Konstantinos Giannos
Biographic Data
| ID | 9595186 |
|---|---|
| NAME | Konstantinos Giannos |
| GIVEN NAMES | Konstantinos |
| FAMILY NAME | Giannos |
| SIGNATURE | GIANNOS K |
| AFFILIATIONS | Aristotle University of Thessaloniki |
| ORCID | 0000-0003-3638-3309 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
From Bach to Pélog
Dissonant stimuli or stimuli with high auditory roughness are often related to jagged shapes, while consonant stimuli or those with low auditory roughness are associated with curvy and smooth shapes. This empirical study explores auditory-tactile associations for roughness in diverse musical excerpts. We investigate whether auditory harmonic dissonance is perceptually associated with tactile roughness in sandpapers with varying grit values, and w…
Sequential consonance/dissonance
Harmonic expectations are actively connected with the syntactic and asymmetric organisation of Western tonal harmony. Their violation has been associated with concepts such as tension, surprise, completeness, or harmonic relatedness and coherence, among others. The aim of this study is to examine whether the violation of expected chord directionality is related to perceived consonance/dissonance (C/D) of entire short chord sequences, focusing on …
No prominent works on this page.
From Bach to Pélog
Dissonant stimuli or stimuli with high auditory roughness are often related to jagged shapes, while consonant stimuli or those with low auditory roughness are associated with curvy and smooth shapes. This empirical study explores auditory-tactile associations for roughness in diverse musical excerpts. We investigate whether auditory harmonic dissonance is perceptually associated with tactile roughness in sandpapers with varying grit values, and w…
Sequential consonance/dissonance
Harmonic expectations are actively connected with the syntactic and asymmetric organisation of Western tonal harmony. Their violation has been associated with concepts such as tension, surprise, completeness, or harmonic relatedness and coherence, among others. The aim of this study is to examine whether the violation of expected chord directionality is related to perceived consonance/dissonance (C/D) of entire short chord sequences, focusing on …
Categorization, perception, and language (1 work) · Chromatic scale (1 work) · Color perception and design (1 work) · Computer Science (1 work) · Consonance and dissonance (1 work) · Directionality (1 work) · Harmonic (1 work) · Hierarchy (1 work) · Multisensory perception and integration (1 work) · Musicology and Musical Analysis (1 work)