Milan Milojković
Biographic Data
| ID | 9610477 |
|---|---|
| NAME | Milan Milojković |
| GIVEN NAMES | Milan |
| FAMILY NAME | Milojković |
| SIGNATURE | MILOJKOVIC M |
| AFFILIATIONS | Academy of Arts, University of Novi Sad, Novi Sad, Serbia |
| ORCID | 0009-0000-4243-8156 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
The presence of computers in Yugoslav popular music of the second half of the 1980s
This article is the result of my research of Yugoslav pop music discography in the second half of the 1980s, focused on the processes of implementation of digital musical instruments and general-purpose computers into music production - as original sound sources or replacements for acoustic instruments, as well as poetic metaphors and elements of graphic design of record covers. Based on the data available from recording staff listings, interview…
The role of music on the Yugoslav computer demoscene
The paper is based on the recent writings about the demoscenes, published in European countries, in order to examine Yugoslav demos from the late 80s/early 90s, adjusting the approach from similar publications that regard the demoscene as a kind of digital art, made by communities of groups or individuals dedicated to advanced programming or hacking/cracking/sharing/reusing of the existing software. Although the hackers and their works analyzed i…
No prominent works on this page.
The presence of computers in Yugoslav popular music of the second half of the 1980s
This article is the result of my research of Yugoslav pop music discography in the second half of the 1980s, focused on the processes of implementation of digital musical instruments and general-purpose computers into music production - as original sound sources or replacements for acoustic instruments, as well as poetic metaphors and elements of graphic design of record covers. Based on the data available from recording staff listings, interview…
The role of music on the Yugoslav computer demoscene
The paper is based on the recent writings about the demoscenes, published in European countries, in order to examine Yugoslav demos from the late 80s/early 90s, adjusting the approach from similar publications that regard the demoscene as a kind of digital art, made by communities of groups or individuals dedicated to advanced programming or hacking/cracking/sharing/reusing of the existing software. Although the hackers and their works analyzed i…
Art (2 works) · Computer Science (2 works) · Digital audio (2 works) · Multimedia (2 works) · Musical (2 works) · Visual arts (2 works) · Acoustics (1 work) · Active listening (1 work) · Art history (1 work) · Art, Technology, and Culture (1 work)