct five sociomatrices representing the multiplex social relations of political conspiracy. Sociomatrices representing (1) the social relations of the illegal relations among the conspirators, (2) fractious relations between the conspirators during the working period of the conspiracy, (3) fractious relations between the conspirators during the crisis stage…

  • "Do You Know…?"

    Robert R Faulkner, Howard Saul Becker•BOOK•Do You Know... ?•2009

  • Social Capital, Double Embeddedness, and Mechanisms of Stability and Change

    Open Access•Wayne Baker, Wayne E Baker et al.•ARTICLE•American Behavioral Scientist•2009•Cited by: 11•References: 46

    The authors coin the term double embeddedness to denote the two-sided nature of communities, markets, and organizations-where social, political, and economic actions are embedded in social structure and culture. Structural embeddedness and cultural embeddedness and their interactions are variable, dynamic, and complex. The authors develop a typology based on these two forms of embeddedness, illustrating four ideal-types with examples from the Uni…

  • Studying Something You Are Part Of

    Robert R Faulkner, Howard S Becker•ARTICLE•Ethnologie française•2008•Cited by: 7•References: 3

    Le statut d'observateur participant dans un monde de l'art que l'on souhaite étudier constitue à la fois une aide et une limite pour le chercheur. Parce qu'il comprend ce dont parlent les observés quand ils évoquent leur travail, il peut découvrir des choses qu'un étranger mettrait des mois à apprendre. Dans notre travail de terrain sur les musiciens du jazz aux États-Unis, nous avons découvert des situations problématiques propres aux chercheurs…

  • The Jazz Repertoire

    Howard S Becker, Robert R Faulkner•ARTICLE•Sociologie de l Art•2006

    Le répertoire Jazz H.S. Becker et R.R. Faulkner, à partir de leur propre expérience de musiciens de jazz et de leur travail de terrain, étudient les processus de construction des répertoires du jazz. Ils prennent les morceaux, les musiciens, les situations de jeu, le répertoire habituel, comme autant d’unités d’analyse leur permettant de rendre explicites les choix et les contraintes, ainsi que les processus de négociation à l’œuvre dans cette co…

  • Hazards of the Market

    Open Access•Wayne Baker, Wayne E Baker et al.•ARTICLE•Journal of Economic Sociology•2006

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  • Social networks and loss of capital

    Open Access•Wayne E Baker, Robert R Faulkner•ARTICLE•Social Networks•2004

  • The New Economic Sociology

    Robert R Faulkner, Eric Cheney et al.•REVIEW•Contemporary Sociology A Journal…•2003•Cited by: 4

  • Diffusion of Fraud

    Open Access•Wayne E Baker, Robert R Faulkner•ARTICLE•Criminology•2003•Cited by: 13•References: 33

    Criminologists have studied the spread of fraudulent practices and techniques among perpetrators. This article attempts to contribute to the field by looking at the other side of diffusion, examining the spread of fraud among investors in a case of “intermediate fraud.” Intermediate fraud occurs when fraudulent acts are committed in or by a legitimate business. Using comprehensive archival, interview, and survey data, we analyze a business that e…

  • Crime by Committee

    Open Access•Robert R Faulkner, Eric R Cheney et al.•ARTICLE•Criminology•2003•Cited by: 3•References: 31

    We show how cartels rely on the adaptive social structure of committee meetings to ameliorate the competitive difficulties of markets. We distill the structure of the cartel committee and test hypotheses relating market structure to committee structure and ultimately to the efficacy of cartel price‐fixing. Cartel continuity and the corporate authority of the cartel are strong predictors of cartel effectiveness. Cartel continuity is responsive to …

  • Will This Record Work for Us

    Open Access•Jarl A Ahlkvist, Robert R Faulkner et al.•ARTICLE•Qualitative Sociology•2002•Cited by: 23•References: 33

  • Crops

    Robert R Faulkner, Scott Deveaux•ARTICLE•Contemporary Sociology A Journal…•1999

  • Hazards of the Market

    Wayne E Baker, Robert R Faulkner et al.•ARTICLE•American Sociological Review•1998•Cited by: 60

    We propose a theory of the market as an intertemporal process that integrates multiple theoretical perspectives. Using event-history methods, we analyze the dissolution of interorganizational market ties between advertising agencies and their clients as a function of three forces-competition, power, and institutional forces. The informal rules of institutionalized in the emergence phase of the advertising services market include exclusivity (sole…

  • Karl Polanyi meets the Masters of the Universe

    Robert R Faulkner, Mitchel Y Abolafia•ARTICLE•Contemporary Sociology A Journal…•1997

  • Careers and Creativity

    Gene A Fisher, Robert R Faulkner et al.•ARTICLE•Contemporary Sociology A Journal…•1994

    A look at the production and distribution of art, drawing on fields as disparate as European portraiture and American rock and roll. The development and maintenance of worlds, the escapist element of art and its manipulations, the origins of new styles, are all laid bare in a book that offers a vision of expression and artistic production embedded in a world of complex social networks

  • The Production of Culture

    Robert R Faulkner•REVIEW•Contemporary Sociology A Journal…•1993

    Introduction The Media Culture Paradigm Social Stratification and the Media Audiences in Media-Saturated Societies The Production of Culture in National Culture Industries Approaches to the Analysis of Meaning in Media Culture Class Cultures in the City Culture Organizations and Urban Arts Cultures Media Culture, Urban Arts Cultures and Government Policy Conclusion Towards Global Culture

  • The Social Organization of Conspiracy

    Wayne E Baker, Robert R Faulkner•ARTICLE•American Sociological Review•1993•Cited by: 164•References: 26

    We analyze the social organization of three well-known price-fixing conspiracies in the heavy electrical equipment industry. Although aspects of collusion have been studied by industrial organization economists and organizational criminologists, the organization of conspiracies has remained virtually unexplored. Using archival data, we reconstruct the actual communication networks involved in conspiracies in switchgear transformers, and turbines.…

  • Role as Resource in the Hollywood Film Industry

    Wayne E Baker, Robert R Faulkner•ARTICLE•American Journal of Sociology•1991•Cited by: 70

    The theoretical concept of role as resource is introduced and illustrated. The concept combines critical elements of the structural, interactionist, and network approaches to role. A role is a resource in two senses: it is a means to claim, barbain for, and gain membership and acceptance in a social community, and it grants access to social, cultura, and material capital that incumbents and claimants exploit in order to pursue their interests. Th…

  • Music Matters

    Robert R Faulkner•ARTICLE•American Journal of Sociology•1990

  • Nonprofit Enterprise in the Arts

    Robert R Faulkner, P Dimaggio et al.•ARTICLE•Administrative Science Quarterly•1989

    Taking the dichotomy of nonprofit high culture and for-profit popular culture into consideration, this volume assesses the relationship between social purpose in the arts and industrial organization. DiMaggio brings together some of the best works in several disciplines that focus on the significance of the nonprofit form for our cultural industries, the ways in which nonprofit arts organizations are financed, and the constraints that patterns of…

  • And the Winner Is

    Robert R Faulkner•ARTICLE•American Journal of Sociology•1987

  • Short-Term Projects and Emergent Careers

    Robert R Faulkner, Andy B Anderson•ARTICLE•American Journal of Sociology•1987•Cited by: 118

    The Hollywood film industry is considered as a system of recurrent ties among the various major participants who usually work under short-term contracts for single films. This form of project-based organization in seen as a response to uncertainty and risk in the film industry. The Paper examines the ways in which independent contractors-producers, directors, cinematographers, and actors-organize and operate to reduce uncertainty and risk and to …

  • The Production of Culture in the Music Industry

    Robert R Faulkner, JOHN RYAN•ARTICLE•Contemporary Sociology A Journal…•1986

Next
  • The Social Organization of Conspiracy

    Wayne E Baker, Robert R Faulkner•ARTICLE•American Sociological Review•1993•Cited by: 164•References: 26

    We analyze the social organization of three well-known price-fixing conspiracies in the heavy electrical equipment industry. Although aspects of collusion have been studied by industrial organization economists and organizational criminologists, the organization of conspiracies has remained virtually unexplored. Using archival data, we reconstruct the actual communication networks involved in conspiracies in switchgear transformers, and turbines.…

  • Short-Term Projects and Emergent Careers

    Robert R Faulkner, Andy B Anderson•ARTICLE•American Journal of Sociology•1987•Cited by: 118

    The Hollywood film industry is considered as a system of recurrent ties among the various major participants who usually work under short-term contracts for single films. This form of project-based organization in seen as a response to uncertainty and risk in the film industry. The Paper examines the ways in which independent contractors-producers, directors, cinematographers, and actors-organize and operate to reduce uncertainty and risk and to …

  • Role as Resource in the Hollywood Film Industry

    Wayne E Baker, Robert R Faulkner•ARTICLE•American Journal of Sociology•1991•Cited by: 70

    The theoretical concept of role as resource is introduced and illustrated. The concept combines critical elements of the structural, interactionist, and network approaches to role. A role is a resource in two senses: it is a means to claim, barbain for, and gain membership and acceptance in a social community, and it grants access to social, cultura, and material capital that incumbents and claimants exploit in order to pursue their interests. Th…

  • Hazards of the Market

    Wayne E Baker, Robert R Faulkner et al.•ARTICLE•American Sociological Review•1998•Cited by: 60

    We propose a theory of the market as an intertemporal process that integrates multiple theoretical perspectives. Using event-history methods, we analyze the dissolution of interorganizational market ties between advertising agencies and their clients as a function of three forces-competition, power, and institutional forces. The informal rules of institutionalized in the emergence phase of the advertising services market include exclusivity (sole…

  • Qualitative Sociology

    Open Access•Robert R Faulkner•ARTICLE•Contemporary Sociology A Journal…•2019•Cited by: 41

  • Will This Record Work for Us

    Open Access•Jarl A Ahlkvist, Robert R Faulkner et al.•ARTICLE•Qualitative Sociology•2002•Cited by: 23•References: 33

  • Making Violence by Doing Work

    Open Access•Robert R Faulkner•ARTICLE•Sociology of Work and Occupations•1974•Cited by: 19•References: 12

  • Orchestra Interaction

    Open Access•Robert R Faulkner•ARTICLE•Sociological Quarterly•1973•Cited by: 14•References: 4

    Combining theoretical and empirical materials, this paper outlines why definitions of the situation are an important vehicle for analyzing the conditions under which communications are viewed as authoritative by subordinates in complex work organizations. It investigates an exemplary process of collective action—making orchestra music—as a means of understanding the development as well as the demise of consensually validated expertise. Evaluation…

  • Diffusion of Fraud

    Open Access•Wayne E Baker, Robert R Faulkner•ARTICLE•Criminology•2003•Cited by: 13•References: 33

    Criminologists have studied the spread of fraudulent practices and techniques among perpetrators. This article attempts to contribute to the field by looking at the other side of diffusion, examining the spread of fraud among investors in a case of “intermediate fraud.” Intermediate fraud occurs when fraudulent acts are committed in or by a legitimate business. Using comprehensive archival, interview, and survey data, we analyze a business that e…

  • Career Concerns and Mobility Motivations of Orchestra Musicians

    Open Access•Robert R Faulkner•ARTICLE•Sociological Quarterly•1973•Cited by: 12•References: 13

    This paper offers a theoretical and empirical stance towards careers and professional socialization as subjective experience. Focusing on the problematic features of mobility, entrapment, and organizational commitment in the orchestra world, it shows how the analysis of career concerns in the “minor leagues” of organizational sets can reveal the meaning of status passage, definitions of time, and experiential turning points. Some adaptations to f…

  • Social Capital, Double Embeddedness, and Mechanisms of Stability and Change

    Open Access•Wayne Baker, Wayne E Baker et al.•ARTICLE•American Behavioral Scientist•2009•Cited by: 11•References: 46

    The authors coin the term double embeddedness to denote the two-sided nature of communities, markets, and organizations-where social, political, and economic actions are embedded in social structure and culture. Structural embeddedness and cultural embeddedness and their interactions are variable, dynamic, and complex. The authors develop a typology based on these two forms of embeddedness, illustrating four ideal-types with examples from the Uni…

  • Studying Something You Are Part Of

    Robert R Faulkner, Howard S Becker•ARTICLE•Ethnologie française•2008•Cited by: 7•References: 3

    Le statut d'observateur participant dans un monde de l'art que l'on souhaite étudier constitue à la fois une aide et une limite pour le chercheur. Parce qu'il comprend ce dont parlent les observés quand ils évoquent leur travail, il peut découvrir des choses qu'un étranger mettrait des mois à apprendre. Dans notre travail de terrain sur les musiciens du jazz aux États-Unis, nous avons découvert des situations problématiques propres aux chercheurs…

  • Thoughts on Five New Journals and Some Old Ones

    Malcolm Spector, Robert R Faulkner•ARTICLE•Contemporary Sociology A Journal…•1980•Cited by: 5

  • Dilemmas in Commercial Work

    Open Access•Robert R Faulkner•ARTICLE•Urban Life•1976•Cited by: 5•References: 16

  • The New Economic Sociology

    Robert R Faulkner, Eric Cheney et al.•REVIEW•Contemporary Sociology A Journal…•2003•Cited by: 4

  • Credits and Craft Production

    Open Access•Paul R Wei, Paul R Weiss et al.•ARTICLE•Symbolic Interaction•1983•Cited by: 4•References: 23

    This paper describes a system of work and patterns of productivity in the Hollywood film industry. Describing the social organization of the film industry entails two primary tasks. One is to describe the administration of work activities among technical specialists. The second is to investigate empirically the organization of those work activities. We argue that because of the particular needs of filmmaking, efficiency is achieved utilizing craf…

  • Swimming with sharks

    Open Access•Robert R Faulkner, Robert Faulkner•ARTICLE•Qualitative Sociology•1978•Cited by: 4•References: 26

  • Crime by Committee

    Open Access•Robert R Faulkner, Eric R Cheney et al.•ARTICLE•Criminology•2003•Cited by: 3•References: 31

    We show how cartels rely on the adaptive social structure of committee meetings to ameliorate the competitive difficulties of markets. We distill the structure of the cartel committee and test hypotheses relating market structure to committee structure and ultimately to the efficacy of cartel price‐fixing. Cartel continuity and the corporate authority of the cartel are strong predictors of cartel effectiveness. Cartel continuity is responsive to …

  • Time and Television News Work

    Open Access•Richard J Gelles, Robert R Faulkner•ARTICLE•Sociological Quarterly•1978•Cited by: 2•References: 11

    Combining theoretical and ethnographic material, this paper outlines why time is an important vehicle for analyzing the social organization of television news work and the social construction of television news. The paper investigates major events with problematic features—unscheduled “hard news”—as a means of understanding basic beliefs and organizational practices of news assemblers in a local television news station. Based on participant obser…

  • Uneasy Homecoming

    Open Access•Robert R Faulkner, Douglas B Mcgaw•ARTICLE•Urban Life•1977•Cited by: 2•References: 6

  • The multiplexity of political conspiracy

    Robert R Faulkner, Eric R Cheney•ARTICLE•Global Crime•2013•Cited by: 1•References: 8

    Using historical data from the United State's Watergate criminal conspiracy case, we construct five sociomatrices representing the multiplex social relations of political conspiracy. Sociomatrices representing (1) the social relations of the illegal relations among the conspirators, (2) fractious relations between the conspirators during the working period of the conspiracy, (3) fractious relations between the conspirators during the crisis stage…

  • The Building of a Tentants Protest Organizaiton

    Open Access•Anne B Shlay, Robert R Faulkner•ARTICLE•Urban Life•1984•Cited by: 1•References: 6

    Tenants' abilities to influence changes in their housing costs and conditions are constrained by their lack of political and economic power. Control over tenants' housing belongs to the property owners who suspend temporary use of their holdings in return for financial compensation. Tenants do not have the economic resources to own and hence, control their housing and are often politically weak because of tenant transiency and the absence of sust…

  • Fusion, Fussin' and a-Fightin

    Open Access•Robert R Faulkner•ARTICLE•Symbolic Interaction•1979•Cited by: 1•References: 4

  • Hollywood Studio Musicians

    Lawrence H Streicher, Robert R Faulkner•ARTICLE•Contemporary Sociology A Journal…•1972

  • The Hollywood TV Producer

    Marcello Truzzi, Muriel G Cantor et al.•ARTICLE•Social Forces•1973

  • Career Concerns and Mobility Motivations of Orchestra Musicians

    Open Access•Robert R Faulkner•ARTICLE•Sociological Quarterly•1973•Cited by: 12•References: 13

    This paper offers a theoretical and empirical stance towards careers and professional socialization as subjective experience. Focusing on the problematic features of mobility, entrapment, and organizational commitment in the orchestra world, it shows how the analysis of career concerns in the “minor leagues” of organizational sets can reveal the meaning of status passage, definitions of time, and experiential turning points. Some adaptations to f…

  • Orchestra Interaction

    Open Access•Robert R Faulkner•ARTICLE•Sociological Quarterly•1973•Cited by: 14•References: 4

    Combining theoretical and empirical materials, this paper outlines why definitions of the situation are an important vehicle for analyzing the conditions under which communications are viewed as authoritative by subordinates in complex work organizations. It investigates an exemplary process of collective action—making orchestra music—as a means of understanding the development as well as the demise of consensually validated expertise. Evaluation…

  • Coming of Age in Organizations

    Open Access•Robert R Faulkner•ARTICLE•Sociology of Work and Occupations•1974

    Combining material drawn from official records and detailed interviews, the paper outlines why age-grading and age-related features are an important vehicle for analyzing the contingencies facilitating or impeding interorganizational mobility. An examination of career patterns in professional hockey and symphony orchestras provides examples of the structural and personal mechanisms for sustaining the commitment and motivation of second-level or m…

  • Making Violence by Doing Work

    Open Access•Robert R Faulkner•ARTICLE•Sociology of Work and Occupations•1974•Cited by: 19•References: 12

  • Dilemmas in Commercial Work

    Open Access•Robert R Faulkner•ARTICLE•Urban Life•1976•Cited by: 5•References: 16

  • Work Individuation among Women Machine Operators

    Open Access•Susan DiGiacomo Mulcahy, Robert R Faulkner•ARTICLE•Sociology of Work and Occupations•1977

    To account for the pattern of processes through which interaction becomes an alien force between machine operatives, and to suggest the conditions under which conflict enters work relations, a close, firsthand study of "work individuation " is developed. The dimensions of concern are illustrated in the present paper. They are part of a case study of women machine operatives in a New England mill. Task structure, aural, spatial, and interactional …

  • Uneasy Homecoming

    Open Access•Robert R Faulkner, Douglas B Mcgaw•ARTICLE•Urban Life•1977•Cited by: 2•References: 6

  • Swimming with sharks

    Open Access•Robert R Faulkner, Robert Faulkner•ARTICLE•Qualitative Sociology•1978•Cited by: 4•References: 26

  • Time and Television News Work

    Open Access•Richard J Gelles, Robert R Faulkner•ARTICLE•Sociological Quarterly•1978•Cited by: 2•References: 11

    Combining theoretical and ethnographic material, this paper outlines why time is an important vehicle for analyzing the social organization of television news work and the social construction of television news. The paper investigates major events with problematic features—unscheduled “hard news”—as a means of understanding basic beliefs and organizational practices of news assemblers in a local television news station. Based on participant obser…

  • Fusion, Fussin' and a-Fightin

    Open Access•Robert R Faulkner•ARTICLE•Symbolic Interaction•1979•Cited by: 1•References: 4

  • Qualitative Sociology

    Robert R Faulkner, Howard F Schwartz et al.•REVIEW•Contemporary Sociology A Journal…•1980

  • Thoughts on Five New Journals and Some Old Ones

    Malcolm Spector, Robert R Faulkner•ARTICLE•Contemporary Sociology A Journal…•1980•Cited by: 5

  • Music on demand

    Robert R Faulkner•BOOK•Music on demand•1983

  • Credits and Craft Production

    Open Access•Paul R Wei, Paul R Weiss et al.•ARTICLE•Symbolic Interaction•1983•Cited by: 4•References: 23

    This paper describes a system of work and patterns of productivity in the Hollywood film industry. Describing the social organization of the film industry entails two primary tasks. One is to describe the administration of work activities among technical specialists. The second is to investigate empirically the organization of those work activities. We argue that because of the particular needs of filmmaking, efficiency is achieved utilizing craf…

  • The Building of a Tentants Protest Organizaiton

    Open Access•Anne B Shlay, Robert R Faulkner•ARTICLE•Urban Life•1984•Cited by: 1•References: 6

    Tenants' abilities to influence changes in their housing costs and conditions are constrained by their lack of political and economic power. Control over tenants' housing belongs to the property owners who suspend temporary use of their holdings in return for financial compensation. Tenants do not have the economic resources to own and hence, control their housing and are often politically weak because of tenant transiency and the absence of sust…

  • Designs on Demand

    Robert R Faulkner, Judith R Blau•ARTICLE•Contemporary Sociology A Journal…•1985

  • The Production of Culture in the Music Industry

    Robert R Faulkner, JOHN RYAN•ARTICLE•Contemporary Sociology A Journal…•1986

  • And the Winner Is

    Robert R Faulkner•ARTICLE•American Journal of Sociology•1987

  • Short-Term Projects and Emergent Careers

    Robert R Faulkner, Andy B Anderson•ARTICLE•American Journal of Sociology•1987•Cited by: 118

    The Hollywood film industry is considered as a system of recurrent ties among the various major participants who usually work under short-term contracts for single films. This form of project-based organization in seen as a response to uncertainty and risk in the film industry. The Paper examines the ways in which independent contractors-producers, directors, cinematographers, and actors-organize and operate to reduce uncertainty and risk and to …

  • Nonprofit Enterprise in the Arts

    Robert R Faulkner, P Dimaggio et al.•ARTICLE•Administrative Science Quarterly•1989

    Taking the dichotomy of nonprofit high culture and for-profit popular culture into consideration, this volume assesses the relationship between social purpose in the arts and industrial organization. DiMaggio brings together some of the best works in several disciplines that focus on the significance of the nonprofit form for our cultural industries, the ways in which nonprofit arts organizations are financed, and the constraints that patterns of…

  • Music Matters

    Robert R Faulkner•ARTICLE•American Journal of Sociology•1990

  • Role as Resource in the Hollywood Film Industry

    Wayne E Baker, Robert R Faulkner•ARTICLE•American Journal of Sociology•1991•Cited by: 70

    The theoretical concept of role as resource is introduced and illustrated. The concept combines critical elements of the structural, interactionist, and network approaches to role. A role is a resource in two senses: it is a means to claim, barbain for, and gain membership and acceptance in a social community, and it grants access to social, cultura, and material capital that incumbents and claimants exploit in order to pursue their interests. Th…

  • The Production of Culture

    Robert R Faulkner•REVIEW•Contemporary Sociology A Journal…•1993

    Introduction The Media Culture Paradigm Social Stratification and the Media Audiences in Media-Saturated Societies The Production of Culture in National Culture Industries Approaches to the Analysis of Meaning in Media Culture Class Cultures in the City Culture Organizations and Urban Arts Cultures Media Culture, Urban Arts Cultures and Government Policy Conclusion Towards Global Culture

Sociology (25 works) · Political science (16 works) · Economics (15 works) · Art (14 works) · Business (14 works) · Psychology (13 works) · Computer Science (12 works) · Law (12 works) · Cultural Industries and Urban Development (11 works) · Engineering (11 works)

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