Nadezda Seliverstova
Biographic Data
| ID | 9584344 |
|---|---|
| NAME | Nadezda Seliverstova |
| GIVEN NAMES | Nadezda |
| FAMILY NAME | Seliverstova |
| SIGNATURE | SELIVERSTOVA N |
| AFFILIATIONS | New York Academy of Art |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
« I could not do without medieval Christianity »
This article examines the question of transmission in the art of Edward Burne-Jones and precisely in his painting The Hours. The work refers to the art of the past and, more specifically, to the concept of unity revealed by the relational configurations between the figures in Byzantine images. Burne-Jones’s figures are compared with those in Andrei Rublev’s icon of the Trinity. This analysis makes a comparative study of Byzantine art and Pre-Raph…
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« I could not do without medieval Christianity »
This article examines the question of transmission in the art of Edward Burne-Jones and precisely in his painting The Hours. The work refers to the art of the past and, more specifically, to the concept of unity revealed by the relational configurations between the figures in Byzantine images. Burne-Jones’s figures are compared with those in Andrei Rublev’s icon of the Trinity. This analysis makes a comparative study of Byzantine art and Pre-Raph…
Art (1 work) · Christianity (1 work) · French Literature and Poetry (1 work) · Humanities (1 work) · Philosophy (1 work) · Theology (1 work)