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John Adkins Richardson

Biographic Data

ID959563
NAMEJohn Adkins Richardson
GIVEN NAMESJohn Adkins
FAMILY NAMERichardson
SIGNATURERICHARDSON J A
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS1
AUTHOR COUNT23
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR1985
H-INDEX1
  • The Social Limits of Art

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1985

  • Moments of Vision

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1983

  • Seeing Berger: "A Revaluation of "Ways of Seeing

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1983

  • Clement Greenberg, Art Critic

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1982

  • The Story of Modern Art

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1982

  • Estrangement as a Motif in Modern Painting

    John Adkins Richardson, John Richardson•ARTICLE•The British Journal of Aesthetics•1982

    Journal Article ESTRANGEMENT AS A MOTIF IN MODERN PAINTING Get access John Adkins Richardson John Adkins Richardson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 22, Issue 3, SUMMER 1982, Pages 195–210, https://doi.org/10.1093/bjaesthetics/22.3.195 Published: 01 March 1982

  • Permanent Red: Essays in Seeing

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1981

  • The Palette and the Flame: Posters of the Spanish Civil War

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1981

  • The Other Half: A Self-Portrait

    John Adkins Richardson, John Richardson•ARTICLE•Leonardo•1981

  • The Golden Age of American Illustration: F. R. Gruger and His Circle

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1980•Cited by: 1

  • The Other Half: A Self-Portrait

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1979

  • Art of the Calendar

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1979

  • The Sociology of the Arts

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1978

  • The Complete Book of Cartooning

    John Jensen, J Hans D Jensen et al.•ARTICLE•Leonardo•1978

  • Aesthetics and the Theory of Criticism: Selected Essays of Arnold Isenberg

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1977

    These sixteen essays by Arnold Isenberg bring wide-ranging connoiseurship, intricate analysis, and epigrammatic literacy to bear on a number of glib and fuzzy oppositions between form and content, description and interpretation, perception and meaning, technique and substance, and belief and expression, articulating provocative strategies for illuminating the canon of the arts and the organ of criticism. . . . Any thoughtful lover of the arts cou…

  • The Adventurous Decade: Comic Strips in the Thirties

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1977

  • Speculations on Dogon Iconography

    John Adkins Richardson, John Richardson•ARTICLE•African Arts•1977

    Statuaire dogon dans le cadre de la conception du monde: cosmologie et structure du village

  • Visual Communication and the Graphic Arts

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1976

  • Social Realism: Art as a Weapon

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1976

  • Modern Art and Scientific Thought

    Michael Hoare, John Adkins Richardson et al.•ARTICLE•Leonardo•1974

  • Modern Art and Scientific Thought

    Louis Vaczek, John Adkins Richardson et al.•ARTICLE•Technology and Culture•1972

  • Illustration and Art. Thematic Content and Aesthetic Standards

    John Adkins Richardson, John Richardson•ARTICLE•The British Journal of Aesthetics•1971

  • Cubism and the Fourth Dimension: A Myth in Modern Criticism

    Open Access•John Adkins Richardson, John Richardson•ARTICLE•Diogenes•1969

    Everyone who has anything to do with modern art recognizes the importance of Cubism, an importance that goes beyond the quality of individual pictures and resides in their bearing on the entire tradition of the past. Cubism not only changed the face of art for all the coming generation, it did so with a suddeness unprecedented in the history of artistic innovation. All other movements of so extreme a character had taken at least the lifetimes of …

  • The Golden Age of American Illustration: F. R. Gruger and His Circle

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1980•Cited by: 1

  • Cubism and the Fourth Dimension: A Myth in Modern Criticism

    Open Access•John Adkins Richardson, John Richardson•ARTICLE•Diogenes•1969

    Everyone who has anything to do with modern art recognizes the importance of Cubism, an importance that goes beyond the quality of individual pictures and resides in their bearing on the entire tradition of the past. Cubism not only changed the face of art for all the coming generation, it did so with a suddeness unprecedented in the history of artistic innovation. All other movements of so extreme a character had taken at least the lifetimes of …

  • Illustration and Art. Thematic Content and Aesthetic Standards

    John Adkins Richardson, John Richardson•ARTICLE•The British Journal of Aesthetics•1971

  • Modern Art and Scientific Thought

    Louis Vaczek, John Adkins Richardson et al.•ARTICLE•Technology and Culture•1972

  • Modern Art and Scientific Thought

    Michael Hoare, John Adkins Richardson et al.•ARTICLE•Leonardo•1974

  • Visual Communication and the Graphic Arts

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1976

  • Social Realism: Art as a Weapon

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1976

  • Aesthetics and the Theory of Criticism: Selected Essays of Arnold Isenberg

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1977

    These sixteen essays by Arnold Isenberg bring wide-ranging connoiseurship, intricate analysis, and epigrammatic literacy to bear on a number of glib and fuzzy oppositions between form and content, description and interpretation, perception and meaning, technique and substance, and belief and expression, articulating provocative strategies for illuminating the canon of the arts and the organ of criticism. . . . Any thoughtful lover of the arts cou…

  • The Adventurous Decade: Comic Strips in the Thirties

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1977

  • Speculations on Dogon Iconography

    John Adkins Richardson, John Richardson•ARTICLE•African Arts•1977

    Statuaire dogon dans le cadre de la conception du monde: cosmologie et structure du village

  • The Sociology of the Arts

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1978

  • The Complete Book of Cartooning

    John Jensen, J Hans D Jensen et al.•ARTICLE•Leonardo•1978

  • The Other Half: A Self-Portrait

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1979

  • Art of the Calendar

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1979

  • The Golden Age of American Illustration: F. R. Gruger and His Circle

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1980•Cited by: 1

  • Permanent Red: Essays in Seeing

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1981

  • The Palette and the Flame: Posters of the Spanish Civil War

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1981

  • The Other Half: A Self-Portrait

    John Adkins Richardson, John Richardson•ARTICLE•Leonardo•1981

  • Clement Greenberg, Art Critic

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1982

  • The Story of Modern Art

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1982

  • Estrangement as a Motif in Modern Painting

    John Adkins Richardson, John Richardson•ARTICLE•The British Journal of Aesthetics•1982

    Journal Article ESTRANGEMENT AS A MOTIF IN MODERN PAINTING Get access John Adkins Richardson John Adkins Richardson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 22, Issue 3, SUMMER 1982, Pages 195–210, https://doi.org/10.1093/bjaesthetics/22.3.195 Published: 01 March 1982

  • Moments of Vision

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1983

  • Seeing Berger: "A Revaluation of "Ways of Seeing

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1983

  • The Social Limits of Art

    John Adkins Richardson, John Richardson et al.•ARTICLE•Leonardo•1985

Art (20 works) · Visual arts (13 works) · Art history (7 works) · Computer Science (7 works) · Aesthetics (6 works) · Visual Culture and Art Theory (5 works) · Art, Politics, and Modernism (4 works) · Literature (4 works) · Sociology (4 works) · Comics and Graphic Narratives (3 works)

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