Jarek Paul Ervin
Biographic Data
| ID | 959762 |
|---|---|
| NAME | Jarek Paul Ervin |
| GIVEN NAMES | Jarek Paul |
| FAMILY NAME | Ervin |
| SIGNATURE | ERVIN J P |
| AFFILIATIONS | University of Virginia |
| ORCID | 0000-0002-1645-7086 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Ideology, False Consciousness, and Beyond
This article explores Marx and Engels' infamous theory ideology, which I argue is best understood as a critique of ideation.The piece explores what the pair did and did not say about ideology and similar concepts, focusing on six key terms: alienation, mystification, commodity fetishism, social consciousness, ideology, and false consciousness.I read across the Marxian corpus, from The 1844 Manuscripts and The German Ideology to the three volumes …
The Sound of Subterranean Scuzz-Holes
This article provides a historical and theoretical account of a tradition of LGBTQ-oriented punk music in New York City during the 1970s. Queer punk – a scene comprised of LGBTQ people and shaped by discourse around gender and sexuality – was central to U.S. punk’s most infamous moment in a way that has largely been ignored. In order to make sense of why, I draw on period criticism and historical research into the LGBTQ community in New York, sug…
New York Punk Rock
My dissertation takes a speculative cue from the reception of 1970s New York punk, which is typically treated as both rule -the symbolic site of originand exception -a protean moment before the crystallization of punk proper.For this reason, artists such as Velvet Underground, Patti Smith, the Ramones, and Blondie are today afforded the simultaneous status of originators, interlopers, innovators, and successors.This has led both to the genre's ca…
One Chord Wonders
One Chord Wonders
New York Punk Rock
My dissertation takes a speculative cue from the reception of 1970s New York punk, which is typically treated as both rule -the symbolic site of originand exception -a protean moment before the crystallization of punk proper.For this reason, artists such as Velvet Underground, Patti Smith, the Ramones, and Blondie are today afforded the simultaneous status of originators, interlopers, innovators, and successors.This has led both to the genre's ca…
The Sound of Subterranean Scuzz-Holes
This article provides a historical and theoretical account of a tradition of LGBTQ-oriented punk music in New York City during the 1970s. Queer punk – a scene comprised of LGBTQ people and shaped by discourse around gender and sexuality – was central to U.S. punk’s most infamous moment in a way that has largely been ignored. In order to make sense of why, I draw on period criticism and historical research into the LGBTQ community in New York, sug…
Ideology, False Consciousness, and Beyond
This article explores Marx and Engels' infamous theory ideology, which I argue is best understood as a critique of ideation.The piece explores what the pair did and did not say about ideology and similar concepts, focusing on six key terms: alienation, mystification, commodity fetishism, social consciousness, ideology, and false consciousness.I read across the Marxian corpus, from The 1844 Manuscripts and The German Ideology to the three volumes …
Art (3 works) · Art history (3 works) · Literature (3 works) · Music History and Culture (3 works) · Punk (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Philosophy (2 works) · Sociology (2 works) · American Political and Social Dynamics (1 works)