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Indu Jain

Biographic Data

ID9598050
NAMEIndu Jain
GIVEN NAMESIndu
FAMILY NAMEJain
SIGNATUREJAIN I
AFFILIATIONSUniversity of Delhi
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Daughters Opera

    Indu Jain•ARTICLE•Studies in Theatre and Performance•2024

    Daughters Opera (2020), an inter-cultural Indian-Australian opera, offers possibilities of solidarities through a unique interdisciplinary and experimental encounter using text, music, movement, and site. Women artists from the Global North and Global South come together to embrace multiple performative forms to create an immersive experience focused on women’s experience of violence (domestic and institutional) from the everyday to the extreme. …

  • Collective resistance roundtable discussion

    Jason Benson, Stefanie Gabriele Sachsenmaier et al.•ARTICLE•Studies in Theatre and Performance•2024

    Indu Jain, Julia Listengarten, Stefanie Gabriele Sachsenmaier, and Kathryn Mederos Syssoyeva were invited to participate in a roundtable discussion on ‘Collective Resistance’, chaired by Jason Benson, as part of the conference, Borderlines IX: Seeking Solidarity and Wonder Through Performance, which took place at De Montfort University in Leicester, UK, on 30 June and 1 July 2022. The speakers were asked to provide a 5-minute provocation stemming…

  • Dossier—Negotiating Urban Spaces

    Open Access•Indu Jain, Trina Nileena Banerjee•ARTICLE•Theatre Research International•2024

    This dossier explores the ways in which theatre and performance practitioners across the globe have addressed the deeply gendered modes of differential access to public spaces, institutional support, and resources through their creative as well as activist work, during the pandemic and its aftermath. In the last three years, the pandemic has transformed experiences of urban space globally. Access to public space has always been gendered as well a…

  • Feminist Exploration of Material Objects in Anuradha Kapur’s Jeevit Ya Mrit

    Open Access•Indu Jain•ARTICLE•Theatre Research International•2020

    This article focuses on the Indian feminist director Anuradha Kapur's unique approach to theatrical objects and practices as stimulating gendered behavior. Analysing her play Jeevit Ya Mrit (Alive or Dead), I show Kapur's deliberate emphasis on the surplus of material objects and the devising of props as related to the figuration of the women actors onstage wherein the attempt is to focus on the mise en scène rather than the character being portr…

No prominent works on this page.

  • Feminist Exploration of Material Objects in Anuradha Kapur’s Jeevit Ya Mrit

    Open Access•Indu Jain•ARTICLE•Theatre Research International•2020

    This article focuses on the Indian feminist director Anuradha Kapur's unique approach to theatrical objects and practices as stimulating gendered behavior. Analysing her play Jeevit Ya Mrit (Alive or Dead), I show Kapur's deliberate emphasis on the surplus of material objects and the devising of props as related to the figuration of the women actors onstage wherein the attempt is to focus on the mise en scène rather than the character being portr…

  • Daughters Opera

    Indu Jain•ARTICLE•Studies in Theatre and Performance•2024

    Daughters Opera (2020), an inter-cultural Indian-Australian opera, offers possibilities of solidarities through a unique interdisciplinary and experimental encounter using text, music, movement, and site. Women artists from the Global North and Global South come together to embrace multiple performative forms to create an immersive experience focused on women’s experience of violence (domestic and institutional) from the everyday to the extreme. …

  • Collective resistance roundtable discussion

    Jason Benson, Stefanie Gabriele Sachsenmaier et al.•ARTICLE•Studies in Theatre and Performance•2024

    Indu Jain, Julia Listengarten, Stefanie Gabriele Sachsenmaier, and Kathryn Mederos Syssoyeva were invited to participate in a roundtable discussion on ‘Collective Resistance’, chaired by Jason Benson, as part of the conference, Borderlines IX: Seeking Solidarity and Wonder Through Performance, which took place at De Montfort University in Leicester, UK, on 30 June and 1 July 2022. The speakers were asked to provide a 5-minute provocation stemming…

  • Dossier—Negotiating Urban Spaces

    Open Access•Indu Jain, Trina Nileena Banerjee•ARTICLE•Theatre Research International•2024

    This dossier explores the ways in which theatre and performance practitioners across the globe have addressed the deeply gendered modes of differential access to public spaces, institutional support, and resources through their creative as well as activist work, during the pandemic and its aftermath. In the last three years, the pandemic has transformed experiences of urban space globally. Access to public space has always been gendered as well a…

Political science (3 works) · Sociology (3 works) · Theatre and Performance Studies (3 works) · Aesthetics (2 works) · Art (2 works) · Gender Studies (2 works) · Posthumanist Ethics and Activism (2 works) · Visual arts (2 works) · Art, Politics, and Modernism (1 work) · Biology (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae