Hae-Kyung Um
Biographic Data
| ID | 958261 |
|---|---|
| NAME | Hae-Kyung Um |
| GIVEN NAMES | Hae-Kyung |
| FAMILY NAME | Um |
| SIGNATURE | UM H |
| AFFILIATIONS | University of Liverpool |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
The poetics of resistance and the politics of crossing borders: Korean hip-hop and 'cultural reterritorialisation
This paper examines the ways in which hip-hop has taken root in Korean popular culture. The processes that began in the early 1990s include appropriation, adaptation and 'cultural reterritorialisation'. By looking at recent Korean hip-hop outputs and their associated contexts, this paper explores the ways in which Korean hip-hop has gained its local specificities. This was achieved by combining and recontextualising Afro-American and Korean popul…
The politics of performance and the creation of South Asian music in Britain: Identities, transnational cosmopolitanism and the public sphere
The identities of the various South Asian communities are shaped and recognized not only by their place of origin and their specific contexts of migratory history, but also by very diverse post-migratory adaptive strategies and practices taken up by these South Asians. The complexities and debates that surround the roles and positions of music in British South Asian communities and their specific contexts are indicative of these adaptations and r…
New P'ansori in Twenty-first-century Korea: Creative Dialectics of Tradition and Modernity
Nearly a century has passed since the first new p'ansori piece The Song of Ch'oe Pyong-du was performed at the turn of the twentieth century. While traditional p'ansori, a form of folk musical drama, came to symbolize the cultural and artistic heritage of the Korean nation, new p'ansori , in new millennium, aspires to be a cultural expression that is relevant to the contemporary conditions of everyday life while retaining or even restoring what i…
The dialectics of politics and aesthetics in the Chinese Korean dance drama,the spirit of Changbai Mountain
This article explores the relationships between the political aspirations and aesthetic endeavours expressed in the Chinese Korean dance drama, The Spirit of Changbai Mountain, and how they relate to the political, cultural and ethnic identity of this migrant community. The nationality policies and socialist ideology of cultural production in China give shape to this dance drama, which depicts a collective history of the Korean minority as full m…
The Ucla Ethnomusicology Archive. URL: Http://www.ethnomusic.ucla.edu/archive - The World and Traditional Music Section, The British Library National Sound Archive. URL: http://www.bl.uk/collections/s…
The UCLA Ethnomusicology Archive. URL: http://www.ethnomusic.ucla.edu/archive - The World and Traditional Music Section, The British Library National Sound Archive. URL: http://www.bl.uk/collections/sound-archive/imc.html - Volume 36
The poetics of resistance and the politics of crossing borders: Korean hip-hop and 'cultural reterritorialisation
This paper examines the ways in which hip-hop has taken root in Korean popular culture. The processes that began in the early 1990s include appropriation, adaptation and 'cultural reterritorialisation'. By looking at recent Korean hip-hop outputs and their associated contexts, this paper explores the ways in which Korean hip-hop has gained its local specificities. This was achieved by combining and recontextualising Afro-American and Korean popul…
The Ucla Ethnomusicology Archive. URL: Http://www.ethnomusic.ucla.edu/archive - The World and Traditional Music Section, The British Library National Sound Archive. URL: http://www.bl.uk/collections/s…
The UCLA Ethnomusicology Archive. URL: http://www.ethnomusic.ucla.edu/archive - The World and Traditional Music Section, The British Library National Sound Archive. URL: http://www.bl.uk/collections/sound-archive/imc.html - Volume 36
The dialectics of politics and aesthetics in the Chinese Korean dance drama,the spirit of Changbai Mountain
This article explores the relationships between the political aspirations and aesthetic endeavours expressed in the Chinese Korean dance drama, The Spirit of Changbai Mountain, and how they relate to the political, cultural and ethnic identity of this migrant community. The nationality policies and socialist ideology of cultural production in China give shape to this dance drama, which depicts a collective history of the Korean minority as full m…
New P'ansori in Twenty-first-century Korea: Creative Dialectics of Tradition and Modernity
Nearly a century has passed since the first new p'ansori piece The Song of Ch'oe Pyong-du was performed at the turn of the twentieth century. While traditional p'ansori, a form of folk musical drama, came to symbolize the cultural and artistic heritage of the Korean nation, new p'ansori , in new millennium, aspires to be a cultural expression that is relevant to the contemporary conditions of everyday life while retaining or even restoring what i…
The politics of performance and the creation of South Asian music in Britain: Identities, transnational cosmopolitanism and the public sphere
The identities of the various South Asian communities are shaped and recognized not only by their place of origin and their specific contexts of migratory history, but also by very diverse post-migratory adaptive strategies and practices taken up by these South Asians. The complexities and debates that surround the roles and positions of music in British South Asian communities and their specific contexts are indicative of these adaptations and r…
The poetics of resistance and the politics of crossing borders: Korean hip-hop and 'cultural reterritorialisation
This paper examines the ways in which hip-hop has taken root in Korean popular culture. The processes that began in the early 1990s include appropriation, adaptation and 'cultural reterritorialisation'. By looking at recent Korean hip-hop outputs and their associated contexts, this paper explores the ways in which Korean hip-hop has gained its local specificities. This was achieved by combining and recontextualising Afro-American and Korean popul…
Art (4 works) · Sociology (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · History (3 works) · Literature (3 works) · Political science (3 works) · Politics (3 works) · Appropriation (2 works) · Asian Culture and Media Studies (2 works)