Noa Halevy
Biographic Data
| ID | 961234 |
|---|---|
| NAME | Noa Halevy |
| GIVEN NAMES | Noa |
| FAMILY NAME | Halevy |
| SIGNATURE | HALEVY N |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
English Emergencies and Russian Rescues, c. 1875–2000
This third installment in a chronologically arranged, three-part sequence concludes the author’s examination of Anglo-American literati who, in the later nineteenth and twentieth centuries, turned—in acts of combined xenophilia and xenophobia—to Russian literature and literary theory in order to escape the dominant influence of avant-garde movements in France. These Anglophone writers found in Russian exemplars a responsible, morally rigorous, an…
English Emergencies and Russian Rescues, C. 1875 – 2000
This second installment in a chronologically arranged, three-part sequence continues the author's examination of Anglo-American literati who, in the later nineteenth and twentieth centuries, turned — in acts of combined xenophilia and xenophobia — to Russian literature and literary theory in order to escape the dominant influence of avant-garde movements in France. These Anglophone writers found in Russian exemplars a responsible, morally rigorou…
English Emergencies and Russian Rescues, C. 1875 – 2000
This article is the first installment of a three-part contribution to the Common Knowledge symposium on xenophilia. The series of three examines the ways in which Anglo-American writers, from the mid-nineteenth until the late twentieth century, turned to Russian literature and literary theory to escape the otherwise inevitable influence of French avant-garde literary movements. These writers—Henry James in part 1, Donald Davie in part 2, and the …
Introduction
In this introduction to the first installment of the Common Knowledge symposium on xenophilia, the editor explains the rationale of the new project, citing increases in aggressive xenophobia internationally. He comments on the intergroup-relations theorist Todd Pittinsky's argument that, since tolerance is not logically the antithesis of negative feelings toward out-groups, even long-established traditions of toleration are inadequate to prevent …
Introduction
In his introduction to part 2 of the Common Knowledge symposium on xenophilia, the journal's editor tours the reader through two private apartments (T. S. Eliot's in London and the anthropologist Jeannette Mirsky's in Princeton) and through two public art collections (the Michael Rockefeller Wing of the Metropolitan Museum in New York and the Ménil Collection in Houston) in an effort to establish that aesthetically coherent mixtures of apparently…
English Emergencies and Russian Rescues, C. 1875 – 2000
This second installment in a chronologically arranged, three-part sequence continues the author's examination of Anglo-American literati who, in the later nineteenth and twentieth centuries, turned — in acts of combined xenophilia and xenophobia — to Russian literature and literary theory in order to escape the dominant influence of avant-garde movements in France. These Anglophone writers found in Russian exemplars a responsible, morally rigorou…
English Emergencies and Russian Rescues, C. 1875 – 2000
This article is the first installment of a three-part contribution to the Common Knowledge symposium on xenophilia. The series of three examines the ways in which Anglo-American writers, from the mid-nineteenth until the late twentieth century, turned to Russian literature and literary theory to escape the otherwise inevitable influence of French avant-garde literary movements. These writers—Henry James in part 1, Donald Davie in part 2, and the …
English Emergencies and Russian Rescues, C. 1875 – 2000
This second installment in a chronologically arranged, three-part sequence continues the author's examination of Anglo-American literati who, in the later nineteenth and twentieth centuries, turned — in acts of combined xenophilia and xenophobia — to Russian literature and literary theory in order to escape the dominant influence of avant-garde movements in France. These Anglophone writers found in Russian exemplars a responsible, morally rigorou…
English Emergencies and Russian Rescues, C. 1875 – 2000
This article is the first installment of a three-part contribution to the Common Knowledge symposium on xenophilia. The series of three examines the ways in which Anglo-American writers, from the mid-nineteenth until the late twentieth century, turned to Russian literature and literary theory to escape the otherwise inevitable influence of French avant-garde literary movements. These writers—Henry James in part 1, Donald Davie in part 2, and the …
Introduction
In this introduction to the first installment of the Common Knowledge symposium on xenophilia, the editor explains the rationale of the new project, citing increases in aggressive xenophobia internationally. He comments on the intergroup-relations theorist Todd Pittinsky's argument that, since tolerance is not logically the antithesis of negative feelings toward out-groups, even long-established traditions of toleration are inadequate to prevent …
Introduction
In his introduction to part 2 of the Common Knowledge symposium on xenophilia, the journal's editor tours the reader through two private apartments (T. S. Eliot's in London and the anthropologist Jeannette Mirsky's in Princeton) and through two public art collections (the Michael Rockefeller Wing of the Metropolitan Museum in New York and the Ménil Collection in Houston) in an effort to establish that aesthetically coherent mixtures of apparently…
English Emergencies and Russian Rescues, c. 1875–2000
This third installment in a chronologically arranged, three-part sequence concludes the author’s examination of Anglo-American literati who, in the later nineteenth and twentieth centuries, turned—in acts of combined xenophilia and xenophobia—to Russian literature and literary theory in order to escape the dominant influence of avant-garde movements in France. These Anglophone writers found in Russian exemplars a responsible, morally rigorous, an…
Philosophy (5 works) · Philosophy (4 works) · Aestheticism (3 works) · Aesthetics (3 works) · Art (3 works) · Epistemology (3 works) · Literature (3 works) · Russian literature (3 works) · Sociology (3 works) · Criticism (2 works)