Richard Brilliant
Biographic Data
| ID | 958048 |
|---|---|
| NAME | Richard Brilliant |
| GIVEN NAMES | Richard |
| FAMILY NAME | Brilliant |
| SIGNATURE | BRILLIANT R |
| AFFILIATIONS | Columbia University |
| VERIFIED | No |
| TOTAL WORKS | 27 |
| TOTAL CITATIONS | 128 |
| AUTHOR COUNT | 27 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1965 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 7 |
Jewish Art and Culture in Ancient Italy
"Late Antiquity": A Protean Term
Roman art under the Empire manifested a protean nature, varying greatly in its visible essentials from time to time, and from place to place. That variation made the definition of its holistic character difficult for art historians familiar with more coherent periods of artistic expression and more consistent modes of reception. Late Antique art exhibited great variation, especially it its latest phases, when an irregular alienation from the trad…
Rome, the site of reverberating memories
Great cities with long, continuous histories often preserve on site more than the physical evidence for their reputed distinction, however impressive those remnants may be. Less tangible, but no less significant in establishing their reputation, is the reverberating nature of the histories, myths, and popular stories successively associated with site-engendered memories which shape and reshape the perceptions and responses of residents and citize…
Forwards and backwards in the historiography of Roman art
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ancient Rome: Subjects, materials, and forms in sculpture
Le Laocoon moderne et la primauté des enlacements
Au xxe siècle, le groupe antique du Laocoon a le plus souvent perdu son statut d’œuvre d’art de premier plan, tombant dans l’indifférence. Pour les spécialistes d’histoire de l’art, le Laocoon a une position indéfinie entre « original grec » et « copie romaine », ce qui révèle la valorisation de l’ « originalité » artistique depuis le xixe siècle. A partir du xvie siècle, le groupe a comme un double qui peut même se substituer à lui.Dès la découv…
My Laocoön: Alternative Claims in the Interpretation of Artworks
Roman Portraits: Artistic and Literary. Acts of the Third International Conference on the Roman Portraits Held in Prague and in the Bechyně Castle from 25 to 29 September 1989 . By Jan Bouzek and Iva …
Die Strahlen der Herrscher: Theomorphes Herrscherbild und politische Symbolik im Hellenismus und in der römischen Kaiserzeit . By Marianne Bergmann
The Oxford History of Classical Art
1: John Boardman: Introduction. 2: Alan Johnston: Pre-Classical Greece. 3: John Boardman: The Classical Period. 4: R. R. R. Smith: The Hellenistic Period. 5: J.J. Pollitt: Rome: The Republic and Early Empire. 6: Janet Huskinson: The Later Roman Empire. 7: John Boardman: The Diffusion of Classical Art. Further Reading. List of Illustrations. General Index
Roman Art: Romulus to Constantine
Contents Roman Emperors Roman Gods and Goddesses and their Greek Equivalents Preface Timeline Introduction The Land Map of the Roman world in the second century ad Chronology Topographical map of Italy The Political Framework The Republic The Empire City of Rome, plan Art in the Service of the State Fascism and Propaganda The Romans' Acquisition of Art Objects Art for Private Patrons Archaeological Ethics Restoration and Forgery Winckelmann and 1…
The Portraiture of Gaius and Lucius Caesar
Renaissance Artists and Antique Sculpture: A Handbook of Sources
Phyllis P. Bober and Ruth O. Rubinstein with Susan Woodford. Renaissance Artists and Antique Sculpture: A Handbook of Sources. Oxford-New York: Oxford University Press; London: Harvey Miller Publishers, 1986. 522 pp. + 500 ills. $65. - Volume 40 Issue 4
The Romans in Central Europe
Visual Narratives: Storytelling in Etruscan and Roman Art
Visual Narratives, Storytelling in Etruscan and Roman Art
The Critical Historians of Art
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Pompeian Domestic Sculpture: A Study of Five Pompeian Houses and Their Contents
Fifth Century Styles in Greek Sculpture
The Description for this book, Fifth-Century Styles in Greek Sculpture, will be forthcoming
The Parthenon Frieze
Roman Art: From the Republic to Constantine
Greek and Roman Art
Roman Art. From the Republic to Constantine
Pictorial Dictionary of Ancient Athens
The Arch of Septimius Severus in the Roman Forum
Gesture and Rank in Roman Art. The Use of Gestures to Denote Status in Roman Sculpture and Coinage
The Oxford History of Classical Art
1: John Boardman: Introduction. 2: Alan Johnston: Pre-Classical Greece. 3: John Boardman: The Classical Period. 4: R. R. R. Smith: The Hellenistic Period. 5: J.J. Pollitt: Rome: The Republic and Early Empire. 6: Janet Huskinson: The Later Roman Empire. 7: John Boardman: The Diffusion of Classical Art. Further Reading. List of Illustrations. General Index
Roman Art: From the Republic to Constantine
Visual Narratives: Storytelling in Etruscan and Roman Art
Visual Narratives, Storytelling in Etruscan and Roman Art
Roman Art: Romulus to Constantine
Contents Roman Emperors Roman Gods and Goddesses and their Greek Equivalents Preface Timeline Introduction The Land Map of the Roman world in the second century ad Chronology Topographical map of Italy The Political Framework The Republic The Empire City of Rome, plan Art in the Service of the State Fascism and Propaganda The Romans' Acquisition of Art Objects Art for Private Patrons Archaeological Ethics Restoration and Forgery Winckelmann and 1…
The Portraiture of Gaius and Lucius Caesar
Pompeian Domestic Sculpture: A Study of Five Pompeian Houses and Their Contents
Gesture and Rank in Roman Art. The Use of Gestures to Denote Status in Roman Sculpture and Coinage
The Arch of Septimius Severus in the Roman Forum
The Arch of Septimius Severus in the Roman Forum
Pictorial Dictionary of Ancient Athens
Roman Art: From the Republic to Constantine
Greek and Roman Art
Roman Art. From the Republic to Constantine
The Parthenon Frieze
Fifth Century Styles in Greek Sculpture
The Description for this book, Fifth-Century Styles in Greek Sculpture, will be forthcoming
The Critical Historians of Art
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Pompeian Domestic Sculpture: A Study of Five Pompeian Houses and Their Contents
Visual Narratives, Storytelling in Etruscan and Roman Art
Visual Narratives: Storytelling in Etruscan and Roman Art
Renaissance Artists and Antique Sculpture: A Handbook of Sources
Phyllis P. Bober and Ruth O. Rubinstein with Susan Woodford. Renaissance Artists and Antique Sculpture: A Handbook of Sources. Oxford-New York: Oxford University Press; London: Harvey Miller Publishers, 1986. 522 pp. + 500 ills. $65. - Volume 40 Issue 4
The Romans in Central Europe
The Portraiture of Gaius and Lucius Caesar
Roman Art: Romulus to Constantine
Contents Roman Emperors Roman Gods and Goddesses and their Greek Equivalents Preface Timeline Introduction The Land Map of the Roman world in the second century ad Chronology Topographical map of Italy The Political Framework The Republic The Empire City of Rome, plan Art in the Service of the State Fascism and Propaganda The Romans' Acquisition of Art Objects Art for Private Patrons Archaeological Ethics Restoration and Forgery Winckelmann and 1…
The Oxford History of Classical Art
1: John Boardman: Introduction. 2: Alan Johnston: Pre-Classical Greece. 3: John Boardman: The Classical Period. 4: R. R. R. Smith: The Hellenistic Period. 5: J.J. Pollitt: Rome: The Republic and Early Empire. 6: Janet Huskinson: The Later Roman Empire. 7: John Boardman: The Diffusion of Classical Art. Further Reading. List of Illustrations. General Index
Roman Portraits: Artistic and Literary. Acts of the Third International Conference on the Roman Portraits Held in Prague and in the Bechyně Castle from 25 to 29 September 1989 . By Jan Bouzek and Iva …
Die Strahlen der Herrscher: Theomorphes Herrscherbild und politische Symbolik im Hellenismus und in der römischen Kaiserzeit . By Marianne Bergmann
My Laocoön: Alternative Claims in the Interpretation of Artworks
Ancient Rome: Subjects, materials, and forms in sculpture
Le Laocoon moderne et la primauté des enlacements
Au xxe siècle, le groupe antique du Laocoon a le plus souvent perdu son statut d’œuvre d’art de premier plan, tombant dans l’indifférence. Pour les spécialistes d’histoire de l’art, le Laocoon a une position indéfinie entre « original grec » et « copie romaine », ce qui révèle la valorisation de l’ « originalité » artistique depuis le xixe siècle. A partir du xvie siècle, le groupe a comme un double qui peut même se substituer à lui.Dès la découv…
Forwards and backwards in the historiography of Roman art
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
"Late Antiquity": A Protean Term
Roman art under the Empire manifested a protean nature, varying greatly in its visible essentials from time to time, and from place to place. That variation made the definition of its holistic character difficult for art historians familiar with more coherent periods of artistic expression and more consistent modes of reception. Late Antique art exhibited great variation, especially it its latest phases, when an irregular alienation from the trad…
Art (23 works) · History (20 works) · Classical Antiquity Studies (14 works) · Ancient Mediterranean Archaeology and History (12 works) · History (11 works) · Historical and Religious Studies of Rome (9 works) · Ancient history (8 works) · Archaeological Research and Protection (7 works) · Art history (7 works) · Visual arts (7 works)